Candara Font Similar

[Arridano Tillo]

Candarais a humanist sans-serif typeface designed by Gary Munch and commissioned by Microsoft. It is part of the ClearType Font Collection, a suite of fonts from various designers released with Windows Vista, all starting with the letter C to reflect that they were designed to work well with Microsoft's ClearType text rendering system. The others are Calibri, Cambria, Consolas, Corbel and Constantia.

Candara's verticals show both convex and concave curvature with entasis and ectasis on opposite sides of stems, high-branching arcades in the lowercase, large apertures in all open forms, and unique ogee curves on diagonals. Its italic includes many calligraphic and serif font influences, which are common in modern sans-serif typefaces. Calibri and Corbel, from the same family, have similar designs and spacing.[1]

The family supports most of the WGL4 character set. OpenType features include automatic ligature sets, numerals (tabular, proportional, oldstyle and lining), numerator, denominator, scientific inferior subscripts, and small caps.

It is also distributed with Microsoft Excel Viewer, Microsoft PowerPoint Viewer,[2][3] the Microsoft Office Compatibility Pack[4] for Microsoft Windows and the Open XML File Format Converter for Mac.[5] It is not available as a freeware for use in other operating systems such as Linux, cross-platform use, and web use.

Candara is part of the Microsoft 2007 package, and is available free to people on older systems as part of the PowerPoint 2007 Viewer, so depending on your target audience, you will probably find that between about quarter and half of visitors will have it installed.

Those are numbers worth working with. If you think it looks best in Candara, but works with your second/third choice of font as well, use Candara as the top choice. A good alternative would probably be Lucida Sans - this is broadly similar, and fairly common. And of course, finish the list with sans-serif as a catch-all for anyone missing Candara, Lucida Sans and any others you want to include in the list.

At the very least you need to test all the most common sans-serif fonts unless the basic design is font tolerant (which is perfectly possible though, alas, uncommon). That includes both windows, mac, and linux fonts.

Can anyone recommend a similar(ish) font to Calibri that is definately available to both Windows and Mac users? I'm a Windows user but frequently have to email colleagues who use Macs. Outlook defaults to Calibri but what I send isn't always what the recipients see if they are using Macs. Or do fonts not 'travel' between different email systems anyway? ?

It can be very difficult for recipients to see emails the way you intend if you're using HTML. Using very standard fonts like Arial or Times New Roman will work since both system have it. But even that depends on how the recipient has their email client set up. If they have it set to always display messages as text only, then it doesn't matter what you do on your end. It will always and only display in the font and text size they have their end set to.

Finding a similar font to Calibri (basically, pick any typical sans serif font like Arial) would run into the same problem. If they don't have that same font installed on their end, their email client will display the text in whatever font they have set as the default for HTML messages.

That's what I suspected, thanks for confirming. Most of my Mac-using colleagues are designers so I'm always a bit conscious about the appearance of anything I send them, I'll just have to stop worrying (or send stuff as jpegs/pdfs when it matters) ?

So my problem's solved itself, but I don't like it when I don't understand why things happen; so was just wondering if anyone has any idea why Preview might not be able to access a font that Textedit can, if indeed that's what's happening ? ?

Preview may not have been able to accurately display the PDF. Since Adobe is really the owner (and creator) of the PDF format, there are changes to each new release that Apple has to catch up on. Meaning, as an example, someone created the PDF you have with Acrobat X. Preview, however, hasn't been updated by Apple to fully understand how to parse the latest PDF format, so you get PDF files now and then that it simply can't display correctly. I would suggest installing the free Acrobat Reader and choose it to always open PDF files.

Yes, good point. I did know this, but was more focussed on the 'font' aspect and I guess was slightly worried that I might have a font or two improperly installed. I found I liked Preview alot when it came along, and was getting a bit fed up with how often Acrobat insisted on updating itself and therefore stopped using it; but that kind of proves your point!

Actually, just happened to glance up at the 'More Like This' pane, and it looks like there's maybe been an issue for Preview with Calibri in PDFs from W7 machines all year. I wonder if there's actually a MS Preview-like app with W7 that isn't formatting output as correctly as Acrobat would in some instances ?

Good question. I have Win 7 on my Mac that I need to boot to about 3 times a year to do a specific task, but haven't ever looked to see if it has an app for generating PDF files. WordPad, which is actually a very watered down version of Word, may do that, but I haven't checked.

Personally, I don't like running MS software. Actually, I don't like being in the same room with it. So, I followed the instructions for installing he fonts manually. Works perfectly! I tested it on a .docx file someone sent me, and it opened in Pages without a hiccup.

5) A folder named Archive will appear on your desktop and will open automatically. Within that is also a folder named Archive, which is actually the same folder as a looped display of the folder sitting on the desktop. Anyway, double click that folder and there are all of the fonts.

Yet another one of those weird things MS does. You can normally only get the fonts as included items with MS Office, or other purchased software, or by purchasing them separately. But then they turn around and make them essentially free in a package like this.

Not that they're the only ones. Adobe all but intentionally made Freehand free software, even though they still sell it. You download the "trial" software and install that. However, there's also a "fix" to download for those having trouble getting version 11 running in Snow Leopard. Well, the fix is a never expiring registration file. Once installed, Freehand runs as fully functional software.

Trebuchet is very similar to Calibri and available not only on Windows and Mac, but also on iPad. The other solutions mentioned here (copy TTF, install office...), do not work with the iPhone/iPad. But taking Trebuchet does. However bear in mind that you have to reduce the font size to get the same look: Calibri 18 is roughly Trebuchet 16.

Palatino Linotype is the version of the font included with Microsoft products, and has been altered slightly from the original for optimum display on screens. Book Antiqua, also a Microsoft default font, is very similar, almost impossible to tell from Palatino Linotype.

Designed in 1788 by the punch cutter Richard Austin, commissioned by the publisher John Bell, Bell fonts share similarities with Didot style fonts, but also with softer, rounder Roman fonts of the time such as Baskerville. The influence of flowing, cursive style fonts such as Baskerville can be seen in letters such as the uppercase Q and K, and the italic Y and z, which all have some beautiful, unusual curves. In fact, Bell MT is particularly attractive in italic, almost script-like while maintaining legibility. This makes it an excellent choice for sub-headings, as a softer counterpart to a sans serif heading. Or use it for quotes and testimonials, set in a beautiful Bell italic they will be inviting and authentic, as well as clear and readable.

Tahoma the font however was designed by the British typographer Matthew Carter working for Microsoft, and was released with Windows 95. It is a very close cousin of Verdana, but though similar, Tahoma is a little narrower and more tightly spaced than Verdana, giving it a more slender, slightly more formal feel. It is another example of a font that was designed specifically for screen use, meaning it will look good at a wide range of sizes, and on a wide range of screens, perfect if you are making a presentation that will need to display properly on multiple devices.

So with its easy to read, screen friendly design and readily distinguishable characters, Tahoma is an ideal choice for the slightly more formal, but still approachable, scientific or technical presentation.

Sometimes what we want is not the familiar, the comforting, the Arial and the Times New Roman, sometimes we just want something different. This is your opportunity to step into the almost infinite world of custom fonts. Here you can find fonts to fit almost any imaginable need. From timeless and elegant and crisp and futuristic, to ornate scripts and decorative novelties, there will be a custom font for you.

A custom font will only appear in your presentation if it is played on a device with that font installed. On any other device, PowerPoint will replace your beautiful, carefully planned custom font with one of the system defaults, and this can have disastrous consequences for your design.

If the answer to both of the above is yes, then you are on to a winner. You know best what fits with your brand, and if a font captures your unique voice, and makes your slides easy for your audience to read, you are one step closer to that perfect presentation.

It's Christmas! After a late night with too much eggnog and brandy snaps we set ourselves a challenge to see who could come up with the wildest PowerPoint Christmas card! So it's the day after the night before, and through blurry eyes we can reveal our efforts...

It is, quite simply, the best deck we have. I did a nice presentation with it yesterday and would like to do the same next week... I am sure it will get a lot of use. The visual impact and flow are compelling!

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