August 31, 2008
FIRST PERSON:
Shehzad’s Shining Moment
By Uzma Mazhar
With his latest album
Qismet Apnay Haath Mein on top of the charts, Shehzad Roy comes across
as a very angry young man on the one hand, a social activist driven by a
passion for change on the other. The very next minute he also gives me
an impression of harbouring aspirations to launch a political career…or
does he? Let’s find out as the singer, who believes in the goodness of a
deed done gives me a guided tour of the SMB Fatima Jinnah Government
Girls Secondary School which his Zindagi Trust has adopted, before
finally settling down for a heart-to-heart for Images.
Are you the
proverbial rebel with a cause?
People think that if I
talk about providing adequate health and education I am a revolutionist
or a rebel. It’s just that these are the basic needs which should be
provided to the general public.
I would answer your
question by saying that my inspiration comes from the academic system in
this country, and me being a singer with a cause comes from my music.
The latter has supported me to raise funds and the power that music
gives me transcends into a conflict with the government to improve the
flawed education system in Pakistan.
Qismet Apnay Haath
Mein has an eclectic mix of songs where some spell patriotism, some are
naughty while others talk about the political situation in the country.
What inspired you to
come out with such an album?
Just by saying “we
are one” one does not become a patriot. I am trying to point
out problems but that also doesn’t make me the ultimate patriot. This
country is not another planet’s hell and it’s not going to the dogs. My
point is if you do not upgrade your education system you will have a
chronic sense of despair among the masses. I am a patriot to the core,
to the extent of giving my life for the right cause. I, in regard
to Zindagi Trust, and Sami Mustafa of Book Group have both received
threats while working on improving the existing system in government
schools. But nobody can kill the passion that is there and I strongly
believe that goodness is contiguous.
Saali was a
controversial song/album, then came Qismet…and specifically the song
Khul Kay Pyar in which the guitar riff represents the words emanating
from frustration and which could not be put into words. Saali was my
last album and the title song just came about without any specific
pattern of thought. On the contrary, the songs in the latest album have a
definite thought process. The song Khul Kay Pyar is basically a message
to the young and old alike that due to the lack of creative outlets our
youth indulge in mischief and then end up covering their misdoings.
How are they supposed
to vent their energy?
What I am basically
saying in the song is that one does not relive his youth again so we
should make the most of it.
The other song in the
album, Laga Reh, and its video by Ahsan Rahim says a lot under the garb
of its comic theme. Who owns the concept and are there any more videos
in the offing?
I have only written and composed the song.
This was my first song and Ahsan, who is also a friend, came up with the
concept. Four more videos are also in the pipeline all to be directed
by Ahsan, namely the title song followed by Aik Baar Kehdo, Quaid-i-Azam
and Aankhain which sketches the life of a suicide bomber.
Keeping in mind the
controversial nature of Laga Reh, how difficult was it to find a sponsor
for the album?
While making the Laga Reh video, since I had
invested so much in it Ahsan warned me that I won’t be able to sell it
due to controversial content. Somehow I did manage to get a sponsor but
just two days before the video went on air the sponsor called me and
told me that I needed to chuck out three shots — one where the old man
says ‘leave everything to Allah’, second where the lawyer is trying to
set a tyre on fire and third where people are picked up by the agency
and then vanish into thin air. I was adamant and told them that I won’t
because then there won’t be anything left in the video. It might sound
very brave but believe me when you see all the money slipping away, it’s
not funny. Here, I would like to ask sponsors to kindly support the
paradigm shift in music, too.
“I feel modern
education just grooms you for the rat race, and even if you win you
will still be considered a rat. I get excited when we talk about drama,
violin classes or a sport through which a child’s hidden talent comes
out in the open. Our children should be taught to ask questions, only
then will they succeed in life as adults. In our country one may have
the freedom of speech, but there is no freedom after speech. I gain
power from music therefore I don’t need to become a politician,” says
Shehzad Roy.
The song was also
supposedly banned. Why indulge in such risk-taking and insist on being a
controversial artiste? Are you playing the angry young man?
I also saw the bit on
the Internet that Laga Reh has been banned but that was not the case.
No risk, no gain, and there is no gain without pain. As I said earlier,
trying to provide a sound education does not make me into a
revolutionary. Gaining knowledge and empowering ourselves is the only
and right way to go about things. I have tried to ask the right
questions in most of songs on the album. We generally don’t ask
questions and when and if we do, it is seen as controversial.
Both the song and the
Laga Reh video effectively summarised the earlier political situation
in the country. Do you think the song is still relevant?
Earlier during its
making when I had expressed a similar concern, the director of
the video, Ahsan, wittingly said that I need not worry about Laga Reh
because no matter when the song was released listeners will relate to
it. And do you know why? When I was 10, I heard on the 9 ‘o’clock news
that Pakistan was going through a sensitive phase, and only two days
back I heard Sheikh Rasheed saying the exact same thing all over again!
So tell me what has
changed?
We like to live in denial and keep going on
about nonissues, but I also think change is coming. We need to talk
about the right issues. I think both the album and the song will remain
topical even five years from now. God help us if people can relate to it
even after that.
Qismet… has allegedly
become a best-selling album. How do you feel about that?
Is it really that
controversial? If it wasn’t selling well I would have become a pauper
by now! It was tough losing a sponsor but if I had known that the album
wouldn’t sell, I wouldn’t have been able to bring out Qismet...
The message that I am
trying to impart through this album is that the general public
in Pakistan has not been given an outlet to think for themselves with
the outlet being the right education system. Once our children start
asking questions and demand an answer no leader can make a fool out of
us. I also write for a section of the English press but writing, singing
songs or going to talk shows won’t change anything. You can only
create an opinion with it. I could have come up with such an album
before but Qismet… came after I started working in the field and learned
about the ground realities.
The reforms in the
education system that you speak of are also reflected in your music.
So is music a tool to
fulfill all such aspirations?
Of course music is
such a tool as I have raised the maximum amount of funds through music.
It gives you power. People who generally create problems with my trust’s
work back off after a while. I strongly believe that when you take a
stand on the right issues, no one dare create problems.
You seem to be in awe
of Imran Khan and Ardeshir Cowasjee.
Any
particular reason? Do you have any plans to enter politics?
I will never go into
politics because once you go into that arena your hands are tied.
The reforms that I am trying to bring in the education system are
working out more strongly otherwise. And by the way, I have never given
such an impression. As for Imran Khan, I have idolised him since
childhood and he is like a brother to me. We are very close. The same
goes for Adreshir Cowasjee. Both these men have given me tremendous
support in regard to my educational project and I thank them for it.
Ali Azmat, Fuzon,
Strings and Zeb & Haniya have all released their albums round
the same time as
Qismet… Your comments on the released albums?
I really liked Ali
Azmat’s Klashinfolk and Zeb & Haniya’s. I support Zeb &
Haniya because women are not encouraged in our country. Secondly, they
are good musicians. As for Ali, I have been attending his concerts since
I was young lad. He is the only rock star in our country and I love his
music, and not just because he’s a friend.
From pop singer to
social activist, how would you sum up your journey so far?
I have never really
planned my life. Things just kept happening. But yes, I give credit
to my parents and the people who inspired me and taught me a lot. My
first passion was strumming the guitar. With that came singing at
college get togethers, later adopting it as a profession. In 2003, I set
up Zindagi Trust with the realisation that drastic reforms are needed
in our education system. I feel modern
education just grooms
you for the rat race, and even if you win the race you will still
be considered a rat. I get excited when we talk about drama, violin
classes or a sport through which a child’s hidden talent comes out in
the open. Our children should be taught to ask questions, only then will
they succeed in life as adults. In our country one may have the freedom
of speech, but there is no freedom after speech. I gain power from
music therefore I don’t need to become a politician.
You have already
started working on the next album. Will it also be as hard-hitting as
Qismet…?
There is time for the next album to come out
as I am touring and doing concerts for now. Then, I have adopted a few
more schools which need attention.
For the next album I
am thinking of compiling songs on the brain drain issue. Our youth is
abandoning Pakistan for greener pastures abroad. Besides this, there are
many other issues that I want to touch upon. Nowadays, I am also into
observing people on the streets where one sees millions of faces and
zillions of stories. We have a very interesting country with so many
religions, cultures, and castes. I’ve decided to observe people
and compile my next album along those lines.