Re: Tetrads

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Yo

unread,
Apr 7, 2010, 1:43:16 AM4/7/10
to KeyKit
Hi Nick,

Interesting! (I love the added 6th.)

Do we need to edit the .k files, or can we download them?

And how can we access these tetrads?

Regards,
Yahya

--------------------------------------------------------
Yahya Abdal-Aziz
Convener, Music SIG,
Melbourne PC User Group
http://groups.melbpc.org.au/~graphics/
--------------------------------------------------------

On Apr 5, 11:49 pm, ncg <grenier...@gmail.com> wrote:
> I added the 43 tetrads to the chord function in basic1.k and to the
> chord tool.
>
> I realised that a lot of these sound interesting.
>
> ===basic1.k : I added these to the Chords array ===
>     "400"='p0 p1 p2 p3',
>     "401"='p0 p1 p2 p4',
>     "402"='p0 p1 p3 p4',
>     "403"='p0 p2 p3 p4',
>     "404"='p0 p1 p2 p5',
>     "405"='p0 p1 p3 p5',
>     "406"='p0 p2 p3 p5',
>     "407"='p0 p1 p4 p5',
>     "408"='p0 p2 p4 p5',
>     "409"='p0 p3 p4 p5',
>     "410"='p0 p1 p2 p6',
>     "411"='p0 p1 p3 p6',
>     "412"='p0 p2 p3 p6',
>     "413"='p0 p1 p4 p6',
>     "414"='p0 p2 p4 p6',
>     "415"='p0 p3 p4 p6',
>     "416"='p0 p1 p5 p6',
>     "417"='p0 p2 p5 p6',
>     "418"='p0 p3 p5 p6',
>     "419"='p0 p4 p5 p6',
>     "420"='p0 p1 p2 p7',
>     "421"='p0 p1 p3 p7',
>     "422"='p0 p2 p3 p7',
>     "423"='p0 p1 p4 p7',
>     "424"='p0 p2 p4 p7',
>     "425"='p0 p3 p4 p7',
>     "426"='p0 p1 p5 p7',
>     "427"='p0 p2 p5 p7',
>     "428"='p0 p3 p5 p7',
>     "429"='p0 p4 p5 p7',
>     "430"='p0 p1 p6 p7',
>     "431"='p0 p2 p6 p7',
>     "432"='p0 p3 p6 p7',
>     "433"='p0 p4 p6 p7',
>     "434"='p0 p1 p4 p8',
>     "435"='p0 p2 p4 p8',
>     "436"='p0 p3 p4 p8',
>     "437"='p0 p1 p5 p8',
>     "438"='p0 p2 p5 p8',
>     "439"='p0 p3 p5 p8',
>     "440"='p0 p2 p6 p8',
>     "441"='p0 p3 p6 p8',
>     "442"='p0 p3 p6 p9'
>
> === wchord.k : I added this to the $.chords array ===
>     32=["name"="400","type"="tetrad"],
>     33=["name"="401","type"="tetrad"],
>     34=["name"="402","type"="tetrad"],
>     35=["name"="403","type"="tetrad"],
>     36=["name"="404","type"="tetrad"],
>     37=["name"="405","type"="tetrad"],
>     38=["name"="406","type"="tetrad"],
>     39=["name"="407","type"="tetrad"],
>     40=["name"="408","type"="tetrad"],
>     41=["name"="409","type"="tetrad"],
>     42=["name"="410","type"="tetrad"],
>     43=["name"="411","type"="tetrad"],
>     44=["name"="412","type"="tetrad"],
>     45=["name"="413","type"="tetrad"],
>     46=["name"="414","type"="tetrad"],
>     47=["name"="415","type"="tetrad"],
>     48=["name"="416","type"="tetrad"],
>     49=["name"="417","type"="tetrad"],
>     50=["name"="418","type"="tetrad"],
>     51=["name"="419","type"="tetrad"],
>     52=["name"="420","type"="tetrad"],
>     53=["name"="421","type"="tetrad"],
>     54=["name"="422","type"="tetrad"],
>     55=["name"="423","type"="tetrad"],
>     56=["name"="424","type"="tetrad"],
>     57=["name"="425","type"="tetrad"],
>     58=["name"="426","type"="tetrad"],
>     59=["name"="427","type"="tetrad"],
>     60=["name"="428","type"="tetrad"],
>     61=["name"="429","type"="tetrad"],
>     62=["name"="430","type"="tetrad"],
>     63=["name"="431","type"="tetrad"],
>     64=["name"="432","type"="tetrad"],
>     65=["name"="433","type"="tetrad"],
>     66=["name"="434","type"="tetrad"],
>     67=["name"="435","type"="tetrad"],
>     68=["name"="436","type"="tetrad"],
>     69=["name"="437","type"="tetrad"],
>     70=["name"="438","type"="tetrad"],
>     71=["name"="439","type"="tetrad"],
>     72=["name"="440","type"="tetrad"],
>     73=["name"="441","type"="tetrad"],
>     74=["name"="442","type"="tetrad"]
>
> === wchord.k : mkmenu_chpalchords(..) I added this command ===
> o.menucmd("Tetrads",po,"setchords","tetrad",1)

Message has been deleted

Yo

unread,
Apr 9, 2010, 1:51:36 AM4/9/10
to KeyKit
Thanks, Nick, that was always an option! ;-)
But being impatient, I'd hoped for a simple download of the modified
files.
It'll be only a minute's work to edit them, anyway.

Musically, which tetrads most appeal to you? I enjoy using
o the added [major] sixth (e.g. in C, C E G A),
o the major seventh (e.g. C E G B), and
o the suspended [4th added] minor seventh (e.g. C F G Bb).

The latter is especially good in JI, tuned as unison, fourth, fifth,
fourth of
fourth. Two similar kinds of tetrad also use stacked fourths and
fifths:
o three stacked fourths (e.g. C F Bb Eb) and
o the suspended [4th added] major ninth (e.g. C F G D), which
inverts as
o the suspended second (e.g. C D F G).

These all have a more "heritage" feel when tuned in JI (just
intonation),
and add spice to otherwise fairly predictable chord progressions.
They
also simplify voice leading in close four-part harmony. ;-)

Regards,
Yahya

--------------------------------------------------------
Yahya Abdal-Aziz
Convener, Music SIG,
Melbourne PC User Group
http://groups.melbpc.org.au/~graphics/
--------------------------------------------------------

On Apr 7, 10:37 pm, ncg wrote:
> Those are not named according to music theory, but according to maths,
> so you won't see added 6th or 7th.
>
> I just numbered them from 0 to 42. All possibilities are listed.
>
> The files to edit are written in the original message.
>
> With these edits made, you will be able to access them from the chord
> tool.


>
> On 7 avr, 01:43, Yo <Yahya...@hotmail.com> wrote:
>
> > Hi Nick,
>
> > Interesting!  (I love the added 6th.)
>
> > Do we need to edit the .k files, or can we download them?
>
> > And how can we access these tetrads?
>
> > Regards,
> > Yahya
>
> > --------------------------------------------------------
> > Yahya Abdal-Aziz
> > Convener, Music SIG,

> > Melbourne PC User Grouphttp://groups.melbpc.org.au/~graphics/

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