Discography Example
Dannie Heinzen
The discography of Example, a British singer, consists of eight studio albums, fifty-five singles and 53 music videos. As of March 2014, Example has achieved fifteen top forty singles on the UK Singles Chart, including two number-one singles; "Changed the Way You Kiss Me" and "Stay Awake".
Example released his debut studio album What We Made in 2007. It peaked at number 125 in the UK Albums Chart. His second studio album, Won't Go Quietly, was released three years later. It peaked at number four of the same chart and was certified as Gold by the British Phonographic Industry (BPI). Five singles were released from it, and were mild-received in diverse world charts. The next year, Example released Playing in the Shadows, which topped the UK Albums Chart, and included the singles "Changed the Way You Kiss Me" and "Stay Awake", among others. In 2012, The Evolution of Man was released on 19 November. It peaked at the thirteenth spot, and has been certified Gold by the BPI.
In March 2014, Example revealed the name of his 5th studio album to be Live Life Living and the artwork of the standard and deluxe editions, which have been loosely based on his live Ibiza shows by MTV. It includes already released single "All the Wrong Places" which was released on 6 September 2013, the second single "Kids Again" which was released on 14 March 2014 and the third single "One More Day (Stay with Me)" which was released on 20 June 2014. The fourth single is "10 Million People" and was released on 3 October 2014.
Another important identifier for sound recordings is the matrix number. A matrix number is an alphanumeric code (that often includes other symbols related to the pressing plant the record was manufactured in) either stamped or handwritten (or both) into the run-out groove area of a phonograph record. A matrix number is intended for the internal use of the record manufacturing plant but often provides useful information for record collectors and researchers. The purpose of the matrix number is to assign a filing number to the stamper and to ensure each side receives the proper label, by visually comparing the number on the label to the inscribed number. The first label to utilize matrix numbers was Victor (which became RCA-Victor in 1929) in 1903, shortly followed by Columbia, Zon-o-phone, and many others 1901. On the other hand, cylinder recordings typically do not utilize matrix numbers, with the only cylinders that were assigned matrix numbers being most Edison Blue Amberol cylinders made between 1914 and 1929. The reason why Edison Blue Amberol cylinders during this period have matrix numbers is that they were primarily dubbed from Edison Diamond Disc records (which utilized matrix numbers), which were introduced in November of 1912.
Several types of discographies predominate, and these are: artist, genre and label. An artist discography typically focuses on one composer or artist, and covers their entire output on all record labels and recorded sound formats. Examples of this type include The Sousa Band: A Discography (Smart, 1970), American Music Recordings: A Discography of 20th Century U.S. Composers (Oja, 1982), and douard-Lon Scott de Martinville: An Annotated Discography (Feaster, 2010). Genre discographies list all recordings of a specific musical genre. Examples include Blues and Gospel Records, 1890-1943 (Dixon, Godrich and Rye, 1997), The Illustrated Discography of Surf Music, 1961-1965 (Blair, 1985), and Creole Music of the French West Indies: A Discography, 1900-1959 (Boulanger, Cowley and Monneraye, 2014). Label discographies, on the other hand, include all recordings issued and recorded by an individual record label or associated labels. The Columbia Master Book Discography (Brooks and Rust, 1999) and Atlantic Records: A Discography (Ruppli, 1979) are two of the many examples of label discographies. Record label catalogs, although created by record companies for a different purpose, to sell their recordings, also have value in discographic research. They often contain important information such as catalog numbers, song titles, artist and composer names, and the approximate dates that recordings were originally issued.
National discographies are another variation of a discography. As opposed to label or genre discographies, national discographies include all the recordings issued and produced in a defined national or cultural area regardless of label, genre, artist, or composer. National discographies are of importance and value to recorded sound researchers for several distinct reasons. The first reason is that it informs the collection of new acquisitions by institutions in specific countries. The second factor is that it sustains and promotes scholarly research by stimulating the reissue of historic sound recordings and encouraging recorded sound institutions to acquire new and relevant sound recordings for their libraries. Finally, the idea of a national discography allows both researchers and private collectors to find out which recordings were recorded and released in specific countries.
Early efforts to document and categorize sound recordings using unique and easily defined attributes were hampered in part by the fact that no suitable duplication process existed during the earliest days of the recording industry. For example, many of the earliest recordings were recorded as many as eight times in each respective session to keep up with the ever-growing demand for recordings. Additionally, many of the earliest recording artists recorded on an unpredictable and ad-hoc basis due to sudden changes in demand for their recordings, as well as some reluctance to lend their services to a primitive and unprofitable medium. As such, the nature of the early recording industry prevented the establishment of unique catalog numbers for commercial recordings. This, in turn, makes it difficult at best for modern researchers to determine the total output of the earliest recording artists.
Speaker's Last Name, First Name. "Title of Speech." Title of Conference or Meeting, Day Month, Year, Location of Conference. Descriptor (i.e. Keynote Address, Guest Lecture, Conference Presentation, Address, Lecture, Reading).
Note: Because online monographs from Natural Medicines typically do not have page numbers, paragraph numbers or section headings, this information is left out of the in-text citation.
Author's Last Name, First Name or Username if real name not provided. "Title of Blog Post." Name of Blog, Blog Network/Publisher if given, Day Month Year of blog post, URL of blog post. Accessed Day Month Year blog was visited.
You can find reviews in multiple source types (newspapers, magazines, journals, etc.); please see elsewhere on this guide for guidance on creating a citation for a specific source. The below citation example is for a play review that appeared on a newspaper website.
Music can be cited multiple ways. Mainly, this depends on the container that you accessed the music from. Generally, citations begin with the artist name. They might also be listed by composers or performers. Otherwise, list composer and performer information after the album title. Put individual song titles in quotation marks. Album names are italicized. Provide the name of the recording manufacturer followed by the publication date.
Note: Write out the actual Tweet in the citation and keep spelling and grammar the same as in the original, even if there are errors. When quoting the Tweet, beside grammatical and spelling errors in the original Tweet, write [sic] in square brackets to indicate the errors are not your own. E.g., if the Tweet was "It isn't you're fault the media is violent", write: "It isn't you're [sic] fault the media is violent."
I would like to see all versions of an album on the main Artist discography page without having to click through whichever album Roon chooses to display to select the version that I want to play. In the above example, if I want to play the 24/96 Deluxe Edition, it always takes multiple clicks down through Versions to find that one.
Jim was correct. What you are asking for is not what the Discography screen is designed to show. It does not obey the Show Hidden rules. Overview, is what you want, or the Album screen, to see all the versions in your library with Show Hidden set to YES.
Album motion makes your album artwork come alive. Motion artwork provides a richer experience for your audience by helping set a mood or accentuate the concept of an album, before anyone presses Play.
These templates appear on iPad, Mac, and smart TVs. The entire canvas of the Album Page Motion 1x1 is safe to place artwork. There are no UI elements that need to be considered. Download the template.
The examples throughout this guide showcase how to create engaging album art that follows our standards and guidelines. Review the Apple Music Style Guide for more information on accepted artwork and guidance for content delivery.
Your Apple Music album page is a dedicated space to feature your unique album cover art. Continuity between your album cover and motion art is critical for a great user experience. Follow these guidelines below to deliver motion art that takes your album art to the next level.
The motion art should be based on the album cover art. Any motion you use must remain focused on the album cover art for the full duration of the animation. Motion cannot include cuts to other images in the edit.
The entire canvas of the Album Page motion 1x1 is safe to place artwork. The Album Page motion 3x4 includes UI elements that need to be considered as you create your art. A safe area guide is provided in our downloadable templates for you to toggle on and off to check your artwork placement.
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