InternalMenu Trainer for Bully: Scholarship Edition v1.200 (Steam version)
You will need an injector to inject the DLL of course. I like using the Xenos injector, Process Hacker or Cheat Engine. any virus hits are false positives.
If your game crashes a lot (regardless of using my mod menu), then you need to download Silent's patch for Bully which can be done here:
or here:
Cheat #7 - To use Max Money, toggle it on, then go to pause menu and check your money.
Cheat #12 - will only give you weapons you have unlocked so far in the story. To get all weapons earlier in the game use Cheat #13.
Cheat #14 - I don't recommend using this until you have beat the game. if you get all collectibles early and then on some missions you're supposed to collect transistors for example, you won't be able to collect that transistor because you already unlocked them all with this cheat. so i think you might get stuck on the mission so be careful and only use it at the end of the game.
Edit:
I've had bug reports from people saying they minimized the menu by accident and now it won't toggle back on. to fix this issue, i have included a second file attachment. this edited version enables mouse interaction with the menu and i've made it impossible now for the menu to become minimized. so if you are one of those people who had this problem, try using the edited version. by the way, clicking on the teleport buttons with mouse will not do anything. you'll have to use the hotkeys to use those cheats.
Ringbrothers ha dato vita a un bullo. Ma, a differenza degli spacconi che potete incontrare nella vita quotidiana, che probabilmente sono diventati cos a causa della mancanza delle giuste attenzioni, stavolta le cose sono andate in maniera esattamente opposta. In officina sono state impiegate circa 8.500 ore per far s che una normale Chevy Blazer del 1972 diventasse il Bully: pieno di alluminio lavorato dal pieno, di fibra di carbonio e di parti stampate in 3D. E, a occhio e croce, ci sono voluti gli sforzi congiunti di almeno 20 aziende specializzate per ottenere questo risultato.
Gi, il risultato: un vero spaccone su quattro ruote, capace di incutere timore a chiunque gli stia attorno. Il Bully enorme, ha un'aria truce ed mostruosamente potente. Conoscete altri aggettivi per descrivere un mezzo da 1.200 CV? Difficile aspettarsi cifre diverse, dato che: a) stiamo parlando di una macchina costruita da Ringbrothers, e b) questo Bully ha un motore LS3 da 6,8 litri abbinato a un bel compressore. Giusto per capirci, 1.200 CV sono pi di sette voltela potenza del Blazer di partenza del '72. Crediamo che in molti all'epoca fossero soddisfatti di 170 cavalli, ma anche vero che nel frattempo i criteri di giudizio siano un po' cambiati.
Visti i cavalli messi in campo dal Blully, che sarebbero stati in grado di piegare il Blazer come le zampe di un bulldog, alla Ringbrothers hanno pensato di aggiungere qua e l qualche rinforzo. C' dunque un telaio completamente nuovo, per esempio, e poi ci sono sospensioni a quattro bracci al passo coi tempi, oltre ad assali Dana costruiti da Currie e a un cambio 4L80E Bowler Transmissions.
I passaruota e il cofano sono in fibra di carbonio, il coperchio del compressore ricavato dal pieno, il sistema di iniezione del carburante si chiama Dominator, un nome che tutto un programma. Persino le gomme - un set di Cooper Discoverer STT Pro - sono a prova delle pietre pi appuntite ed probabile che siano in grado di aderire a ogni superficie. Tra i loro compiti c' anche quello di dare un punto di riferimento, per capire dalle foto quali siano le proporzioni esatte. Per quanto piccoli possano sembrare, i cerchi HRE sono in realt da 18 pollici, solo che sono circondati da pneumatici 325/65 R18, con oltre 20 cm di fianco. Da perfetto bellimbusto, il Bully agghindato sufficientemente bene da non far capire quanto possa essere davvero minaccioso a chi lo osservi in maniera distratta. I fratelli Ring possono proprio andar fieri della loro opera...
I was born in 1957 and grew up in a town of about fifteen thousand people situated in one of the mid-Atlantic states. Male-male affection in my world of the 1960s was expressed only between athletes in athletic contexts. And it was only expressed in the most gingerly and brief manner possible. I remember much distance between men with very little eye contact. In my hometown, men rarely embraced for any reason. Male-male embraces were rare, even in television and film. Many of the male adults I knew addressed each other by last names only.
When I was eleven years old, I had a friend named Buck. I knew Buck because he was the brother of a friend of my sister. Without that connection, we would not have been interacting. I had no other male friends. Buck was also a year older than I was and that distanced him from my world. I was bullied and rejected outright by most of my same age peers. Either Buck did not know what a pariah I was in my own class, or he knew and he did not mention it.
Buck and I spent time together outside playing. One bleak fall day, the air smelled of wood smoke. The ground lay thick with damp rose, orange and burgundy leaves. As we played, we began to dig out a space in some brush. Surprisingly for both of us, once inside we began to hold each other. There we were quiet and intimate; I felt an intoxicating sense of liberation. I noticed how quiet the world felt to me and how present I felt to Buck and the world. I was whole. I did not know I was to be gay at that time, but it was clear to me that my sports-loving friend and I could not be seen holding hands.
Bullying At School
My parents were alcoholics, my home life was chaotic and my father was prone to violence when he was drinking. I would have hoped for support and security at school.
I remembered little of that film, which included lesbian as well as heterosexual lovemaking, except that a woman moaned a lot when she got out of the bath. Viewing The Fox as an adult, I note that in it two women are living on a farm in the country in a loving lesbian relationship. One day a stunning male knocks on their door. Before you can say heterosexual invasion, the man kisses one of the women, who succumbs to passion. She ultimately decides to stay with her female lover. Then, however, a tree cut down by the handsome man happens to land smack dab on that confounding female lover. The remaining lesbian is then hauled away by the handsome male with an expression of great consternation on her face. This grey, wintry, tragic film was my first exposure to gay relationships on film.
Images of violent gay deaths or suicides, when projected to the masses at regular intervals, have ramifications for how people perceive the gay population. Decades after I saw The Fox, I was surprised when my sister told me that her only real concern about me being gay was that I might commit suicide or be murdered. She had bought into a myth that had been carefully designed to negatively predispose her thoughts about gay people. At that moment I realized the impact that film and the media have on the way people think about sexuality.
An eroticized depiction of the fallen angel in a magazine mesmerized me. I wondered if the fallen angel was evil enough to be a homosexual. Was he thrown out of heaven because he was a homosexual? What could all of this mean for my soul? Would I be thrown out of heaven if ever I was found out?
I learned to become self-supporting, self-counseling and self-prescribing so that I could cope in an ostracizing, bullying world. As a teenager I was left to consider the nature of my own goodness and evil. Most people believed that my homosexual nature was evil. Their beliefs prompted internal dialogue for me even as I considered what it meant to be evil. Was thinking about a behavior enough to make me evil? At what point does a given action go from neutral to evil? If thinking about gay sex, for example, was sinful why not go ahead and act on these thoughts that I could not suppress? As I reasoned my way through this morass, I was forced to learn how to respect myself and to believe in myself with no social or emotional support. There was no visible or accessible LGBT rights organization in my community and precious little reference to LGBT people in the media that was positive. I turned twelve years of age in 1969 and six months later the Stonewall Uprising occurred. I could not have imagined how that event would impact my adult life.
There was no provocation for this bashing other than I was perceived to be a sissy. I never told my family about that perception. I was too ashamed. A pattern of not feeling free to tell others about my deepest feelings and fears began that day. Fear and guilt were molded together for me as a result of this encounter. Even today I struggle with the effort to share my deepest fears. My first reaction is always to clam up and suppress fear. This is an automatic mechanism that is activated instantly - to hide first and try to cope later, unobserved.
Violence spawns feelings of rage and degradation. Those were my own feelings at 14; I was enraged that anyone would feel free to assault another person. I felt degraded as I picked my injured self up off the ground. I knew inside that this altercation would not have happened if it were not their homophobia.
In 1971, exploring why I was abused was not an option. My sexual attractions were regarded by the culture to be shameful and unmentionable. I was forced to tell others that I did not know why I was attacked except that the boys were looking for a fight.
My parents called the parents of one of the boys and the father came to our house and questioned me in an amiable way. He did not call again and we learned that he later told the police and sent us a letter indicating that the injury was not inflicted by the boys. Justice was not going to be served, because at that time lawsuits were very infrequent and my parents did not have the bucks to litigate. Thereafter, I began to try to hide whatever behaviors I may have had that were stereotypic or gay identifiable. The difficulty was that these behaviors were natural for me; I could not recognize them any more than I could see the nose on my face without a mirror.
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