Dabbe 5 Ending
Ling Kliment
However, hundreds of hamlets dot the valleys. Deewaru (an indigenous community) and Jain communities comprise the ethnic majority. While the forests and the hills infuse the wilderness, the red roofed homes and the terraced paddy fields further domesticate the landscapes. The wilderness here seems to have engulfed the history of the place, literally. The multitude of forts, ancient temples at Kanoor fort and Bhemeshwar temple, Basavana Bai, Chaturmukha Basti and the Haduvalli temples reflect a glorious past that has now been consumed by the forests, adding to the intrigue of this region. With this layering of wilderness beauty, ethnic charm and historic remnants, how can an outdoor seeker miss out this area?
A number of trails branch out at different spots along the road: popular trek destinations include Kanoor fort, Dabbe falls, Bheemeshwar temple, Basavana Bai, Baale Gundi & Goodana Gundi waterfalls, Haduvalli temples, Chaturmukha Basti, Meghaane hamlet etc.
Descending a steep incline, we were kept our hands free to cling onto roots-it felt like Tarzan-swinging on roots, avoiding the thin, thorny canes, stepping firm on loose
gravel on the path. The descent was exciting but not for the faint-hearted. The challenge was as mental as it was demanding on the body. Lined with red, orange and brown roots, the tropical canopy offered an interesting mix of algae, fungi, moss and ferns under a damp and humid tree cover with trees competing as high as 150 feet for
sunlight. And finally behold! At one point after a good 45 minutes descent, the magnificent waterfall appeared out of nowhere. Breath-taking to say the least, we could hear the deafening roar of the waterfall in the background. It was magical; the fatigue disappeared in no time, as we stood captivated by the loud waterfall. Dabbe Falls however was oblivious to our adulation.
Beyond Kanoor, the trail descends to Hebbenakeri; the descent is gradual, one can either walk down a mud road canopied by thick jungle or take a lesser-used trail that runs parallel to the road. We took the trek trail; whichever route taken the approach to Hebbenakeri is impressive. After nearly half-hour of sheltered canopy, we were suddenly exposed to an open vast valley, prettily terraced and punctuated with a handful of thatched homes.
Time seemed frozen here. Plants, creepers, climbers, trees and bushes, now rule the fort and create a unique allure to this historic site. However, we strongly feel that the
inaccessibility has helped retain the ancient charm. A 10-minute walk from the entrance leads to two temples, reasonably intact for a remnant. Ruins scattered all over, this mystique of a fort is a must-see.
Being the ultimate combination of nature and culture, trails in the Sharavathy valley promise to leave a lasting imprint. The ghats are treacherous; but for the people living there, it is their revered backyard. Four to five months of hard rain soothes the red earth and drenches the towering forests each year. It also fills the hearts of the locals with love and hospitality. The most charming aspect of trails in the Sharavathy valley are the local communities. Every home is willing to accommodate shelter-seeking trekkers, as they know how draining it is to negotiate this terrain.
Living in the Sharavathy valley has always been minimalist and symbiotic with nature. Previously, their needs were limited to what could be either sourced from the forests or grown in their small patches of lands. But this is changing; transitional populations in the Sharavathy valley are now seeking better and lucrative livelihoods. They are no longer as isolated and do feel to need to integrate with mainstream. Hence the struggle to enhance income is on their minds.
Despite the harsh realities, the grit of those living in the remote and forgotten areas is heart wrenching. The conditions are tough and the terrain, very demanding. Adversities apart, the smiles on their faces, their open-hearted welcomes, and the warmth of the landscape leave an indelible mark. However, while the forests, locals, ruins and rivers compete in an equal-pitched battle, all their futures stand uncertain. That is particularly true of this fragile eco-system. Yet, trekking and spending time in this area is an eye-opener, and leaves us with complex questions about resources, values, daily struggles and nature.
By Rail: Nearest broad gauge railhead is Bhatkal on Konkan Railway line or Shimoga, connected to Southern Railway from Bangalore. However an antiquated rail
bus operates between Shimoga and Talguppa (13kms from Kargal)
Preparing for her wedding, Kbra gets possessed by unknown livings. To cure Kbra, a psychiatrist, Ebru, gets on way. Ebru is also an old friend of Kbra. Ebru would work together with an exorcist to save Kbra. Just when things seemed to be going well, everything start going horribly wrong.
Ebru Karaduman ismindeki bir psikiyatrist, kişilerin yaşadığı metafiziksel olayların tamamen psikolojik yanılgılar ve dolandırıcılık olduğu konulu tez alışması iin Faruk Akad adında cinci bir hocayla anlaşır. Faruk Akad'ın amacı ise bu tarz olayların tamamen gerek olduğunu bilim dnyasına gsterebilmektir. Ebru olayları videolu şekilde kanıtlayabilmek iin birok kamera alır, Faruk Akad'la beraber bir tanıdığının cin vakası yaşadığı, cinli ky olarak bilinen Kıbledere Ky'nn yakınlarına doğru yol alırlar ve olaylar başlar.
The fact that three of my friends enthusiastically hyped this movie up is sending me? The effects (especially the camera shaking) had me cackling and shit. Believe me, low budget turkish horror movies are next level bad.
I did watch all the dabbe movies but this one got me, finally... The first movies were "terrible" for a horror-thriller fan like me but this final one is totally different. Its like the director got out of his cocoon and finalized his evolution as a beautiful and colorful butterfly, only hope is that it won't last for some short time but we will see better and better jobs of Mr. Hasan. He shall be proud of himself and his crew (they totally deserve the applause). I am sure he slowly started to have his own fan-club. Regarding to the movie; I don't want to write any spoiler. If u like gin/goblin stuff with some black magic and metaphysic melted in the same pod with some paranormal activity/blair witch similarities including a shocking ending, you have to give a chance and watch this one. I watched it 3 hours ago and I still feel the hitting effect of the movie inside me. 4 girls sitting in front line of me did leave the theater seeming so scared (2 were crying with flooding tears out of their eyes) in the first 60 minutes. Then they had some followers saying "this movie is bad for our psychology, i won't be able to sleep alone for a long time etc etc..." So, if someone says "this movie is a crap, director has no idea what a horror movie is, bla bla bla" (cause I read such reviews in some TR sites) I have two words for them...
I've been watching Mr. Hasan Karacadag's horror movies since the "d@bbe" movie has been made in 2005. Due to its story, the movie was seemed to be the pioneer of a very different sort of horror in Turkey. The most effective fact in that is the influences of Karacadag movies in usual. The classic and usual horror movie sense in the world was like what Hollywood used so far. But with his own created view and his own assertions about doomsday, Karacadag has made an influential change about horror movie clichs.
That's what Hasan Karacadag's whole movies' main themes are about. He urges so odd arguments about Islamic metaphysical stuffs and his genuine theories about the omens of doomsday in Islam religion become very controversial claims every time he makes a new movie. His theory about the "dabbe" notion which's mostly used in his movies triggered so many discussions related to Islamic metaphysical assets mentioned in Quran. Due to the meaning of "dabbe" word he correlates the "dabbe" with the internet we always use in our lives (dabbe means something is spread around the world) because the world wide web and the dabbe both have the same function. This argument of the director has been used in almost every movies of him.
Like previous movies, the movie "Dabbe: Cin arpması" is also telling about Karacadag's metaphysical inquiry results. You'll be hearing of some things related to doomsday, jinns, devil etc. which you've never heard before. Like other movies of the director, this movie also will add a very different point of view to your mind about your metaphysical senses you used to have beside its thrilling side.
Written and directed by Hasan Karacadag, the film is about a doctor and an exorcist who are called out to the home of a seemingly possessed woman who had killed her husband on their wedding day a couple of years earlier, and who has been possessed since.
The doctor believes that the woman has a personality disorder and of course the spiritualist believes she is possessed. This almost plays out like a Scully/Mulder X-Files scenario and is fun to watch.
The film is a little long at 2 hours 14 minutes but it gets really intense near the middle and end and is a lot of fun. Karacadag has upped the scare factor from his 2012 entry, "Dabbe: Bir cin vakasi", also about vengeful genies. He knows how to use the camcorder and lighting to maximum effect and when watching his movies you just know that when it gets dark, something scary is going to happen.
All in all a must-watch for horror and found footage fans, as well as anyone who was disappointed by "Paranormal Activity" and its sequels.
It is still a good horror movie but after seeing dabbe 3, 4 and 5, this one doesn't have the same intensity of its predecessors. Hope the next one does what this one failed to. That said, am still a big fan of the director and the series and I liked this one too.
This film is a relentless onslaught on the senses; and not in a good way. The aim of the director is to somehow scare the viewer by throwing every horror film trope on him; but the effect is disgusting instead of being scary or creepy.
Overuse of dream-within-dream sequence, overuse of people approaching possessed individuals and being attacked by them, overuse of Djinn-possessed characters screaming at others - this movie is heavy on jump-scares and very low on actually telling the story. The director seems to have lost the page on which the script was written and he tried to fill in 80% of the film by showing zombies tearing flesh off people, doing horrible things in dreams and badly animated CGI sequences.
In one sequence, we are incredibly treated to a dream-within-a dream, within-another-dream, within-yet-another-dream. So you have the wife killing her husband and then waking up to realize that she was dreaming. Then she is attacked by Djinns, but even this is a dream and she wakes up and her husband cannot recognize her and is attacked by her sister. Then he wakes up and finds that it is a dream. Then the possessed sister runs off and attacks the couple and both wake up to again find that they have been dreaming the same things. Phew!
If you have seen other films in this series, you will already know the inevitable plot twist that will come in the ending. The movie could have cut out all the endless sequences of possessions, dreams and zombie attacks and focused on the story in a shorter, tightly edited version; and that would have made this a much better product.