Quest For Glory 1-5 Free Download
Eufemia Graybill
The series consisted of five games, each of which followed directly upon the events of the last. New games frequently referred to previous entries in the series, often in the form of cameos by recurring characters. The objective of the series is to transform the player character from an average adventurer to a hero[11] by completing non-linear quests.
Each character class features special abilities unique to that class, as well as a shared set of attributes which can be developed by performing tasks and completing quests. In general, for a particular game the maximum value which can be reached for an ability is 100*[the number of that game]. Quest for Glory V allows stat bonuses which can push an attribute over the maximum and lets certain classes raise certain attributes beyond the normal limits. Quest for Glory V also features special kinds of equipment which lower some stats while raising others. At the beginning of each game, the player may assign points to certain attributes, and certain classes only have specific attributes enabled, although skills can be added for an extra cost.
So, I started my Thief over. By day 11 in the game, all the quests had been finished, the five rituals collected, and it was just a matter of waiting for a certain note to appear in my room one morning (this note initiates the end of the game). On day 26, I was still waiting for it. Nothing could make it appear, even replaying from some earlier positions. Either the trigger for this event was not set, or somehow it was turned off. I had no way of knowing, and, with that in mind, I had no inclination to start from scratch again. This also happened to other players who were running characters other than Thieves, and we all eventually abandoned those games.
The tavern does reward me with some quest-related information. The card-playing butcher and baker talk about fishing and a large trout in mirror lake, and a nearby crumpled note certainly hints at something interesting.
Blackwine: My question is about the world of Gloriana in general. I knew each game was supposed to correspond to a place on a compass (like North, South, East, West) and a season. For example, Spielburg was North, and the season was Spring. Shapeir-South, Summer. Where was Tarna located? Mordavia was Fall, and Silmaria will be winter, but where are they located?
Lori C: Tarna broke the rules. It was in Fricana, which is Africa. We added Wages of War to the series because the game called for it. So we broke our own metaphor.
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Credits:
Blake - a mod maker who likes tinkering around with old games. Feel free to check out my other projects such as my & Metropolis's Civ2 - Heroes of Might & Magic 2 scenario, my Civ2 - Red Alert 2 Siege of NYC scenario, my Civ2 - Command & Conquer scenario remaster, my Civ2 - Terminator Future War scenario remaster, my Civ2 - Civ1 Graphics mod demaster, my Civ2ToT - Master of Magic Jr scenario remaster, my Civ2 - Deadworld Reborn scenario remaster, my Civ2 - Starcraft scenario addon, my Civ2 - Better Terrain Graphics mod, my Civ2 - Playstation Graphics mod remaster, my Civ2 - ToT Graphics mod remaster, my Civ2 - Alpha Centauri scenario remaster, my Attila's Conquest - Play as Barbarians in every Civ game scenario series, my old Civ2 - Star Wars scenario, and my Civ1 - Soundtrack Overhaul mod. I'm also the creator of the popular GZDoom - Star Trek TNG Doom and GZDoom - Quest For Glory IV 3D Hexen mods.
If you like my work please feel free to check out my other mod projects such as my & Metropolis's Heroes of Might & Magic 2 Civ2 scenario, my Red Alert 2 Siege of NY Civ2 scenario, my Command & Conquer Civ2 scenario remaster, my Terminator Future War Civ2 scenario remaster, my Deadworld Reborn Civ2 scenario remaster, my Civ1 Graphics for Civ2 mod demaster, my ToT Graphics for Civ2MGE mod remaster, my Civ2 Playstation Graphics for Civ2MGE mod remaster, my Better Terrain Graphics for Civ2MGE mod, my Alpha Centauri Civ2 scenario remaster, my Attila's Conquest - Play as Barbarians in every Civ game scenario series, my old Star Wars Civ2 scenario, my new Master of Magic Enhanced Civ2ToT scenario, and my Civ1 Soundtrack Overhaul mod. I'm also the creator of the popular Star Trek TNG GZDoom and Quest For Glory IV 3D Hexen GZDoom mods.
Finally, the question of the rate at which you can restore health/stamina. As mentioned, there was a fair bit of attrition in QFG, though nothing unmanagable. Health potions were difficult to come by (except in 2, where you could buy like a billion) and were often prohibitively expensive. All this necessitated was intelligent use of resources, not resting all the damn time. Why? Because the rest of the game was intelligently designed to make the attrition both manageable and challenging. This is what Josh Sawyer and co should be aiming for; intelligent encounter design, well dispersed resources, and a system that encourages good use of those resources.
Irrespective of a game type, it is important that the game be balanced for all the play-styles the game allows and for those players that the game is targeting. It makes no sense to make game with (arbitrarily) hard combat for casual players (e.g. players of Farmville). Also, the game should not contain any elements that ANNOY the player, ruining his enjoyment (unnecessarily long quests like in NWN2, GATHER YOUR PARTY, trash mobs of skeletons, zombies and shadows etc).
For a game that is part point-and-click adventure and part kill-and-loot roleplaying, the creators did a good job of balancing these two opposing elements. One thing I really enjoyed was the sense of discovery. Despite the low resolution (320200), the game world is still a beautiful creation, and exploring it was a thrill. I appreciated the fact that you had different quests to go with each class, and that each puzzle solution was different depending on the class you chose. For example, one of the early quests involves fetching a ring out of a tree that a lizard-bird thing has stolen from the healer. A fighter solves this quest by throwing rocks at the nest until it falls to the ground with the ring. A thief will climb the tree and navigate the branch carefully to retrieve the ring. A magic user simply casts the Fetch spell on the ring.
As far as story goes, Quest for Glory is pretty solid. It is built thematically around fairy tales and folk lore. In this game, most of the source material is Germanic and Norse legends; the second game is inspired by Arabian Nights. Each of the games in the series takes a different culture as their inspiration, which helps to build a unique world experience for each and every game. Although some of the dialogue and interactions are somewhat silly or satirical, the overall tone of the story is more serious, and the writers handle this very well. There are a lot of different characters to meet. The climax of the game is handled very well, and the big reveals are well-executed. There are a lot of quests, and they are generally pretty fun to solve.
The game ends with the hero and some of his new friends flying south atop a magic carpet to the land of Shapeir for the next stage of the saga: Quest for Glory II: Trial by Fire. Despite its age, So You Want to Be a Hero holds up quite well, and stands as a promising start to what so far has been an epic quest for glory.
The Quest for Glory series did many brilliant things that shaped how I saw both adventures and RPGs afterwards. I mostly came to it from the adventure side, which helped the freedom and scope of your actions seemed incredible. It offered Fighter (with the option to be promoted to Paladin), Magic User and Thief classes, all with custom side-quests and their own ways of solving the problems in front of you. Magic User was always my favourite as it came with an ever-increasing bag of tricks to play with, and usually played fair. If you had a spell like 'Fetch' and needed to retrieve an object, casting it would normally work. If you had an attack spell, responses would be coded in for most situations, rather than lumbering you with a boring failure message. You were encouraged to experiment with your abilities, just to see what had been coded in. With low skills for instance, clicking your trusty Thief Kit on your hero would lead to him extracting his door-opening device of choice, and accidentally stabbing himself through the brain. More skilled? Click! Congratulations! You successfully picked your nose!
In mechanical terms, the relationship between the Hero and Katrina immediately struck a chord with me. It was one of the first games I remember playing that really explored how simply being interactive can turn a relatively simple thing into something more meaningful. In raw screen-time terms, Katrina and the Hero spend very little time together - but it's doled out very carefully, for good effect. Unless you abuse save/reloading for instance, you only ever get a handful of questions every time you meet. By the time she's revealed as the person responsible for the game's ills, it's not a shock because you didn't guess what her deal was, but because it turns out that she really is the lonely, sympathetic character she always seemed to be. She just also happens to be on the verge of starting the Apocalypse. Nobody's perfect.
Once you are in the castle (10), the Baron will thank you profusely,and Barnard will have a few of his own things to say. Be sure totake the opportunity to ask about some things (3)--you won'tget another chance to talk to the Baron. When you're done, tellthe Baron you have no more questions (EGA), or walk to the exit(VGA). You'll spend the night in the castle.
Thanks for the article, Jonas! Shadows of Darkness is brilliant (sort of pun?), and is the most terrifying non-horror game I ever played, especially the night in the woods and Rusalka quest when you are playing the Paladin.
The second adventure in this half-RPG quest by the Cole couple and Sierra takes place in very much Arabic lands of fantasy. You only have 30 days to conclude your mission but you're not very limited in how you decide to approach the puzzles. Despite different starting stats, pretty much every solution is available to each of the three classes. The dashing hero defies a map designed as copyright protection, the very elements and a suspiciously shifty vizier to add numbers to a little tracker in the top right of the screen. Oh, he might save a city or two, catch forty winks and smile DASHINGLY in the process.
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