The Dirty Picture 2 Full Movie In Hindi 720p Torrent
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The Dirty Picture is a 2011 Indian Hindi-language biographical musical drama film inspired by the life of Silk Smitha, an Indian actress noted for her erotic roles. The filmmakers have clarified that the story is not officially or literally based on Smitha alone, but on many of her contemporaries such as Disco Shanti. It also resembles the personal lives of other women in popular culture, including actress and sex symbol Marilyn Monroe.[4] The film was directed by Milan Luthria and co-produced by Shobha Kapoor and Ekta Kapoor, after Ekta came up with the idea and asked screenwriter Rajat Aroraa to pen a story based on it.[5][6]
The film begins with a young girl climbing up a ladder to reach her house's roof so as to see the city's colourful world. But her mother stops her from doing so. She also tells her that dreams do not always come true and can shatter in any way. The young girl refuses to come down the ladder, which causes her mother to shake the ladder to make her come down. The young child asks her mother will she make her own child fall down. She answers that since she is the mother, she will tend to her even if she falls down, but if you go in search of your city dreams, there will be nobody to tend to you if you fall down. But the girl insists on not coming down the ladder. Her mother continues to shake the ladder, and the young girl later falls down. Then the film transitions to the future, revealing that her name is Reshma.
A day before her marriage, Reshma, a young girl runs away from her rural village and reaches Madras, hoping to become a movie star. She starts staying at a house located at a poor area near an estranged woman Ratnamma whom she affectionately calls her mother. Though she goes on auditioning for roles, she fails to land an opportunity. A casting director insults her for being unattractive and unable to act, and gives her money for food seeing her starving condition. She instead chooses to go to a movie theatre to watch her childhood idol Suryakanth in action. There, a man offers her 20 rupees to sleep with him. Though she storms out of the theatre in tears, she later ponders over and determined to secure a role, visits the sets again. She spontaneously auditions for the position of a background dancer. However, she dances in a sultry manner, using erotic movements which the assistant director found attractive. But when the film's director, Abraham comes back to the set that day and sees the dance footage, he is extremely annoyed seeing her erotic dance. He edits out Reshma's entire dance sequence. Reshma and Ratnamma eagerly goes to watch the movie but are crestfallen to see her dance has not been featured in the film. The film fails at the box office, much to the dismay of the producer Selva Ganesh, who later recalls Reshma's performance footage and includes that song in re-release at B and C centres. The film goes on to attract large crowds due to Reshma's dance moves. Just as Reshma, disheartened that her song was edited out, decides to pack up and go back to her village, producer Selva Ganesh finds her dwelling place and offers her a role in a song in his upcoming film. Selva also suggests that she now be referred to as "Silk", which is more exotic and captivating.
At the first shoot, Silk dances with actor Suryakanth, her childhood idol. Enamored with him, Silk gains his affection and attention by offering a long-term sexual relationship. Meanwhile, Abraham proposes a new film to Selva Ganesh and is keen to cast Suryakanth. However, Suryakanth's suggestion of adding sex and eroticism, to make the film more commercially viable, angers Abraham. Silk slowly builds a name for herself in the industry and goes on to do many more sexually charged films with Suryakanth, which catapults her into stardom. She gains many male fans and, in a short time, becomes immensely rich and popular as a sex symbol.
Suryakanth's younger brother Ramakanth is a fanboy of Silk and starts to befriend her. Silk develops a liking for him after she realizes that he is the first man who loves her for more than just her body and sex appeal. Silk visits her hometown with Ramakanth and is happy to see the crowd gathering around to see her, but is left heartbroken as her mother slams the door on her face. At an awards ceremony Silk is praised for her performance but is insulted by Suryakanth who tells her that she is nothing more than everyone's "dirty secret". Hurt by his remarks, Silk announces that she will continue to make her "dirty pictures" and that she has no qualms about doing so. She begins to spend more time with Ramakanth and becomes the focus of tabloid gossip after noted journalist Naila criticizes Silk for having a romantic relationship with both brothers. To avoid a scandal and also to get revenge, Suryakanth drops Silk from his forthcoming films, forcing her to work with smaller, unknown filmmakers. She loses interest in her work and begins to feel threatened by a younger aspiring actress, Shakeela. During a dance challenge, she tries to outshine Shakeela by dancing more and more erotically and finally intentionally trips Shakeela, much to the embarrassment of Ramakanth who had been planning to introduce Silk to his parents as a prospective bride. Ramakanth then decides to end their relationship. Silk says she has no shame about what she is, and drives away Ramakanth. Silk also walks out from a film set when the director calls her out for being inattentive at the shoot. The film transitions 2 months after the incident. To ease her heartbreak and the rejection from her mother, Silk, who had already been into drinking and smoking, goes full-fledged turns to alcohol and chain smoking. She shows symptoms of depression. She also gains weight, causing her to lose her status as a sex symbol. Silk approaches Selva Ganesh with an offer to produce a film together. Ultimately, the audience and industry lost interest in her, and the film fails. On the other hand, Abraham directs a film starring himself, containing commercial eroticism and that turns out to be a huge hit. He feels that he has finally proven to Silk (and himself) that he has defeated Silk. But Abraham takes a liking towards Silk even though he claims that he hate her. Having lost her fame and fortune, Silk has accumulated so much debt that she approaches a small-time filmmaker, willing to take on any role. She is shocked to find that he wants her to do a pornographic film, and she refuses. He intoxicates her with alcohol and starts filming, without her permission. The place is raided by the police but Silk manages to escape. She has several visions of her past and encounters Rathnamma's shop on the way and tries to hide from being seen by her. Completely heartbroken and inundated with substance abuse, she reaches her house and cries bitterly.
Abraham finds himself falling in love with Silk, even though he denies it at first, as he struggles with this moral dilemma. He goes to Silk's hometown and convinces her mother to accompany him to visit her. He tries to call Silk over phone but she doesn't pick up. He brings Silk's mother to Madras and decides to take her to Silk the next morning. When he finally got Silk on phone, Abraham becomes alarmed when she asks him to bid farewell to everyone for her. He rushes to her house and finds her lying in bed dead from a sleeping pill overdose, along with a suicide note written by her.
A tearful Abraham and Silk's mother cremates Silk's body. The film ends with Abraham's narration, examining the life that Silk has led, and he questions whether it was her or her life that was right or wrong. He also thinks that Silk must be right now creating an uproar in the other world as well, because that is her nature.
Ekta Kapoor launched the film with director Milan Luthria soon after their collaboration Once Upon a Time in Mumbaai became a hit.[13] She said that The Dirty Picture is my picture it shows how life had been to mewould be India's answer to the Academy Award-nominated film Boogie Nights.[14] Later in a press conference, Kapoor clarified that neither of Balaji's forthcoming films, Ragini MMS nor The Dirty Picture, were "porn films" as they had been made out to be.[15]
Kapoor has gone on record to add, "I would be surprised if I don't get unbelievable critical acclaim for The Dirty Picture and a national award for my actress, Vidya Balan. The film has one of the most well-written scripts I have come across and a lot of youngsters in my office have looked at it with great admiration."[14] She pointed out that the purpose of the film was neither to justify nor criticise Smitha's life but for the audience to live her life.[14] Additionally, all actors, including Balan and Shah attended workshops for almost two months before filming began, to familiarise themselves with the body language of their characters.[16]
When screenwriter Rajat Aroraa initially started working, taking cues from producer Kapoor, the scope of the film was much smaller, primarily looking back to the soft-pornography scene of the 1980s. As work progressed, the scope gradually widened to include the controversial romances of Smitha through a fictionalised biopic.[18] While researching for the film, director Luthria and screenwriter Aroraa found little material in magazines of that period, as "women like Silk Smitha were often ignored by film magazines, except for gossip column mentions".[18] Thus they derived many of the details of her life from anecdotes and party gossips, and then fictionalised them. Apart from depicting the pomp of the Telugu/Tamil film industry, the screenplay takes up issues such as money management by actors, "their string of broken relationships", and the way they "led lonely lives and met with tragic ends".[18] For inspiration, instead of looking at South Indian films of the period, the team turned to the work of mainstream Bollywood directors like Manmohan Desai, Vijay Anand, Raj Kapoor, Feroz Khan and G.P. Sippy. To put the global soft-porn industry in context, the team looked into Boogie Nights (1997) and The People vs. Larry Flynt (1996). The final script became a "fictionalised, women-oriented, generalised perspective on the 1980s film industry".[18]
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