[Apologies for cross-posting, please distribute]
6th IEEE International Symposium on the Internet
of Sounds
University
of L’Aquila - Centro Congressi “Luigi Zordan”, L’Aquila, Italy
29 October - 31 October 2025
https://internetofsounds2025.ieee-is2.org/
We are pleased to invite you to the 6th IEEE
International Symposium on the Internet of Sounds (IEEE IS2 2025).
The Internet of Sounds is an emerging research field at the
intersection of the Sound and Music Computing and the Internet
of Things domains.
The symposium will be hosted at the Centro
Congressi “Luigi Zordan” in the vibrant city of L'Aquila, Italy,
known for its rich history, dynamic culture, and rapidly growing
technology sector.
The aim is to bring together academics and industry
to investigate and advance the development of Internet of Sounds
technologies by using novel tools and processes.
The event will consist of presentations, keynotes,
panels, poster presentations, demonstrations, tutorials, music
performances, and installations.
Call for Papers and Demos
Topics of interest include and are not limited to:
- Wireless
acoustic sensor networks
- Web
Audio
- Networked
music performances
- Networked
immersive audio
- Embedded
systems for audio applications
- 5G/6G architectures for the Internet of Sounds
- Music information retrieval in networked
applications
- Ecoacoustics
- Detection and classification of sounds in
acoustic sensor networks
- Networked
Musical XR
- Semantic Audio applications for the Internet of
Sounds
- Sonification for Internet of Sounds applications
- Smart
musical instruments
- Ubiquitous
music
- Audio
packet loss concealment methods
- Participatory
live music performances
- Musical haptics for the Internet of Musical
Things
- Music education applications for the Internet of
Musical Things
- Intelligent music production in Internet of
Musical Things contexts
- Protocols and exchange formats for the Internet
of Sounds
- Energy-Efficient and Green Networking for the
Internet of Sounds
- Internet of Sounds networks and protocols
- Privacy and security in acoustic sensor networks
- Audio datasets for Deep Learning and Data Mining
- Challenges in the management and delivery of
large audio databases
- Visualization, access, and indexing of audio
databases
- Cloud-based services for musical and audio
applications
- Improving accessibility and inclusiveness within
the Internet of Sounds
- Sustainability and ethical aspects of the
Internet of Sounds
- Brain-Computer Interfaces for the Internet of
Sounds
- Model compression (quantization, knowledge
distillation) for real-time AI for audio
- Standardization for the Internet of Sounds
- Visualization and Sonification of acoustic sensor
networks
- UAVs and Non-Terrestrial Networks for the
Internet of Sounds
- Robots for the Internet of Musical Things
We consider submissions in the form of:
- Full paper (min 5 pages, max 10 pages)
- Poster paper (min 2 pages, max 4 pages)
- Demo
proposal (max 2 pages)
Authors are welcome to submit to all three tracks.
We encourage the submission of work in progress as well as more
mature work. However, only the accepted contributions of at
least 4 pages are eligible for inclusion in the conference
proceedings to be submitted to IEEE.
Satellite Events
The program will include 3 satellite events:
For the topics addressed in each event please visit
the respective webpages.
Keynote Speakers
The program includes three confirmed keynotes:
- Valentina Presutti
- Università di Bologna, Italy
- Carlo Fischione - KTH: Royal Institute of
Technology, Stockholm, Sweden
- Mel Slater - University of Barcelona, Spain
Paper Submission
All submissions will be fully, single-blind
peer-reviewed. The expected number of pages for contribution
should not exceed 10 pages for paper. Authors must follow IEEE
ethical and writing guidelines.
LaTeX and Word template: https://www.ieee.org/conferences/publishing/templates.html
Submission portal: https://easychair.org/my/conference?conf=ieeeis22025
Call for Internet of Sounds Performances and
Installations
We invite submissions that showcase the internet of
sounds in performance and sound installations. Proposed works
should have a clear connection to the conference and may relate
to a technical paper or demo submission. We particularly invite
pieces that last 5-12 minutes, however, shorter and longer
performance proposals will be considered.
Performances and Installations Submission
A proposal (compiled in a single pdf) should
include:
- One-page
project description
- One-page description of technical requirements
- Short
program notes
- Artist
bio(s)
- URL to any performance/installation audio or
audio-visual documentation (if available). The documentation
link should use streaming-only services, e.g., SoundCloud,
Vimeo, YouTube.
Please keep in mind the following when preparing
performance and installation submissions:
- Space requirements: Indicate whether the work
would be more suitable for a university environment (hallways,
staircases, indoor and outdoor plazas), club, traditional
concert stage, gallery, public space, or other venue. For
questions regarding equipment and venue descriptions, please
contact the Music & Installations Co-chairs
- Performer(s): List all performers that would need
to be involved. Please note that the organizers cannot provide
funding to support performers' travel or accommodation.
- Feasibility: Provide evidence of the feasibility
of the performance or installation. Include documentation and
list of previous performances of the submitted or related work
that demonstrate the submitter's capacity to implement the
proposal.
Submission portal: to be announced
Important Dates
- All
submission deadlines: July 1, 2025
- Author
notification: September 1, 2025
- Camera-ready
due: October 1, 2025
- Early
registration deadline: October 2, 2025
- Late
registration deadline: October 15, 2025
- Symposium
dates: 29 to 31 October, 2025
Awards
The Organizing Committee will select the winners
for the Best Paper, Best Student Paper, and Best Demo awards. To
be eligible for the Best Student Paper award, the presenting and
first author of the paper must be a full-time student.
Organizing
Committee
- General Co-Chair: Claudia Rinaldi - CNIT National
Inter-University Consortium for Telecommunications
- Paper
Co-chair: Carlo Centofanti - University of L’Aquila
- Paper Co-chair: Stephen Roddy - University
College Cork
- Paper Co-chair: Marcelo M. Wanderly - McGill
University
- Paper Co-chair: Toon van Waterschoot - KU Leuven
- Demo
Chair: Andrea Marotta - University of L'Aquila
- Poster
Chair: Michel Buffa - University Côte d'Azur
- Music and Installations Co-chair: Giusy Caruso -
Royal Conservatoire Antwerp
- Music
and Installations Co-chair: Maria Cristina De Amicis -
Conservatorio di Musica “A. Casella"
- Music
and Installations Co-chair: Alessio Gabriele - Conservatorio
di Musica “A. Casella”
- Facility
Chair: Marco Giordano - University of L’Aquila
- Publication Chair: Alex Piccioni - University of
L’Aquila
- Publicity Chair: Chrisoula Alexandraki - Hellenic
Mediterranean University
- Tutorial Chair: Josè Santos - University of Ghent
- Industry Liaison Chair: Andrea Genovese -
Qualcomm
- Travel Grants Chair: Lina Mohjazi - University of
Glasgow
- Student Volunteer Coordinator: Stefano Giacomelli
- University of L’Aquila
- General Chair: Luca Turchet – University of
Trento
General Contact
Enquiries can be addressed to claudia...@univaq.it.
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Chrisoula Alexandraki
Associate Professor
Dept. Of Music Technology and Acoustics
School of Music and Optoacoustic Technologies
Hellenic Mediterranean University