NEXT TALK ON 06th Feb, 2016, at 4 pm.

[JNU ML]

Dear friends,

JNU Forum For Mutual Learning invites you for a talk

on

Beyond the Hindu Nationalist Frames: Investigating the Inception of a New Language of Theatre in Rabindranath Tagore’s play Sarodtsav

Speaker: Rajdeep Konar

Research Scholar, School of Arts and Aesthetics

Venue:  Committee Room, Central Library, JNU

Date and Time: 6^th February 2016 (Saturday), 4:00 pm

Abstract

As theatre and performance studies scholar Sudipto Chatterjee would rightly argue in his work The Colonial Staged: Theatre in Colonial Calcutta, the Hindu past both in its historical and mythological dimensions, had become a customary presence in the Bengali theatre of late 19 th and early 20 th Century. Both, the commercial theatre as well as the parallel theatre that existed at elite houses like Jorashanko Thakurbari were drawing on the Hindu past, be it via its historical figures or mythological narratives. This practice was feeding into the conservative Hindu Spiritual­Nationalist project of the period as elaborated by Partha Chatterjee in his The Nation and Its Fragments. In his earlier plays written and performed at Jorashanko, Rabindranath Tagore too, was often found to draw from the reservoir of cultural icons of the Hindu past, un­problematically. However, a distinct change in the nature of his treatment of the past can be perceived in the second set of his plays written after he arrived at Santiniketan. The two phases are separated by a time of ten years (1897­1908) ­ the last play of the first set being Baikunther Khata (1897) and the first play of the second set being Sarodotsav (1908). Sarodotsav written and designed to be performed in form of an Utsav or festive­play is based on a loose quasi­mythical structure. Tagore however chooses to destabilise these mythological signifiers both in the play text and the performances. He puts the mythical past constantly into play in an almost Bakhtinian spirit of revelry and thereby breaking it and rewriting it to give shape to a new language of theatre. In this short essay I would like to analyse the play Sarodotsav in its text as well performance to revisit this point of inception and delineate its modalities.

Hoping to see you there. 

-- 

Regards,

Convener 

JNU Forum for Mutual Learning

Central Library, Jawaharlal Nehru University

http://www.jnu.ac.in/Library/JNUFOML/about.htm 

http://jnuforumforlearning.blogspot.in/  

https://www.facebook.com/groups/jnuforumforlearning/

[Suraj Jaiswal]

hey, can you please remove me from mailing list. I am no longer a student and don't want to receive these mails.

--
You received this message because you are subscribed to the Google Groups "JNU Forum for Mutual Learning" group.
To unsubscribe from this group and stop receiving emails from it, send an email to jnuforumforlear...@googlegroups.com.
Visit this group at https://groups.google.com/group/jnuforumforlearning.
For more options, visit https://groups.google.com/d/optout.