Boats aren't just for people! Puppers love them too. There's nothing quite as smile-inducing as a photo that captures the sheer joy of a dog boating with its people. Steal Instagram with a fetching dog caption.
With such a fabulous list of aquatic captions, it's easy to spread the word about your love of boating. Use these boat day captions as-is, or get inspired to come up with even more fabulous sayings about the joy of being on the water. Also, be sure to check out our 250 family boat names if you're trying to name your crew's vessel.
Human children are wonderful, but for some, pets and plants are the way to go. And honestly, no one has ever been upset about a puppy pic on their feed. Go ahead and share the things you love today, no matter their species, with these adorable caption ideas.
Using a unique 90 Day Fiance visa, overseas fiances will travel to the US to live with their partners for the first time. Each couple will have just 90 days to decide to get married or send their international mate home.
Years of party planning came in handy as she began working in the wedding industry. Now she's become an expert in all things Jewish-wedding related. She loves combining her love of weddings with social media; it's a tie between Pinterest and Instagram. Keep an eye out for her @aliyahrg.
A few days ago I walked along the edge of the lake and was treated to the crunch and rustle of leaves with each step I made. The acoustics of this season are different and all sounds, no matter how hushed, are as crisp as autumn air.
Eric Sloane
Scroll down to find wedding captions for the newly married couple and for the bride, plus love quotes that capture those wedding vibes and funny wedding captions for guests. Whether it's images of a wedding cake and its cake topper, the couple's first dance to that super-romantic song, opening gifts from the registry, or sweet wedding moments with family and friends, one of these captions is sure to be just the right fit. Looking for more inspiration? Check out these Instagram captions for couples too. And don't forget to add that wedding hashtag to the caption to complete it!
We quit our jobs over 10 years ago and have been travelling ever since and have enjoyed our fair share of rainy days around the world. We have paired our favourite captions about the rain with our favourite rain photos.
There is something about a stormy day with rolling dark clouds that I love. Here are some great rain storm captions. You might also want to check out our list of Perfect Cloud Captions and Storm Captions and Quotes.
On Valentine's Day, Norah and Jeff visited Lyric for the first time to see Puccini's Madama Butterfly. We caught up with them at intermission to hear their thoughts on the experience. Here is a glimpse into their own love story and why the couple chose Lyric for their perfect date night.
Still image from Faces Places, by Agnès Varda (with JR, 2017, subtitles, 90 minutes), screening at the National Gallery of Art, East Building Auditorium, on April 5, 2020, at 4:00 p.m. as part of the film series Agnès Varda Viewing Art. Image courtesy CineTamaris.
Isadora's Children
May 10, 4:30 p.m. (canceled)
Isadora Duncan's two young children, Patrick and Deidre, died in France in 1913, and the famous dancer never completely healed from this loss. She choreographed a dance entitled Mother, a tender reflection on her relationship with her children. French filmmaker Damien Manivel has used Duncan's concept to create a delicate fictional tale about art's ability to convey emotion and heal. The film comprises three interconnected stories, each focusing on a ballerina's discipline and rigor, but also conveying emotions to strangers in the audience. (Damien Manivel, 2019, subtitles, 84 minutes)
Restoration: Distant Journey
Introduced by Lukáš Přibyl; Discussion with Gabriel Paletz and Lukaš Přibyl follows
May 17, 4:00 p.m. (canceled)
Distant Journey (Daleka cesta) follows a Jewish doctor, Hana, who falls in love and marries a gentile named Toník. Their love story becomes a nightmare when Hana's family is transported to Theresienstadt (Terezín) and struggles to survive. Although director Alfréd Radok was only half Jewish, he lost much of his family in the Holocaust and was himself imprisoned in a camp near Wrocław, Poland. He began production on Distant Journey, his first film, soon after the war ended, shooting a large portion on location in Terezín, where both his father and grandfather had been killed. By the time Radok finished, the communists had taken over postwar Czechoslovakia, ushering in an era of censorship, and the film was subsequently banned for four decades. (Alfréd Radok, 1949, subtitles, 108 minutes) Presented in association with the Washington Jewish Film Festival.
The Oak
Washington, DC, premiere of the restoration
June 6, 2:00 p.m.
After the fall of communism in Romania in 1989, Pintilie returned to Bucharest and became director of national film production for the Ministry of Culture. The Oak, his first film after returning home, follows Nela, a young schoolteacher, after the death of her father, an official with the country's secret police. On an uneasy odyssey through Romania, she carries his ashes in a Nescafe jar. After many surreal moments depicting the end of Nicolae Ceauşescu's regime, Nela meets a doctor named Mitica. His anti-authoritarian nature makes them instantaneous comrades in arms, but a sequence of surprises works against them, and for a while, nothing seems to go right. (1992, subtitles, 105 minutes)
An Unforgettable Summer
June 6, 4:30 p.m.
Based on a short story by Petre Dumitriu, An Unforgettable Summer is set in the 1920s in a region that has been part of both Romania and Bulgaria. When the film opens, a young military officer (Dumitriu himself, played by Claudiu Bleont) is about to attend a ball with his wife Marie-Therese (Kristin Scott Thomas). After his wife resists the advances of a superior officer, this stylish cosmopolitan family is relocated to a dreary and desolate post along the Bulgarian/Romanian border, where the couple's marriage and, indeed, their lives are at stake. (1994, subtitles, 35mm, 81 minutes)
Niki and Flo
June 7, 5:00 p.m.
Retired army officer Niki Ardelean lives in a small Bucharest apartment with his ailing wife Poucha, his daughter Angela, and Angela's new husband Eugen. Angela is pregnant, but Niki's excitement is dulled by the fact that the young couple is planning to leave for the United States. He's torn between his wish to see his daughter happy and a desire to have her nearby. Meanwhile, Eugen's father Flo, a domestic tyrant of sorts, slowly exerts his control over Niki. (2003, subtitles, 35mm, 100 minutes)
The City Without Jews
June 20, 2:30 p.m.
The City Without Jews (Die Stadt ohne Juden) was once considered lost, but this reconstructed version was released in 2019. The film is an adaptation of the 1922 The City Without Jews: A Novel of Our Time by Austrian writer Hugo Bettauer, a work now considered prophetic with respect to the Holocaust. Set in early 1920s Vienna, the film depicts a population feeling loss and looming social instability, aggravated by inflation and unemployment. The people are demanding the purging of Jews from the city. Newly commissioned score by Austrian composer Olga Neuworth. (Hans Karl Breslauer, 1924, subtitles, 80 minutes)
The Seventh Continent
June 21, 5:15 p.m.
Michael Haneke's debut feature foretells the artistry of his later masterworks. Based on a news story that the director read by chance, The Seventh Continent follows three years in the lives of an average middle-class Austrian family disillusioned by the emptiness and dull routines of their days. Husband Georg, wife Anna, and daughter Eva decide to discover for themselves the nirvana suggested by an Australian tourism poster they pass each day. Typical for Haneke's work, the conclusion is both shocking and redemptive. (Michael Haneke, 1989, 35 mm, subtitles, 111 minutes)
Notes on Film 02
June 27, noon
The influence of Austria's lively avant-garde scene is evident in Notes on Film 02, as Norbert Pfaffenbichler combines structural filmmaking methods with elements of narrative cinema to investigate the theme of variation and repetition. Content from Robert Franks O.K. End Here (1963) comes in the form of random moments from the life of a married couple arranged on an alphanumeric editing model. (Norbert Pfaffenbichler, 2006, subtitles, 96 minutes) This film is presented in association with sixpackfilm, a nonprofit organization dedicated to preserving and presenting Austrian experimental cinema.