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TITLE :Sony SEL2470Z Vario Tessar T* FE 24 70mm F4 ZA OSS Lens BRAND : Sony PRICE: $1,198.00 If not sure !!!!!! Check !!!!! Check Prices>> |
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Sony SEL2470Z Vario Tessar T* FE 24 70mm F4 ZA OSS Lens: Summary
Sony Camera Lenses SEL2470ZShould you have planning to buy it inside a lower price ? you need to to check the purchaser reviews & rates from several outlets. You will be glad to see how convenient this item can be, and you will certainly feel good if you know this Sony SEL2470Z Vario Tessar T* FE 24 70mm F4 ZA OSS Lens is one of the best selling merchandise on today.
"Sony SEL2470Z Vario Tessar T* FE 24 70mm F4 ZA OSS Lens"
Sony SEL2470Z Vario Tessar T* FE 24 70mm F4 ZA OSS LensDetail & Feature
- Angle of view (35mm): 84°-34°
- Minimum aperture (F): F22
- 7 aperture blades
- Focal Length: 24mm - 70mm
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Most helpful customer reviews
34 of 41 people found the following review helpful.
Sharp and contrasty, Disappointing focusing speed and accuracy in low light
By Frank Yu
Since the shipment of this lens were delayed in the U.S., I paid a little more premium and purchased it directly from Japan.
The construction of the lens is mostly metal, this quality of the lens is pretty good.
I purchased this lens because I need the constant F4, plus the 24 mm on the wide end, which compare to the kit lens, the wide end is at 28mm.
The review is based on using this lens with Sony A7.
I am sure most of the photographers who are looking into buying this lens had done their homework from different website already.
We all understand that, the edge performance is not as good as Sony's 24-70 f2.8 A mount lens. The edge performance only got better at F5.6 and higher, till F16.
There are some hint of purple fringe in heavy contrasting background, but they can be easily fixed with Adobe Lightroom.
This is a great walk around lens, I am just not 100% sure if the picture quality gain is up to
twice the price of the 28-70 kit lens.
Low light focusing is not as good as the kit lens or the 55mm f1.8. and the focusing speed is not fast either. 1 or 2 out of 10 shots the focusing just refuse to focus.
Focusing speed is okay during the normal daylight. But it is still not as fast as the 55mm 1.8 or the kit lens.
Since I only have this lens for 1 day, I will update my
Since I only have this lens in my hand for one day, I can't comment much on the overall performance but I will update this review if I have any new comments on this lens.
11 of 12 people found the following review helpful.
A worthy lens!
By Donteverwonder
After reading many mixed reviews of the Sony SEL2470Z Vario-Tessar T* FE 24-70mm F4 ZA OSS lens I decided to take a chance and purchase it from Amazon to use on my Sony A7r. You may read reviews with complaints of soft corners in pictures and slow focusing in low light. Depending on what your usage of this lens may be, this could be an issue for you. I use this lens for street photography and family photos. The pictures are very sharp and the OSS is a plus! I recently tested this lens at night and the results were very impressive. I also own the Sony Zeiss 55 mm 1.8 which is an unbeatable lens for the A7 cameras, but the Sony Zeiss 24-70mm is certainly no slouch. The build quality is solid and the focusing ring is incredibly smooth. If you are in need of a worthy wide angle lens for everyday use you will not be disappointed. Remember, photography is about expressing your creativity and your vision of the world. This lens can help you achieve this.
17 of 22 people found the following review helpful.
Image Quality doesn't match Build Quality
By E. J Tastad
Update: This lens appears it might have been designed for Sony A7s (newly released 12 MP camera). This will be a perfect lens for that camera, corner issues most likely won't even be noticeable and the OSS will be excellent for video.
Pros
+: Well Built
+: Nice, easy to use hood
+: Good focal range
Cons:
-: Corners 24-35mm and 60-70mm (all apertures)
-: Vignetting correction of RAW leads to colored rings in some scenes (Can disable)
-: Focus is slow indoors with A7 or A7R
-: strong color shifts on edges uncorrected (visible while doing composition as well).
Bottom Line: The lens performs like a lens at half the price point, the 28-70mm is as good over shared range.
Review:
Before you get defensive on my rating, realize that I have tested maybe 100 lenses or more formally using charts and software. I realize charts don't paint the entire story, but I don't think the real world pictures were
much different. This lens just doesn't stand up under scrutiny and doesn't really meet standards that I would consider a professional quality lens should meet. Consider this a very good build quality kit lens.
Sample variation does differ between lenses, and I have no reason to suspect that I had an inferior sample. A good copy of the 28-70mm should be nearly as good as this lens, especially when used at f/7.1 or f/8 where you are likely going to be using a lens.
I think where this lens is still good is if you want to use it at f/4, it doesn't really improve much beyond that, so if you would shoot wide open this is a good lens, but it isn't great landscape/travel lens where you would likely be shooting stepped down. My opinion is an f/4 lens should be good stepped down and an f/2.8 lens should emphasize center performance wide open since you will usually be using the f/2.8 lens in poor light and the f/4 lens in good/medium light.
Shooting at 24mm
f/4 and you are greeted with extreme barrel distortion and nearly black corners in RAW (until Lightroom or your converter of choice profile is available). If you have vignetting correction on in camera the vignetting is still pretty serious, but you also can end up with concentric circles from where the software corrections have been done. For this reason I recommend shooting with shading correction off in camera, and correct it in software on computer which does a better job. This might only be visible in say a snowy landscape shot where the white makes the colors shifts obvious. There is no noticeable field curvature at 24mm, center focus was best for corners as well. The corners are just soft.
By 50mm the distortion is very strongly pincushion in RAW (again, until profiles are available), but performance across the frame is pretty good and uniform here and it actually improves on stepping down the lens.
By 70mm performance has deteriorated severely in
the corners, and things don't improve much stopping down. There is noticeable field curvature at 70mm, so focus corners or center depending on your subject.
What is worst about this lens is the corners are pretty flat, even stopping down. Most lenses are bad wide open and that is to be expected in the corners, but most improve by f/8. This lens doesn't. F/8 and 24mm hardly looks any different than f/4 and 24mm. Again, 50mm improves stopping down, but not the extremes for the lens.
This lens is really good at 50mm f/8, which makes it an expensive 50mm f/8 lens. I am not saying it is a bad lens, just that the price doesn't match the performance. I wouldn't say it is better than the kit 28-70mm (good copy).
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