Re: Maan Gaye Mughall-E-Azam Songs Mp3 Songs Free Download
Lillia Iniguez
By the end of filming, more than a million feet of negative had been used, necessitating significant editing.[14] A number of songs were edited out owing to the running time, which in the end was 197 minutes.[53] Almost half of the songs recorded for the film were left out of the final version.[44]
The soundtrack was composed by music director Naushad, and the lyrics were written by Shakeel Badayuni. After conceiving the idea of the film, Asif visited Naushad and handed him a briefcase containing money, telling him to make "memorable music" for Mughal-e-Azam. Offended by the explicit notion of money as a means of gaining quality, Naushad threw the notes out of the window, to the surprise of his wife. She subsequently made peace between the two men, and Asif apologised. With this, Naushad accepted the offer to compose the film's soundtrack.[69]As with most of Naushad's soundtracks, the songs of Mughal-e-Azam were heavily inspired by Indian classical music and folk music, particularly ragas such as Darbari, Durga, used in the composition of "Pyar Kiya To Darna Kya",[70] and Kedar, used in "Bekas Pe Karam Keejeye".[71] He also made extensive use of western classical orchestras and choruses to add grandeur to the music.[72] The soundtrack contained a total of 12 songs, which were rendered by playback singers and classical music artists. These songs account for nearly one third of the film's running time.[73]
The first step towards colourisation was the restoration of the original negatives, which were in poor condition owing to extensive printing of the negative during the original theatrical release.[113] Costly and labour-intensive restoration was essential before colourisation could be carried out. The negative was cleaned of fungal growth, damaged portions were restored, and missing parts of frames were re-instated.[114] After cleaning, each of the 300,000 frames of the negative was scanned into a 10 megabytes-sized file and then was digitally restored.[14] The entire restoration work was undertaken by Acris Lab, Chennai.[115] The dialogues in the original soundtrack were also in a bad state of preservation, which necessitated having the sound cleaned at Chace Studio in the United States. The background score and the entire musical track was recreated by Naushad and Uttam Singh.[50] For the songs, the original voices of the singers like Lata Mangeshkar, Bade Ghulam Ali Khan and Mohammed Rafi were extracted from the original mixed track and the same were recreated with re-recorded score in 6.1 surround sound.[116]
Sanjay Chhel has penned a number of comic fares. Obviously, when Chhel takes charge and decides to helm a project himself, you expect his film to be one wacky ride. Indeed, MAAN GAYE MUGHALL-E-AZAM is wild in parts, thoroughly enjoyable at times, but you don't exclaim 'maan gaye' in the end.
Lekin kahani mein problem hain... Chhel tries to pack sooooo much in one film. Love triangle, patriotism, terrorism, songs, the theatre group's woes... the outcome is clearly erratic and inconsistent. The comedy works, not the terrorism angle.