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Betty Neyhart
Audiences have a rocky relationship with the very concept of movie sequels, and it's understandable why. Throughout history, there have been plenty of underwhelming or flat-out disappointing sequels. For a sequel to be good, it has to - at the very least - equal the quality of what came before, or continue the original story in a meaningful way. Ideally, it will surpass the movie it follows, though if it comes after a movie that was already close to perfect, it stands to reason that that's not a requirement.
Naturally, numerous sequels don't live up to expectations, and even a solid follow-up may feel disappointing to some. Yet the best of the best aren't likely to disappoint at all, as the following titles demonstrate. Below are some of the greatest sequels in cinema history, with all being successful at complementing the movie(s) that came before while striking a perfect balance between familiarity and freshness in their approach to continuing a pre-existing story.
The Rocky series has proven to be a surprisingly lengthy one, with the original film in 1976 being an underdog movie that told an underdog story, and went on to be a huge critical and commercial hit. The first Rocky had five sequels over the next 30 years, and was followed by the Creed series, which continued Rocky's story while centering on a new protagonist.
The first Creed from 2015 takes what worked about the best Rocky movies and gives it a more modern, harder-hitting feel. It's also proven to be a great showcase for Michael B. Jordan in the starring role, with Creed 3 also allowing him to make a strong directorial debut. Still, Creed (2015) is about as good as it gets, and when viewed as a sequel (of sorts) for the Rocky series, it's honestly up there quality-wise with the original from 1976.
Still, it's the father-son dynamic between Harrison Ford and Sean Connery that thankfully allows The Last Crusade to feel distinct enough as a sequel. It's a buddy comedy of sorts along with a typically exciting action/adventure movie, and given the first movie was so good, having the third sometimes feel like the Indiana Jones equivalent of a Greatest Hits compilation isn't the worst thing in the world.
35 years after the original movie was first released, Blade Runner 2049 did the impossible and made a genuinely worthy follow-up to one of the best sci-fi movies in history. It's set in the same world as the first some 30 years later, and centers on a new protagonist, K, who's on the search for the first film's main character, Deckard.
Admittedly, Logan may prove to be something of an outlier within the fragmented world of X-Men movies. It likely depends on how Wolverine's appearance in Deadpool 3 goes, given Logan felt like a send-off to the version of that character as played by Hugh Jackman, but - thanks to Deadpool 3 - will no longer be Jackman's final time in the role.
But for now, it's identifiable as a sequel/grand finale to the various other X-Men movies Jackman's Wolverine appeared in. It presents a bleak depiction of an alternate 2020s where mutants have largely gone extinct, and Wolverine finds himself on one last desperate mission to protect a young mutant from enemies pursuing her. It's violent, gritty, and very emotional, and though it might feel less conclusive in the wake of future movies, it still feels like a great "final" sequel for now.
Paddington 2 has become legendary for being one of the most surprisingly great sequels in recent memory. The original film from 2014 was no slouch by any means, but Paddington 2 built on what that one delivered and then some, being more engaging, emotional, and funny all at once.
Like many long-running horror series, the Nightmare on Elm Street franchise has gone through some serious ups and downs. The original from 1984 is obviously a classic, with sequels that range from daring but divisive (Freddy's Revenge) to genuinely very good (Dream Warriors) to not very good at all (The Final Nightmare).
The best of the sequels, however, might well be 1994's New Nightmare, which shines thanks to it being written and directed by the series creator, Wes Craven. It takes a meta approach to the franchise's tropes, being about the original movie's star (Heather Langenkamp, playing herself) being tormented by a new, "real-life" version of Freddy Krueger. It sounds silly, but Craven makes it work, ensuring New Nightmare is entertaining, creative, and a wonderfully unusual sequel.
The third film, Harry Potter and the Prisoner of Azkaban, isn't the most narratively intense or dark, but it might well stand as the best overall Harry Potter movie. Director Alfonso Cuarón brought his unique visual style to the film, making it beautiful, creative, and one with an even more immersive world than other movies in the series. It's aged fantastically, and as far as the movie series is concerned, it serves as an overall high point.
The sequel to 1986's Top Gun ended up being one of the biggest movies of the 2020s so far. It looked back on the original with rose-tinted glasses and delivered a movie that was overall quite similar, but at the same time, hit the various notes and beats of the 1986 movie with more accuracy, confidence, and excitement.
When it came to bringing Star Trek to the big screen, the original movie from 1979 was a solid attempt, yet probably didn't have much appeal to audiences who weren't already fans of the show. When its 1982 sequel came around, there was a noticeable attempt to make things bigger, more action-packed, and more accessible, and it paid off.
Star Trek II: The Wrath of Khan holds up as one of the great sci-fi movies of the 1980s, and not necessarily one that you have to be a big Star Trek fan to enjoy. It gives the cast of the original show their most dangerous and high-stakes mission yet, and delivers genuine spectacle without undoing the heart of the original show, or dumbing things down detrimentally.
It's hard to pick a favorite Evil Dead movie, especially when narrowed down to the original three movies directed by Sam Raimi. The first is one of the most iconic low-budget horror movies of all time, the second re-does/remixes the first with more confident direction and tons more humor, and then the third movie - Army of Darkness - ends up being a slapstick fantasy movie, ditching just about all the horror elements from the other two.
For the film that best represents the franchise's strengths, the title for best entry would likely go to Evil Dead II. As a sequel to the first, it delivers much of what was great there, only with a helping of great humor that was then explored further in the third movie. For showcasing both the terrifying and the comedic sides of Evil Dead, the second film stands as an all-time classic sequel.
There are plenty of great sequels within the MCU, as demonstrated by films like Captain America: The Winter Soldier and Thor: Ragnarok, which both outdo their predecessors. Yet the greatest sequel in the franchise so far is probably the third overall Avengers movie, Infinity War.
As a film, it's an embarrassment of riches, with a focus on Thanos, the greatest MCU villain so far, and appearances from just about every iconic character introduced in the MCU's first three phases. It serves as a sequel of sorts to multiple series' within the MCU, which does give it an advantage, but for comic book thrills, action, humor, and emotion, it's a hard one to top.
The Star Wars sequel trilogy has proven divisive, and it's understandable why. 2015's The Force Awakens thrilled audiences upon release thanks to feeling like a throwback to "classic" Star Wars, but received some criticism for being too similar to the original film from 1977. And then 2019's The Rise of Skywalker was overall very messy, and made it plain to see that there hadn't been a great overarching plan in place for this particular trilogy.
Between those two movies was The Last Jedi, and whether you want to count it as a sequel to the original trilogy or The Force Awakens, it holds up. It was a daring film that didn't appeal to everyone, sure, but it attempted to do interesting and emotional things with the world of Star Wars and the characters - both old and new - who inhabit it. It was subversive, provocative, thrilling, and - though not without flaws - arguably the greatest Star Wars movie released since 1980.
Dr. No (1962) kicked off the James Bond film series in style, establishing Sean Connery in the role that would largely define his career for the next several decades. Yet it was exceeded in quality by its second sequel, Goldfinger, which also improved upon 1963's From Russia with Love (itself a movie many would say was more exciting than Dr. No).
Universal churned out numerous horror movies throughout the 1930s and 1940s, in turn creating what was arguably the first-ever cinematic universe. The sequels the studio produced were often fun, though they rarely topped the originals. However, The Bride of Frankenstein ended up proving to be an exception to this rule.
1931's Frankenstein was already a classic, but The Bride of Frankenstein improves upon it by having a more ambitious and complex story, featuring some odd but entertaining meta elements (original Frankenstein author Mary Shelley is a character here), and having two monsters instead of one. The titular bride isn't in it much, but steals the show in the film's climax, and has helped this 1935 sequel attain legendary status.
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