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Blondshell, the singer-songwriter whose grungy 2022 singles "Sepsis" and "Kiss City" marked her as an artist able to match jagged musicality with a gnarly degree of honesty, has announced details of her debut album. Blondshell will be released on April 7 via Partisan Records with new song "Joiner" streaming below.
Sheriff Andy Taylor let me sing along on that song when I visited him and Opie in Mayberry. He had exceptional taste in music. Others have also performed it quite admirably. Woody Guthrie made a nice recording as did The Foggy Mountain Boys. They featured a banjo and a fiddle, perfect instruments for a toe-tapping tune.
Xzibit started to rap at 14, shortly after his relocation from Albuquerque to Los Angeles, then under the pseudonym "Exhibit A".[3] His first appearance on a professional record was in February 1995 on The Alkaholiks' Coast II Coast, on the song "Hit and Run" and also appeared on King Tee's IV Life shortly after, on the track "Free Style Ghetto". After touring with Likwit Crew, Xzibit signed to Loud Records[3] and released his debut album, At the Speed of Life in October 1996, which peaked at number 74 on the Billboard Hot 200 and reached 38 on the Canadian Albums Chart. The album produced single "Paparazzi" which peaked at number 86 on the Billboard Hot 100. It had success in Germany and peaked at number 11 on the German Singles Chart.
After spending the next two years building his reputation as a West Coast underground artist and touring with the Likwit Crew, he released his second album, 40 Dayz & 40 Nightz on August 25, 1998, which charted in the U.S. at number 58 and 50 in Canada.[3] It spawned four singles, the most successful being "What U See Is What U Get" charting at number 50 in the United States. With his growing following in the West, he caught the eye of rapper and producer Dr. Dre, who secured him high-profile guest spots, such as joining Snoop Dogg on the Dre-produced hit "Bitch Please" of his album No Limit Top Dogg, and appearing on Dr. Dre's 6 platinum album 2001, on the songs "Lolo", "Some L.A. Niggaz", and "What's the Difference" with Eminem. He closed the year 1999 with his acting debut, starring in The Breaks.
Xzibit started the year with the release of a compilation album Likwit Rhymes, which featured mostly previously unreleased material from his earlier recordings and a guest spot on "Bitch Please II", along with Eminem, Snoop Dogg, Dr. Dre and Nate Dogg. Xzibit also received a guest spot on Limp Bizkit's 8 platinum album Chocolate Starfish and the Hot Dog Flavored Water on the song "Getcha Groove On". His breakthrough came with his third studio album Restless, with Dr. Dre as executive producer and guest appearances by Snoop Dogg, Nate Dogg, Eminem, Dr. Dre, DJ Quik and the Alkaholiks, among others, which sold almost 2 million copies and was certified platinum. It spawned three singles, the most successful being "X", which peaked at number 76 in the U.S., 14 in the UK and 4 in Germany.[4] The album reached number 12 in the US. Dr. Dre invited Xzibit to perform on his American Up in Smoke Tour in mid-2000, which featured Snoop Dogg, Eminem, and Ice Cube, among many others. The same year, he also starred in the direct-to-video crime film Tha Eastsidaz by the group of the same name and was a playable character in the video game Madden NFL 2001. He continued to star in films involving fellow rap artists such as The Wash, co-starring Dr. Dre and Snoop Dogg, in 2001 and The Slim Shady Show and 8 Mile, co-starring Eminem, in 2001 and 2002, respectively. He released two concert films in 2001, Xzibit: Restless Xposed, centered around the recording of his third studio album and various live-performances and was also seen in Tha Alkaholiks: X.O. The Movie Experience by the rap group of the same name. He also released a compilation album of songs that featured him, entitled You Better Believe It. Xzibit contributed vocals to Fat Joe's 2001 album, Jealous Ones Still Envy, appearing on the song "The Wild Life".
Musically, he started the year off with the release of his second compilation album Appetite for Destruction featuring 50 Cent on one track, consisting mostly of tracks from his Dre period and songs that didn't make the cut for his fifth studio album Weapons of Mass Destruction, which was released in December 2004, entering the charts at 43 in the U.S. For this album, he reunited with Columbia Records, after having parted ways with producer and mentor Dr. Dre. The album managed to go gold,[7] but yet again Xzibit was unhappy with the promotion and backing of his label, claiming that they were trying to promote him like Jessica Simpson, leaving the label in anger and going independent. His single "Hey Now (Mean Muggin)" featuring Keri Hilson marked his last chart success on the Billboard Hot 100, peaking at number 93, while the second single "Muthafucka" failed to chart. Aside from his music and Pimp My Ride, he starred in the movie Full Clip, alongside Busta Rhymes, guest-starred in CSI: Miami in the episode The Rap Sheet, released a concert documentary with his new group, eponymously titled Strong Arm Steady and hosted the 2004 MTV Europe Music Awards in Rome. In 2005, he collaborated with shock rock legend Alice Cooper on a track entitled "Stand" from the album Dirty Diamonds. This represented Cooper's first-ever foray into rap music. This year marks his most busy one, also being featured in three video games, The Chronicles of Riddick: Escape from Butcher Bay, where he lent his voice and likeness to the warden Abbott and Def Jam: Fight for NY and NFL Street 2, where he was a playable character.
In 2010, he had a guest-spot in the crime series Detroit 1-8-7, in the episode Royal Bubbles / Needle Drop. He also had the role of the Jabberwock in Malice n Wonderland, a short film based on the novel Alice in Wonderland, included on the re-release of the eponymous Snoop Dogg album, entitled More Malice. After having guest-starred three times in the previous season, he was added to the permanent cast of Extreme Makeover: Home Edition, where he is a part of the design team. After a four-year hiatus, he planned to release his seventh studio album MMX in 2010, but due to label issues the album was not released by the end of year. In March 2011, he teamed up with Extreme Music, to release a new compilation of material titled Urban Ammo 2. Xzibit produced, composed and performed all 40 tracks on the compilation album, created primarily for professional music users and music supervisors in need of material for their movie/television productions. Xzibit enlisted veteran director Matt Alonzo to shoot the videos for the two singles, which are titled "Man on the Moon" and "What It Is", both featuring Young De. In April 2011 he teamed up with Fredwreck and Adil Omar for a song on The Mushroom Cloud Effect.[9] He also appeared in the TV movie Weekends at Bellevue as a nurse in late 2011, an unsuccessful pilot that was not picked up in the end.
On October 19, 2011, it was announced that the title of the album had been changed to Napalm.[10] On October 9, 2012, Napalm was released and Xzibit made an appearance on the BET Cypher in the 2012 BET Hip Hop Awards. On October 29, 2012, Xzibit announced the Collateral Damage tour with the first 16 shows in Canada starting in early November.[11] The tour eventually grew to 18 shows and Xzibit announced this was the first leg on a global tour that would continue into 2013.[12] He starred in the TV movie Seal Team Six: The Raid on Osama Bin Laden as a Navy SEAL, depicting the death of Osama bin Laden. He also appeared in 3 episodes of Hawaii Five-0 as Jason "JC" Dekker starting in 2013. On November 8, 2013, Dutch symphonic metal band Within Temptation revealed the title, artwork and track listing of their upcoming sixth studio album, Hydra. Xzibit features as a guest vocalist on the third track entitled "And We Run". In October 2013 Xzibit released an album with the hip hop group Serial Killers alongside Demrick and B-Real. Xzibit recently appeared on Dr. Dre's studio album Compton, on the song "Loose Cannons" alongside Cold 187um and Sly Pyper.
Xzibit and his ex-wife Krista have had two children together; Xavier and Gatlyn.[15] Xavier was born prematurely on May 15, 2008, and died eleven days later. Xzibit has another son Tremaine Joiner (born June 8, 1995) from a previous relationship. The song "The Foundation" from Xzibit's debut studio album At the Speed of Life is dedicated to Tremaine. Krista Joiner filed for divorce in February 2021.[15]
Humpback whales (Megaptera novaeangliae) are seasonal breeders, annually migrating from high-latitude summer feeding grounds to low-latitude winter breeding grounds. The social matrix on the winter grounds is a loose network of interacting individuals and groups and notably includes lone males that produce long bouts of complex song that collectively yield an asynchronous chorus. Occasionally, a male will sing while accompanying other whales. Despite a wealth of knowledge about the social matrix, the full characterization of the mating system remains unresolved, without any firm consensus, as does the function of song within that system. Here, I consider and critically analyse three proposed functions of song that have received the most attention in the literature: female attraction to individual singers, determining or facilitating male-male interactions, and attracting females to a male aggregation within the context of a lekking system. Female attraction suggests that humpback song is an advertisement and invitation to females, but field observations and song playback studies reveal that female visits to individual singers are virtually absent. Other observations suggest instead that females might convey their presence to singers (or to other males) through the percussive sounds of flipper or tail slapping or possibly through vocalizations. There is some evidence for male-male interactions, both dominance and affiliative: visits to singers are almost always other lone males not singing at that time. The joiner may be seeking a coalition with the singer to engage cooperatively in attempts to obtain females, or may be seeking to disrupt the song or to affirm his dominance. Some observations support one or the other intent. However, other observations, in part based on the brevity of most pairings, suggest that the joiner is prospecting, seeking to determine whether the singer is accompanying a female, and if not soon departs. In the lekking hypothesis, the aggregation of vocalizing males on a winter ground and the visits there by non-maternal females apparently for mating meet the fundamental definition of a lekking system and its role though communal display in attracting females to the aggregation, although not to an individual singer. Communal singing is viewed as a form of by-product mutualism in which individuals benefit one another as incidental consequences of their own selfish actions. Possibly, communal singing may also act to stimulate female receptivity. Thus, there are both limitations and merit in all three proposals. Full consideration of song as serving multiple functions is therefore necessary to understand its role in the mating system and the forces acting on the evolution of song. I suggest that song may be the prime vector recruiting colonists to new winter grounds pioneered by vagrant males as population pressures increase or as former winter grounds become unavailable or undesirable, with such instances documented relatively recently. Speculatively, song may have evolved historically as an aggregating call during the dynamic ocean conditions and resulting habitat uncertainties in the late Miocene-early Pliocene epochs when Megaptera began to proliferate. Early song may have been comprised of simpler precursor sounds that through natural selection and ritualization evolved into complex song.
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