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Salvator Grimard

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Aug 5, 2024, 2:34:18 PM8/5/24
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Nagabonaris a 1987 Indonesian epic war comedy film directed by M.T. Risyaf. It was Indonesia's submission to the 60th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee.[1] In 2007, the sequel named Nagabonar Jadi 2 released.

Naga Bonar is a pickpocket. During the withdrawal of the Japanese occupying forces from Indonesia in 1945 he declares himself a general of the Liberation Forces. However, soon a mask becomes his true self, and he becomes a true soldier and patriot.


Nagabonar adalah film komedi situasi tahun 1987 dari Indonesia yang mengambil latar peristiwa perang kemerdekaan Indonesia ketika sedang melawan kedatangan pasukan Kerajaan Belanda pasca kemerdekaan Indonesia di daerah Sumatera Utara.


Naga Bonar (Deddy Mizwar) adalah seorang pencopet di Medan yang sering keluar-masuk penjara Jepang, ia bersahabat dengan seorang pemuda bernama Bujang (Afrizal Anoda). Sepulang dari penjara, Bang Pohan (Piet Pagau) mengatakan tentang proklamasi kemerdekaan Indonesia yang sudah diproklamasikan di Jakarta, dan di Medan yang belum sempat dimerdekakan harus memperangi Belanda yang sudah memasuki wilayah Indonesia dengan maksud untuk berkuasa lagi. Lewat narator radio, diceritakan penolong Naga Bonar ketika sakit, Dokter Zulbi yang merupakan teman Bang Pohan diperkirakan sebagai mata-mata Belanda yang ternyata itu hanya isu. Naga Bonarpun menjadi tentara garis depan dalam perlawanan terhadap Belanda. Setelah beberapa perlawanan yang sengit, Naga Bonar dititahkan dari markas untuk mundur karena perundingan dengan Belanda mau dilaksanakan.


Perpindahan pasukan dari desa ke markas menjadi saat Naga Bonar mulai tertarik dengan anak Dokter Zulbi, Kirana (Nurul Arifin). Pada perundingan Belanda dengan Indonesia, Naga Bonar yang menjadi wakil Indonesia justru menunjuk Parit Buntar sebagai tempat wilayah tentaranya (karena Naga Bonar tidak bisa membaca peta). Juru tulis pasukan, Lukman, mengatakan bahwa Parit Buntar adalah tempat yang sudah diduduki oleh Belanda. Setelah itu, Naga Bonar mulai mendekati Kirana dengan hasil yang memuaskan. Sehari setelah itu, Bujang mengambil baju jenderal Naga Bonar dan pergi ke Parit Buntar untuk melawan Belanda, naas, ia tewas. Naga pun sangat terpukul dengan kepergian sahabatnya dan akhirnya bersama dengan Kirana, dan pasukannya Naga pergi ke Parit Buntar untuk memusnahkan markas Belanda dan berhasil. Film diakhiri dengan orasi Naga Bonar dan Kirana kepada pemuda indonesia.


Film Nagabonar versi rilis ulang yang telah direkam ulang dirilis pada tahun 2008 dengan menampilkan dialog yang direkam ulang oleh para aktor aslinya. Namun beberapa pemain terpaksa harus digantikan suaranya, di antaranya Roldiah Matulessy dan Robert Syarief yang kedua-duanya sudah meninggal.


Film lanjutan Naga Bonar dirilis pada tahun 2007 yang disutradarai oleh Deddy Mizwar dengan judul Naga Bonar Jadi 2. Film ini menceritakan kisah Naga Bonar (Deddy Mizwar) yang pergi ke Jakarta untuk menemui anaknya, Bonaga (Tora Sudiro).


Analysis: David Mamet earns his second Nighthawk nom, his first for a film he directed. John Sayles earned his second nom. Louis Malle earns his third nom. James L. Brooks earns his second nom (and win).

The Academy at least gets this one fairly right, earning a 91.4, the second highest score since 1959, even if their winner Moonstruck, is my #12. This marks the first time since 1964 that neither Screenplay winner make my Top 10.


Analysis: Though it loses the Oscar, Empire of the Sun wins the ASC and BAFTA, the only film to do that until 1987.

Haskell Wexler (Matewan) earns his third nom. Allen Daviau earns his third nom and second win. Vittorio Storaro (The Last Emperor) earns his fourth nom.

With all five Oscar nominees in my Top 10, the score is a fantastic 90, the highest since 1950.


Analysis: Full Metal Jacket is the weakest winner since 1978. This also the weakest Top 5 since 1978. But the Oscar choice (it was a special award and so there are no other nominees) leaves a score of just 33.3.


Analysis: The Princess Bride is the best 2nd place since 1974. It is only the third 2nd place finisher in this category to earn my highest rating, joining The Wizard of Oz and The Godfather Part II. This is the best Top 5 since 1956 and the second best to-date.


Analysis: This is a terrible film, as can be seen in my review. It somehow managed to earn 16 nominations and win one award. It did well everywhere but at the critics awards, earning 6 Oscar noms (including Picture, Director, Adapted Screenplay and Actress), 4 Globe noms (including Picture, Director and Actress), 3 BAFTA noms (including Actress and it won Editing) and 3 guilds noms (DGA, WGA, ACE). Glenn Close does make my list (15th) as does Anne Archer (14th), but nothing else even remotely deserved to be nominated by any group.


Analysis: The Globes passed over Spielberg for Richard Attenborough (Cry Freedom) and fucking Adrian Lyne (Fatal Attraction).

None of these directors are earning their only nomination, which is a rarity. Bertolucci earns his second nom and Malle his third. The other three are all heavyweights: Spielberg earns his fifth (second win), Kubrick earns his seventh and Huston his eighth. This leaves Spielberg just outside the Top 10 with 315 points, Kubrick in a tie for 9th place with 360 and Huston in a tie for 7th with 405.


Analysis: David Mamet earns his second nom (and his third down below in original). Stanley Kubrick earns his seventh Drama nom.

The Dead is the weakest winner in this category in six years. In spite of that, this is the best Top 5 in this category in five years.


Analysis: Marginally better than the year before, but still the second weakest Top 5 since 1977. Maggie Smith is the weakest winner since 1979.

The Globe winner was Sally Kirkland for Anna, one of the strangest wins in Globe history. This is really strange, to not have any Globe nominees among my list. None of the Globe nominees were higher than 8th on my Drama list.

This is the only nomination for Emily Lloyd and the third for Judy Davis. The other three are all in the Top 10: Maggie Smith is at 255 points (5 noms, 3 wins), Meryl Streep is at 395 points (8 noms, 4 wins) and Bette Davis is at 695 points (16 noms, 4 wins).


Analysis: With all the single nomination films, there are 8 more films than there were the year before. The Dead also has the fewest points for the #1 Drama film in a long time. This is the first year since 1978 (and possibly last to date) when none of the eight Drama winners earns my highest rating.


This was the year where we see what World War Two did to children. In Hope and Glory (above), we see a young boy using the Blitz as his personal playground. In Empire of the Sun (below), we see a boy who loses his parents and his home and somehow manages to survive in Japanese occupied Shanghai. Here, we see a young boy trying to hide. He is hiding because, though he is at a Catholic boarding school in occupied France, he is a Jew. He hides, because the only other choices are to run or to die. What is most remarkable about all three of these films is that all of them are based not only on real events, but on the events of two of the directors and the writer of the original novel (for Empire).


This film is like a counterpart and companion piece to Hope and Glory. Hope and Glory shows how war, held just beyond the reach of fully destroying your life, can make it a playground for the young. A boy can find a new world to run around in, with new obstacles created as more buildings are destroyed. But the boy in that film never loses his family, never loses his home. Jamie Graham loses both and he grows to young manhood not in a playground but in a camp, still clinging for much longer than he should, to his notion of honor and duty in what the Japanese have done and because of their beautiful planes. But he is also hungry, sick, desperate and yet somehow still clinging to life.


Analysis: Only 26.7% are Foreign, the lowest since 1980, but much higher than the next two years. Comedies hit a new high, but as a percentage are considerably less than the year before. Dramas also hit a new high, but it will start to hit that regularly as the total number of films start regularly breaking 200. The 18 Horror films are the second most to-date, behind only 1972. The 13 Suspense films are the most ever. The 5 Musicals are the fewest since 1932.

The Action films average a 48.6, which is sadly the highest average in five years. The Comedy average is the third lowest ever. Kids films have their lowest average ever, lead by a terrible group of animated films.

The Princess Bride is the first Fantasy film in the Top 10 since 1981. There are 3 War films in the Top 10 for the first time since 1957 and only the third time ever. After five straight years with at least one Sci-Fi film in the Top 20 this year begins a streak of four straight years without one. There are 3 Suspense films in the Top 20 for the first time since 1967.


Note: These 43 films average a 63.6 which is because there are three *.5 films intermixed with the good ones (The Toxic Avenger, Gothic, Love is a Dog From Hell). But there are also two great films (Manon of the Spring, Jean de Florette) and several ***.5 films. They account for seven Nighthawk nominations.


Film drama komedi, Nagabonar Jadi 2 arahan Deddy Mizwar yang diputar beberapa waktu lalu sukses luar biasa di bioskop-bioskop tanah air. Namun tidak banyak pononton kita sekarang yang berkesempatan menonton film aslinya, Nagabonar (1986) yang konon pada masanya juga laris manis. Beruntung penulis berkesempatan menonton film ini pada sebuah acara Festival Film Internasional beberapa waktu lalu di Jogjakarta. Bahkan sang sutradara sendiri juga berkesempatan hadir pada acara tersebut.


Jika kita bandingkan Nagabonar dengan Nagabonar Jadi 2 terdapat beberapa kejanggalan cerita pada film sekuelnya. Pertama adalah masalah perbedaan waktu dan usia. Film Nagabonar berlatar cerita sekitar era masa kemerdekaan yakni, antara tahun 1940 -1950 dan umur sang tokoh sendiri kira-kira berusia 20 tahunan. Sementara dalam sekuelnya, film Nagabonar Jadi 2 berlatar cerita masa kini, kita sebut saja tahun produksi filmnya, yakni tahun 2007. Jika usia sang jendral dalam film aslinya kita anggap saja berusia 20 tahun pada tahun 1950, maka usia Nagabonar pada film sekuelnya adalah 77 tahun. Apa usia Nagabonar pada film sekuelnya tampak berumur sekian? Jika misalnya Nagabonar dan Kirana melahirkan putra mereka, Bonaga, 5 tahun kemudian (1955) maka umur sang putra setidaknya kini adalah 52 tahun. Apakah Bonaga tampak berumur 52 tahun?

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