Hi, Andy!
I would love to join this panel to add some practical tips on sound recording. Sadly, so many incredible oral histories are horribly marred by poor sound recording. Maybe the audio recording was enough for the historian or folklorist to transcribe the interview, but with terrible hiss, room noise, and distortion the actual audio recording is so poor it is unusable for radio and does not reach a larger audience.
With a few simple techniques, these problems can be avoided! Current, relatively inexpensive digital audio equipment allows oral historians to capture rich, detailed human voices if--and only if--they follow some simple guidelines for recording clean audio.
I first learned audio recording to interview Eulah McGill, a veteran labor activist of the 1934 Great Uprising strikes of textile workers in the Southern US.
Please, let me join your panel! With just a little guidance, oral historians can learn to get good, clean sound! Allow me this opportunity to help them!
This sounds like a great panel! I am a labor educator at the Washington Labor Education and Research Center at South Seattle College. I studied labor and Latin American History at the University of Michigan. I'm also a filmmaker with experience as a sound recordist. I recorded sound for Haskell Wexler's film, "Four Days in Chicago" for example:
in Solidarity,
Daniel O'Donnell