Viewerswill see Miles navigate through some mental health challenges, and the movie's theme seeks to aid the audience -- especially younger fans -- see the value in talking about mental health. According to Sony's press release, the story will show how "Miles Morales struggles to balance his responsibilities as a teenager, friend and student while acting as Brooklyn's friendly neighborhood Spider-Man. After a particularly challenging day living with these pressures, Miles experiences a panic attack that forces him to confront the manifestations of his anxiety and learn that reaching out for help can be just as brave an act as protecting his city from evil."
The short was directed by Jarelle Dampier and written by Khaila Amazan. Developed under the banner of Sony's LENS (Leading and Empowering New Storytellers) program, the film will be part of the Kevin Love Fund's emotional health curriculum for students in middle school on up to college.
As a kid, it was clear that Jeffrey Dahmer was different from his peers. Instead of playing hide and seek or joining after-school clubs, Jeffrey preferred to spend his time examining and disintegrating dead animals until only their bones were left.
Fern (Frances McDormand) is in her sixties, single, and has lost everything in the economic crash. In a split decision, she packs up her van and embarks on a journey into the heart of Nomadland. She connects with her fellow nomads, dances in the desert, develops important survival skills for the rest of her journey, and finds inspiration along every road.
Through odd jobs and even odder encounters, Fern falls in love with the van life and continues to travel. The friendships she makes and the experiences she has in her travels cement her love for being a nomad, pulling her permanently from the remnants of her old life.
Venus and Serena Williams may be the stars of the tennis court, but the star of this film is their father, Richard Williams. Little do many people know, Richard is actually the man who helped the dynamic duo realize their skills and potential for success, even when surrounded by the rough neighborhoods of 1980s Compton.
In September 2007, Amanda Knox was an American exchange student studying abroad in Italy. She shared a flat with another exchange student from London, Meredith Kercher. When Kercher was found stabbed to death in her bedroom, Knox became the prime suspect.
Nikola Tesla was an Austrian-born inventor and engineer who immigrated to the United States with his family in the 1880s. Best known for his invention of the alternating current electricity supply system, Tesla paved the way for the modern electronics we use today. Being a visionary, however, is an uphill battle that is met with seemingly insurmountable challenges.
Based on the real-life 1976 murder in Mount Hood, A Murder to Remember recounts the fateful anniversary camping trip of Candra and Julio Torres. While searching for a fishing spot in the remote Oregon wilderness, the young couple befriends an unsuspecting camper who promises to lead them to the perfect spot. Little did the couple know, their new friend had ill intentions of capturing Candra at any cost.
The Pursuit of Happyness is an emotional and inspiring true story about a man who refused to give up, even during moments of homelessness and hopelessness. In this real-life drama film, Will Smith plays Chris Gardener, a single father and struggling salesman who is determined to create a bright future for himself and his son.
As a new stepmom, Shirin (Dilan Gwyn) is still learning the best way to care for her stepson, Lukas (Eddie Eriksson Dominguez). While her husband is out of town and Shirin and five-year-old Lukas are alone in the house, strange noises start coming through the walls between their townhouse and the one next door.
As the film emerges festival season with awards from the New Hampshire Film Festival, the Hawaiian International Film Festival, and more, its creators are hoping Aikāne can reach a global audience with its message of positivity and queer love.
Dean Hamer: Joe and I had been working on [it] for more than 20 years, even though we didn't know it. We've spent all our time together since we got married working on making documentaries and helping to tell stories of queer people and mostly of the injustices and the wrongs and the challenges that we face and the perseverance that's required to survive.
We felt it was time to tell a different type of story. Instead of talking about all of the struggle and the conflict of queerness, [we wanted to] talk a little bit about the benefits. During all of our work together, what has always held us together, despite all the conflict that we've witnessed and been involved in, is our love for one another and our trust of one another and our relationship.
In traditional, pre-Western contact times, those relationships were quite common. Chiefly folk were especially noted to have intimate friends of the same sex within their retinue, within their midst, because they needed their close confidantes. They needed people who they could trust with their life, and they also needed support if they were not able to tend to an important matter. If their aikāne went on their behalf, it was sanctioned and accepted. That changed with Christianity. Christianity made relationships like that go the other way and be negative. So I come from a culture that only knows one pronoun, he, she, and it is only one word, and that is ʻo ia. 'O ia is an indicator of how my people feel about sex and gender.
Daniel Sousa: I was really amazed that we could tackle an original fictional story that was epic and had monsters and mythology and a love story, [and somehow] juggle all these pieces together. These characters did not speak and had to communicate through pantomime, almost like shadow puppet theater, which I thought was fascinating, too. We arrived at something that we were all happy with.
DH: We told [Hinaleimoana] that we didn't really see any known Kānaka story that exactly fit this sort of arc that we were looking for. She was very clear that we should be careful not to pretend it was a Hawaiian story or even any other Polynesian story, because there were no Samoan stories or Tongan stories or Māori stories that we knew of that fit either. So we were careful to do that, and we got rid of anything in the dress or the tattoos and the landscapes even, that would make it specifically Hawaiian. Then we showed pretty much the finished film, or very close to the finished film, to Hina.
I often find that queer love stories in general are portrayed pretty tragically. But what I love about the ending of Aikāne is the fact that we have our protagonists being successful against this evil, opposing force, and they get to enjoy their love afterwards. I'd love to know about the significance of that.
DH: Although there are plenty of gay love stories, they're always about the fight of the two people against homophobia, against outside forces that are against them. And about that struggle. We know that's a lot of life, but since we had the freedom of fiction, we just wanted to imagine what would happen in a world where there was none of that. And where them being two men doesn't really make any difference. We made this movie because we think that telling a queer love story with a happy ending is a form of resistance.
The Bible is the bestselling book of all time. It has shaped the modern world and culture, and yet it remains one of the most controversial texts of all time. Written in three languages over 1500 years by more than 40 writers, this remarkable book has captured the hearts and minds of millions of people around the globe.
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We are grateful for your donation, which enables CBN to take the gospel message of hope in Jesus to nations throughout the world! Enjoy this remarkable film that will move and inspire you, reigniting your passion for God's transformative love.
Written over the course of 1,500 years by more than 40 writers and in three languages, The Bible is the most influential book in all of history. It has shaped the world and culture, captured the hearts and minds of countless millions of people, and yet it remains one of the most mysterious texts of all time.
Oracles of God: The Story of the Old Testament will be available June 5 for a gift of any dollar amount. It is available on DVD and instant 4K streaming access on the CBN Family App (available on Apple TV, ROKU, FIRE TV, Mobile Phones, Computer). CBN expects to release the next film in the series, which will begin the story of the New Testament, in the coming year.
So, Indigenous moviemakers have been working for decades in the independent film world to tell their stories. But over the past few years, the number of movies and television shows with a strong Indigenous presence both in front of and behind the camera has been rapidly growing. And Native creatives based in or hailing from Oklahoma are playing key roles in many of the hot new titles.
One of the most critically acclaimed shows out now follows four Native teenagers in rural Oklahoma, while the most popular title ever on one major streaming service is a long-running film franchise's latest installment, which features an Indigenous heroine.
Filmed primarily in Oklahoma, the FX Networks hit debuted in 2021 to almost universal acclaim and premiered its sophomore season last year to more high praise. It has blazed trails as the first mainstream TV show on which every writer, director and series regular performer is Indigenous.
Co-created and executive produced by Oscar-winning New Zealand filmmaker Taika Waititi ("Thor: Love and Thunder"), who is of Maori ancestry, and Tulsa-based moviemaker Sterlin Harjo ("Barking Water"), who is Seminole and Muscogee, the bawdy and uproarious coming-of-age comedy focuses on four present-day Native teenagers who set out to escape their rural Oklahoma home for sunny California.
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