Smallrig Camera

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Mahmod Ohner

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Aug 5, 2024, 12:28:48 AM8/5/24
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Inthis video I share why I think a camera cage is one of the best accessories for filmmakers, YouTubers, and other creators. I also quickly review the Sony a7R III camera cage from SmallRig that I personally use.

I use the Sony a7R III camera cage from SmallRig, and really love the build quality and design decisions they made (with the exception of one thing I mention halfway through this video), but there are other options out there.


Learn everything you need to know about content creation. We'll teach you everything, including lighting setup, audio recording, and video editing, plus review all the latest gear to help you maximize your production quality.


I this video I will go over the incredible SmallRig Camera Cage I just got for my Sony A6400 and I will explain why you might need one for yourself. Get your SmallRig Camera Cage Here >>


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SmallRig's new version of the rotating camera mount has definitely addressed the issues we had with the first version. In addition to making it compatible with most, if not all, cameras, they went the extra mile that some might think is too far.


The first version also made use of a simpler assembly. It consisted of the bottom plate that mounts on the 1/4-inch thread and connects to the main rotating collar using two screws. Installing the mount requires removing the lens because the inner diameter of the collar accommodates the thinnest part of the barrel of the lens, which is usually the section near the mount. The first one was a straightforward design that was just a little too specific to the camera body.


The new version was certainly designed to have more universal compatibility, and it seems that SmallRig wanted to go beyond just the typical rectangular bottom plate and give it a unique mounting feature. The main lens collar follows the same form as the first version; however, it has a longer stem, which gives the collar more height from the Arca-Swiss type quick release plate. Instead of the friction knob on the old version, this one has a simpler lever that takes just one flick to lock.


On the side of the camera, it uses a sliding platform that resembles a quick release clamp. This platform has an inner section that slides out to meet the screw thread behind the collar in order to adjust to whatever width is necessary between the lens mount and the mounting point on the body. Instead of directly mounting on the camera, the top part is a quick release clamp that takes in any Arca-Swiss type plate.


The default configuration uses a supplied camera mounting plate that resembles the usual Arca-Swiss plate used by most tripod heads. However, the reason why it uses a more complicated assembly is that this plate can be replaced by the bottom groove of a camera cage, which opens it up to more potential uses for both photography and videography.


One of the biggest notable differences is the installation process of the camera mount. Just like the first version, this step requires the lens to be removed in order to mount and adjust the distance between the lens collar and the main mounting plate accordingly. However, for the second version, it has a few extra steps depending on whether you are using the supplied Arca-Swiss plate or a compatible Arca-Swiss mount camera cage.


The first step is to attach the plate or cage onto the camera to get it ready to mount onto the rest of the bracket assembly. Once that is done, the next step is to put together the other two parts in order to mount it onto the camera and adjust the lens distance. Here you would have to loosen the two screws on the back of the collar to allow the sliding platform to accommodate the necessary distance from the plate to the lens collar. Then the quick release clamp is mounted onto the lens collar using two screws. Once they are loosely connected and the collar is placed on top of the lens mount, the sliding platform can then be adjusted to meet the mounting plate (or camera cage) and rotated to mount them all together, adjust finely, and lock in place before the lens can be mounted again.


Nicco Valenzuela is a photographer from Quezon City, Philippines. Nicco shoots skyscrapers and cityscapes professionally as an architectural photographer and Landscape and travel photographs as a hobby.


I have both A7RV and A7SM3 the first model I love for it gives plenty use of the twisty screen. I have panorama rig that has a mounting plate that attaches to the post everything holds even with the FE 12-24mm f/2.8. But I just received the new 10mm f/2.8 it does not fit in the hole for lenses.


Yes, I just put an older L-Bracket on the camera the one with a flippy side L the side that you would use for portrait view. I was out testing the lens for pinpoint stars in corners and sides. After years '15 ago getting the Rokinon 14mm f/2.8 that all reviewers were say a great lens. I spent a long night in July '15 capturing the Milky Way but when I got on the computer in post there was so many problems like mustache distortion and elongated stars in corners and many coma problems and with no LC's anywhere I had to wait a year for LR to get one but still elongated stars but the mustache distortion was fixed. After that I stayed with the FE 16-35mm f/4 but discovered the APS-C E 10-18mm (15-27mm (35mm) that worked great for several years at 12mm and two years before the FE 12-24mm f/4. But I still used it finding both the 12-24mm f/4 and 2.8 very heavy. Funny Sony never went 12mm prime like the new 10mm f/2.8. The reason for the 10mm is in portrait view you get great height to capture of the MW ARC/Rainbow so no need for a second row.

You can test lenses with a chart but not till a capture of stars do you find the problems, I test all my lenses with stars, the Sigma 14mm f/2.8 really only worked f/4 or higher so much distortion also.

1. Finally a '15 capture processed, also learned a bracketed 3 at +/- 1 EV (NR is off and dead/hot pixels) BUT somehow a HDR program got rid of them. In '15 not much info so I was trying anything.

2. This march using the heavy FE 12-24mm f/2.8 with A7SM3 on a lightweight pano rig but everything held for 13 images (15 degree steps).

3. The E 10-18mm in Full Frame mode 12mm, added the sparkle with ON1


This SmallRig Camera Cage is designed for Sony a7S III. The cage maintains access to the camera's controls and features a variety of mounting options for accessories such as monitors, microphones, lights, and handles. The cage also incorporates an anti-twist design with an M2.5 screw fixed to the strap hole in addition to the 1/4"-20 camera mounting screw so your camera can't move around in the cage. You can attach SmallRig Wooden Side Handle 2093 for hand-held shooting or SmallRig Cable Clamp 3000 to protect the HDMI cable and port.


This SmallRig Camera Cage is designed for Sony a7S III. The cage maintains access to the camera's controls and features a variety of mounting options for accessories such as monitors, microphones, lights, and handles. The cage also incorporates an anti-twist design with an M2.5 screw fixed to the strap hole in addition to the 1/4\"-20 camera mounting screw so your camera can't move around in the cage. You can attach SmallRig Wooden Side Handle 2093 for hand-held shooting or SmallRig Cable Clamp 3000 to protect the HDMI cable and port.

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