kaisekar jaa_uu.N sakhii apane dhaam> - raag : kaafiiBhimpalasi. At least, there is a traditional Bhimpalasi
cheez with these words! I will listen to the song again.As an aside, Bhimpalasi would also fit into the time-
progression of the raags.C
^^^^^^^^^^^
> hazarat nizam-ud-din auliyaIs it "jii" or "tum" ? If I hear something THAT different , maybe an
appointment with the ear-doctor (what's the medical term for that- some
-logist ??) is in order :)
> - raag : gujarii To.DiiI came across this bandish in a raag called just "todi". Are "todi" and
"gujri todi" equivalent ?
^^^^^^^^
I think it's sharaN instead of charaN . Might make more sense that way,
don't you think ? It is extremely tough to make the distinction between
those two sounds, though, in the rendition.
^^^^^^^^^^^I think it's "chhanak gaii" (i.e. as a result of paka.Dat bainyaa" ?)
Can someone post which raags the foll. songs from the raagmaalaa in Alaap
are ?naii rii lagan aur miiThii batiyaa.N
piyaa jaane aur jiyaa moraa jaane sakhii
kis kis baat pe dha.Dake chhatiyaa.N
piyaa jaane aur jiyaa moraa jaane sakhii
piyaa naahi aaaaaye
morii aalii kaise kar man samajhaayeArunabha
Pandit C.R. Vyas has sung a vilambit bandish with similar words in Gurjari
Todi. However, the above bandish has long been a standard, I believe it's a
composition of Taanras Khan (RMIC-ers, doesn't his name appear in the antara
somewhere?). Khaiyyam-sahab has used this standard in the movie, and it is in
Miyan-Ki-Todi, (or I suppose you could call it Todi). Gurjari Todi is marked
by the absence of Pancham, while this bandish most definitely has the
Pancham.
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