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Ananda Vikatan, in a review dated 19 March 1995, rated the film 53 out of 100.[38] Anand Kannan, writing for Planet Bollywood, said, "I wouldn't call this the best of Mani Ratnam [...] But good acting, a socially conscious theme and a quick pace make the movie well worth watching."[39] In 1996, American critic James Berardinelli rated the film 3.5 out of 4 and said, "Largely because of their limited North American appeal and dubious quality, Indian movies are routinely ignored by distributors [...] Occasionally, however, a worthwhile picture causes enough people to take notice that it becomes a favorite on the international film festival circuit. One such movie is Bombay, the fourteenth feature from celebrated director Mani Rathnam." He concluded, "Director Rathnam has shown great courage in making this picture (bombs were thrown at his house after it opened in India), which speaks with a voice that many will not wish to hear. Bombay recalls how forceful a motion picture can be."[40] R. P. R. of Kalki wrote that with far cry from average cinema, this film raises a thousand questions about social morality, not just Mani Ratnam; it has given every Indian a chance to be proud.[41]
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Set in rural India, away from the noise of the city\u2019s order reflecting on the feudal nature of society, these were movies made out of a sense of hopelessness and a glimmer of solidarity. \u201CCinema is a social medium, unlike the medium of painting,\u201D Benegal noted in an interview, \u201CAnd because it is a social medium, somewhere along the line, a sense of social responsibility does creep into it.\u201D
We love the movies. Bollywood is located in the heart of Bombay, cinema capital of India. Bollywood puts out 180 movies a year, is center of pop music and, of course, the gossip. We wanted to share some of our culture's movie past and present and we hope you enjoy the following special features, our entertaining cuisine.
A few years ago, when Percy Mistry's committee was working on the MIFC report, I used to joke that of the two great industries in Bombay, movies will make it first to international customers. A few days ago in the New York Times, Anupama Chopra has a story showing that some action on that front is now visible.
Winning on a global scale in finance and in movies has some common features : it involves raw materials like human capital, top end computer technology, freedom of speech, openness to other cultures, a large home market, the natural opportunities of connecting up with the disapora, and Schumpeterian creative destruction.
With all these in place, Bombay's movie industry is nicely globalising itself. Finance requires all these - and that bodes well for BIFC. But finance requires a few more things. It requires sophisticated financial regulation, and a sound macroeconomic policy framework. It requires that the government get out of producing financial services just as the government does not produce movies. India has a tonne of work to do on these.
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