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Dear Christian,
I think your theory has great credence re the Kip brothers and the optogram, which like my comparison of Verne and Hawthorne and the park in The Floating Island (see previous) I feel are more a tribute rather than plagiarism of ideas by Verne.
Kipling has also been on my ‘radar’ as an influence on Verne (and possibly vice versa) for some time.
Firstly, Rudyard Kipling was a good friend of Theodore Roosevelt (whose uncle James Dunwoody Bulloch commissioned the CSS Alabama in Birkenhead) and the Rudyard Kipling website says the poem ‘If’ may have been written with Roosevelt in mind. If— – The Kipling Society . The idea of strong Anglo French American relations is strong here as Kipling was a strong proponent as was H.G. Wells, who also visited Roosevelt in the White House and compared the power of America to …Birkenhead.
Theodore Roosevelt of course is my preferred model (due to his links with the CSS Alabama) for Harbert / Herbert in The Mysterious Island (see previous postings). Jules Verne’s most prized possession of course was a letter from Roosevelt’s son Kermit saying his father had read all his books and enjoyed them immensely, which seems a very unusual object to have as your ‘most prized possession’ unless of course Roosevelt meant something that extra special to Verne.
Secondly, Kipling’s poem ‘Soldier an’ Sailor Too’ Soldier an’ Sailor too – The Kipling Society is a tribute to the ‘Birkenhead Drill’ of ‘Women and children first’ alluded to by Verne in the town hall invasion scene in ‘A Floating Island’ the novel which I maintain is based on the town of Birkenhead (also see previous postings).
Coincidentally, Kipling’s biography was written by the second Lord Birkenhead Frederick Smith, 2nd Earl of Birkenhead - Wikipedia and banned by the family for it’s highlighting Kipling’s strong views on Empire.
There is also a possible bizarre link between Kipling, Verne, Roosevelt and Mysterious Island in the attachment, the explanation of which is certainly in the spirit of Verne but could be the over imaginative thoughts of a geography teacher from Birkenhead. Having said that, it is not my fault that I come across a rock carving which looks like a secret code! Or may be it is all 'coincidence'?
Best John
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Hi Volker,
Thanks for your reply. From what I can see, Kipling achieved widespread fame in Britain from 1890 onwards. It would indeed be interesting to see if French translations were available, I do not disagree with anything you say, but I think an author does not have to be necessarily popular in France to be popular with Verne. Kipling’s name and reputation in Britain together with book summaries and reviews in French may have been enough for Verne.
Christian’s posting did strike a chord, it is Kipling’s association with Roosevelt and using Roosevelt as character inspiration that intrigues me, this would place him in common (in my opinion) with Verne basing the character of Harbert in Mysterious Island on Roosevelt and Stevenson basing the character of Jim Hawkins in Treasure Island on Roosevelt. Theodore Roosevelt was a child prodigy and his father known as ‘the finest man in New York in the 1860’s, his family were close friends with both Abraham Lincoln and Jefferson Davis and so symbolic of the divisions of the American Civil War.
Roosevelt himself reciprocated his friend Kipling’s ‘If’ with his own ‘Man in the Arena’ and continued to live his adventurous life in basically copying the life of the 15-year-old Harbert Brown. Mysterious Island is the only Verne novel in Roosevelt’s library, although we know that he read every single one of Verne’s novels and this fact gave Verne his ‘most prized possession’ in the form of a letter from Roosevelt’s son Kermit. Roosevelt’s most prized possession according to his autobiography was of course John Long’s silver boxing trophy which is as equally striking as John Long’s silver cup is to Long John Silver, Raphael Semmes is to Arne Saknussemm and maybe Kipling is to Kip. Not only do they sound the same but there is a possible logical framework at work here.
Verne used his experience at the Theatre Lyrique in recycling his Wirral peninsula stage sets, I am conscious that those stage sets actually drive the plot of the novel …Verne has to use them. As a writer that is as stimulating as like being a real life explorer, he does not know what is around the corner. I am reminded of this when Verne must have made a note of the Birkenhead to Holyhead telegraphic cable which runs just past Lady’s Cave on Hilbre Island, the existence of which creates the ridiculous plot line of an ailing and dying captain Nemo single handedly laying a telegraph cable from the coral to Dakkar’s grotto, just to tell them where he is.
The thing is Volker, it spurs on Verne’s imagination too. The main stickling point of course is Verne did not write down his inspiration so it becomes a matter of debate, or sometimes ridicule.
I see Verne as like a modern-day movie producer, he cannot go to the South Pacific, so he chooses a real life location closer to home, copies it and adds in a volcano (where the lighthouse is) some orangutans and so on. This is quite common in movies. Disney’s Treasure Island was filmed in Dorset, England with a few palm trees and parrots thrown in for good measure, and this is exactly what Verne does with Birkenhead. Indeed, people are still doing it with Birkenhead 160 years later as I write this post filming has just started on Batman 2… in Birkenhead.
Mersey Tunnels become part of Gotham City as Batman filming returns
I will open up a new thread with a passage of work where 100% we know the inspiration. The reason we know the inspiration is because I wrote the passage in the style of Verne.
Imagine that I did not tell anyone the inspiration and then 160 years later a researcher correctly worked out that inspiration and then had to tell other literary scholars. That is the position I find myself in. See if you can work out the inspiration in the passage before it is revealed. What I can say is it made my plot development 100 times easier and provided much amusement.
Best John
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