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Federico Maria Rivalta, born in Florence, Tuscany in 1959, is an Italian novelist, essayist, and journalist. After earning a degree in architecture at the University of Florence, he opted for a writing career in his mid to late twenties. Veronesi published his first book at the age of 25, a Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) collection of poetry (Il resto del cielo, 1984) that has remained his only venture into verse writing. What has followed since includes five novels, three books of essays, one theatrical piece, numerous introductions to novels and collections of essays, interviews, screenplay, and television programs.


Il resto del cielo consists of Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) twenty-five short compositions, none longer than fourteen verses, that speak to the general problematics of communication, all of which is underscored by a constant coincidentia oppositorum. Seemingly simple verses, they speak eloquently to the narrating voice's quotidian landscape.


His first novel, Per dove parte questo treno allegro (1988), is the Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) story of a typical relationship of the 1980s between father
and son. A troubled rapport between them, the father is an adventurous businessman who, while deep in debt, has squirreled away a few hundred thousand dollars in Switzerland. The son, an insipid thirty-year-old, who acts half his age, is a Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) do-nothing with strange habits. While the two spend a few strained weeks together, their lives eventually begin to find some similarities.


With his second novel, Gli sfiorati (1990), Veronesi approaches the family thematics in a much more dramatic fashion. A family recomposed of two previously split ones, here too the Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) father and son experience a troubled relationship. Mete, however, finds comfort in a developing rapport with his beautiful stepsister. All this takes place in Rome, intertwined with other narratives of various social types that one might expect to find in such a chaotic metropolis that Veronesi depicts. Experimental, in some Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) ways, this novels verges on the fantastic, while the author offers up a portrait of the early 1990s and its
polymorphous, youthful generation, represented herein by the literal, and metaphorical, sign of "schiumevolezza."


Faithful to the theme of troubled relationships between two people of different generations, Venite venite B-52 Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) (1995) changes the dynamics to that of father-daughter. As he did in his previous novels, especially in Gli sfiorati, here too Veronesi offers up a gallery of extraordinary characters, beginning with the father, Ennio Miraglia, a representation of the 1980s consumerist Italy, and his daughter Viola, whose desire to free Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) herself of her father's Italy is underscored in the novel's title, her hopes that the American bombers come and destroy that which she abhors.


La forza del passato (2000; Premio Viareggio L. Repaci and the Premio Campiello) continues the father-son relationship. This time, however, the father is absent (dead), and Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) – again different from before – we move from a positive memory of the dead father to one that questions his son's knowledge of who he truly was. Gianni Orzan
is a writer of children's books whose life is suddenly shattered when he realizes that what he always believed about Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) his father, and by extension of himself, may have all been a façade. Through Gianni's eventual stream-of-consciousness, both he and the novel's reader constantly shift between the present and, through the character's memory, the past.


Ring City (2001) is a "children's novel,” for lack of a better term. As such, Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) it figures as a wonderful companion piece to La forza del passato, as it is surely a book Gianni Orzan would have written. Topolino (Mickey Mouse) must confront the Fosterman clan, who has taken over the once tranquil city of Vocalia, transforming it into a giant boxing ring.


Caos calmo Un ristretto in tazza grande (Riccardo Ranieri Vol. 1) (novel) [it] (2005) won him Italy's most prestigious award, the Strega Prize. Having lost his wife to a natural death, Pietro Paladini is able to recover his existential bearings only after re-examining life from its metaphorical underbelly, in his subsequent dealings
with the peopl


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