Doll School
Bonifacia Cramm
I really, really wanted to jump into "Mermay" this year. I took out a sketchbook, and in about 15 minutes, I had a scribble I was happy with. And then it sat there. For WEEKS. May got away from me. The boys got me a set of gouache paints and I really wanted to paint this. That did not happen. It's been so long since I painted that I just didn't have the right paper. Undaunted, I popped it into Procreate and wrapped it all up this morning!
I follow a lot of creators online and many of them are digital artists with traditional art backgrounds. If you're over the age of 30, chances are pretty good that you learned how to create on paper! I know I did. The problem with digital art right now is AI. How can I prove this art is mine if the original is just a file on a device? And if I share it, it'll get scraped into the AI model. It's already happening. There are AI generated paper dolls floating around. They are neither good nor convincing but they're out there. Many of the creators I admire are getting back to paper, pencil, paint, etc, because handcraft is becoming more important than ever. I am absolutely not giving up on digital art - I love it! I love the freedom, ease of use, the ability to zoom and undo, and the clean crispness of it.
It's a big day for astronomy in the US! For the last few years, this solar eclipse has been on my radar (that's pretty punny...!). The path of totality is running right through northern Vermont, New Hampshire, and Maine, crossing through a lot of places where I've lived or visited. So it feels kind of personal! We decided not to seek out the path of totality. Even in northeastern Massachusetts, where I am, it'll be impressive if not total.
I was inspired by a sewing pattern cover design. I keep a file of poses and paper dolls that I like and this one has been in there for a while. I just couldn't figure out what to do with it. But then the idea of a solar eclipse paper doll popped into my brain after the Leap Day paper doll.
Once I decided on a pose and idea, I had to figure out how to illustrate it. How can I visually express the idea of "solar eclipse"? My jumping off point was stars and moons, so I gathered together some celestial graphics that I had on hand. As I was drawing the base outfit, I kept thinking this is a young woman popping out of her yoga class to view the eclipse. The wardrobe came from that tiny bit of character background!
I started with a sketch on paper, adjusted it some in Photoshop, and then sent it over to Procreate. I spent a looooong time working on the face. It was really frustrating. There's a playfulness and energy to the sketch that just wasn't translating in Procreate. But I kept at it. In the end, I'm happy with it.
Every (rare) post seems to start with "Things have been really hectic here...." and they have been! My kids are keeping me busy, of course, there are some (scheduled) medical things for my parents, along with the natural rhythm of holidays and birthdays, etc, etc.
The pose and doll were inspired by a late 1970s Skipper paper doll I found. I try to keep a collection of inspiration. I work best from reference and looking at dolls from the past helps. The clothing is all frog inspired. My youngest son LOVE the frog bucket hat. Speaking of... today was supposed to be his birthday. I went into labor on February 29th 12 years ago - and had my second son on the morning of March 1st! In a way, it's for the best. He's a very logical and ordered person, and I think a Leap Day birthday would be too much chaos for him to handle!
I am so incredibly lucky to do what I do. It is a labor of love every single day. Not just the drawing and painting part. I mean, that's excellent. But my favorite part, really, is bringing other artist's work out into the world. Sometimes that's some light editing with cover designs. Sometimes it's a bit more involved, like completing work for an artist who has passed. It's always something I do with reverence and respect. Today I want to highlight a few of the books I worked on with Jenny at Paperdoll Review.
This is a lovely book, beautifully illustrated by Deanna Williams. The thing I loved most about this book was the cover design. Sometimes a cover just comes together. With this one, I wanted it to feel like a stage production. There's a lake image that acts like a stage with trees acting as scenery. I really wanted to lean into the winter theme but I didn't want a blue color scheme. Instead, I picked up on the pinks and purples that show up throughout the book while also thinking about the pretty pinks and purples of winter sunrises and sunsets. A snowflake border adds a bit of whimsy to the whole thing.
For this book, I had the art to work with and not much else. I knew that it was based on a song so I started researching that. I thought it might be fun to add the lyrics to the pages along with floral clip art that was reminiscent of turn-of-the-century scrapbooks. Maybe this was someone's scrapbook of a time they saw this song performed. I also thought the song was rather charming so I included the sheet music on the back page. There's a short period of time after the first World War and the Roaring 20s/Great Depression that has a really lovely aesthetic and I tried to express that here through the colors, fonts, and florals.
I try not to have favorites. Truly. And I love all of the books I work on. But this one was just so special and so unique. When Larry Bassin creates a paper doll, the doll, clothing, and background are often all part of the composition. It's gorgeous but it can make formatting for a book a bit challenging. So what I did is I carefully extracted the dolls and art in Photoshop and rearranged them on pages. Using the comic book aesthetic as inspiration, I added blocks of color to the backgrounds and used a font with an early comic book vibe. Larry was thrilled with how it turned out. Jenny was very pleased. And I'm super happy to get this fantastic art out into the world. It's so colorful and fun and fabulous. There aren't enough words for how much I love this book.
This was another extra special project. I absolutely adore Alina's art and there's something about it that always just clicks with me. Her Monster Party book has one of my favorite cover designs ever and that came out in 2023, too. Deco Dollies was a book design that David Wolfe had worked on. He came up with the composition and concept of the covers and interiors but it was never completed. I took his ideas and worked on them in Adobe Illustrator in order the get the clean, bold lines and colors just right. I often bounce between Photoshop and Illustrator. There are some things that are just easier in a vector format. It was really nice to bring David and Alina's vision for the book all the way to publication.
There are so many terrific books that came out in 2023 that it would be hard to mention all of them here. Norma Lu Meehan's Victorian Christmas is lovely. Tom Tierney's Women in History Volumes 1 & 2 were a typography challenge and I'm rather pleased with those covers, too. You can keep up with the most current news about Paperdoll Review on Facebook (including a 2024 convention!! YAY!!) and shop for all of these beautiful books at Paperdoll Review.
Sometimes I struggle with art block. It's easy to make other people's art look amazing. I get really excited about that! But sometimes I find myself blocked. Maybe I can't come up with an idea. Or I have an idea that I don't think I can pull off. Or I have part of an idea. Or, what happened a lot this year - I have an idea and can't find the time to pull it off! I lost part of January 2023 in the construction of my studio and I lost a good chunk of October through December. Realistically, I was most active between February and September. I had a hand in three books this year: Everything Eighties, Sisters at Heart, and Styles of the 1920s.
We were all really pleased with how it came together. I had an absolute blast coloring it. The covers were inspired by magazines of the 1920s and executed in Illustrator with simple shapes and lines. Rachel did a wonderful job of researching and drawing and I can't wait to see what she comes up with next!
Before I move on to the two books I illustrated, I want to take a minute and talk about coloring line art. I've collaborated with several artists and artist estates where I have been asked to color or complete a project. It's humbling and I approach these projects with respect and reverence. I came across a social media post this year totally bashing one of these special projects. It was really hurtful and crushed my confidence. My style isn't for everyone. I get that. And no one has to like it. I believe strongly in constructive criticism and helping each other grow as artists. I could not imagine being that cruel to an artist myself. I continue to remind myself that social media is not real life and I will put more emphasis on those IRL interactions and less on the likes, clicks, and comments. We all should.
This book started life as my 2022 holiday paper doll. I loved working on that and just could not stop thinking about it. I picked eight fashion fads from the 1980s and reinterpreted them in my own way.
This book is so incredibly special! I started attending conventions and paper doll parties a few years ago. If you haven't been to any, I HIGHLY recommend it. It is SO much fun!! I have met so many delightful folks at these events. One of those is Sharry O'Hare. She is a walking ray of sunshine. She had seen a previous commission of mine and asked if I could put together a book of her and her dear friend Laura (who, incidentally, roped me into the real-life paper doll world and I will be forever grateful for it!!!). I don't take a lot of commissions for a variety of reasons. But this one felt like a really natural fit.
Sharry loved it. Laura loved it. Jenny loved it, too, and with everyone in agreement, we went to press with it at Paperdoll Review. It's the story of a real-life friendship, but it could also be the story of any dear friendship. Working on this was one of the highlights of my year. Sharry is one of the co-hosts of the next paper doll convention and, again, I totally recommend going! You can find out more here.
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