Thanks to the silver Arabic numerals shown on the face of this wooden watch, the Agar has a very easy to read dial that looks extremely stylish combined with the black background and two-tone wooden band.
The strap features a stainless steel folding clasp with hidden button to unhook it whenever you want to take the watch off. Adjusting the size of the strap is possible by using the de-linking tool included in the box.
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Obsession. The word has been a hot favorite of dream merchants in Bollywood. From Abbas-Mustan's DARAAR to Yash Chopra's DARR, to films made to this date, a number of storytellers have woven themes around the obsessive streak of individuals.
Ananth Narayan Mahadevan's AGGAR also does that. A number of thrillers have successfully explored the darker side of human personality with dexterity. AGGAR is a fine addition to the list, although the sole glaring flaw lies in the fact that the director has chosen to opt for an atypical end to the story.
When everything was so unpredictable from start till pre-climax [screenplay: S. Farhan], when layer after layer was peeled with such finesse, when the viewer was absolutely clueless vis- -vis what lay in store, why Ananth why opt for a tame ending?
Becoming attracted to the wrong man can have deadly consequences. Janvi's [Udita Goswami] life seems ideal on the surface: she runs a thriving business and is married to Dr. Aditya Merchant [Shreyas Talpade], a psychiatrist. But a faint air of discontent begins to creep into her relationship when she begins suspecting her husband of having an extra-marital affair with Radha [Saadhika], an interior designer.
Janvi impulsively gets drawn into a steamy affair with Aryan [Tusshar Kapoor], who works in her company. But in a strange twist of events, she realizes that she has stumbled badly and tries to break off her affair. Aryan, however, is not willing to give her up so easily and his attraction to her soon becomes a dangerous obsession.
AGGAR has three interesting words below its logo -- Passion, Betrayal and Terror -- and AGGAR does justice to it in those 2 hours. There's never a moment that gives you the feeling of dj vu. Not once do you feel that it's one of those been-there-seen-that kind of movie-going experiences.
But, as mentioned earlier, the culmination to the tale should've been equally unpredictable, not abstract mind you. A badly bruised Tusshar emerging from the pool and beating Shreyas black and blue is a complete cinematic liberty. Ditto for the end.
The other area where the film dips is Mithoon's music. The young musician showed promise in his earlier works, but the tunes in AGGAR sound similar to his recent work THE TRAIN [the songs of this film are still fresh]. Hello, why this need to repeat yourself? Have you exhausted your stock of tunes already? K. Rajkumar's cinematography is topnotch.
AGGAR rests on three characters mainly and each of them packs in a solid punch. Tusshar is a revelation. The actor has always come up with honest performances in the past, but he pitches his best work to date in AGGAR. We're used to watching actors hamming away to glory in roles of obsessed lovers, but Tusshar doesn't go over the top at all. Tremendous work!
Shreyas Talpade is in complete form. Enacting the role of a shrewd operator who's in search of a guinea pig to carry out his devious plan, the young actor proves his versatility yet again. His volte face will catch the viewer by surprise.
Udita Goswami is fantastic. She sinks her teeth in this challenging role and enacts it with gusto. AGGAR is one film that showcases her talent to the optimum. Excellent work indeed! Nauheed Cyrusi is adequate. Sophie Chaudhary makes her presence felt in a brief role. Saadhika is okay.
On the whole, AGGAR is a well-made thriller that should appeal to the multiplex junta primarily. But its business will get affected due to several vital reasons: The 20/20 cricket matches [the India-Pakistan match specifically], the commencement of the holy month of Ramzan and Ganeshotsav. Obviously, a large section of moviegoers will stay away from cineplexes in days to come. The poor opening will also tell on its business.
Doctors, midwives, or nurses add up these five factors for the Apgar score. Scores are between 10 and 0. Ten is the highest score possible, but few babies get it. That's because most babies' hands and feet remain blue until they have warmed up.
A baby who scores a 7 or above on the test is considered in good health. A lower score does not mean that your baby is unhealthy. It means that your baby may need some immediate medical care, such as suctioning of the airways or oxygen to help him or her breathe better. Perfectly healthy babies sometimes have a lower-than-usual score, especially in the first few minutes after birth.
At 5 minutes after birth, babies get the test again. If a baby's score was low at first and isn't better, or there are other concerns, the doctors and nurses will continue any needed medical care. They'll watch the baby closely.
This test helps health care providers tell a newborn's overall physical condition so they can quickly decide if a baby needs medical care right away. It isn't meant to predict a baby's long-term health, behavior, intelligence, personality, or outcome.
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