Hello guys,
My JSON file has a header and a tailer.
I get an error from the JSON reader node that it does not recognize the HRD token (which is the header token).
How can I skip the header and the trailer to read the file?
Please advise.
Iryna
Basically, I used a file reader, however, file reader will assume that each line terminated with \n is a row, meaning it will read your file as multiple rows, which I assume is NOT what we want in this case. So I concatenated all the lines via a GroupBy, which gave me the same data as the table I created.
If you modify the workflow with String Manipulation nodes to change left double quotation into regular quotation, and right double quotation into regular quotation, then string to json, then you can get a nicely formatted json at the end.
Okay. So this is all cool stuff, and I see how this lays a foundation for much later interrogations of masculine, white, and straight hegemonies in the literary establishment. But you can see some problems with it. I mean, Barthes is wandering dangerously close to behaviorism, which argues that cognition is irrelevant. Which we now know is simply not true (thanks to Cognitive Behavior Therapy and other highly effective educational and health models). We are all constantly making choices, and what we think and how we think about it, is one of those choices. So yikes. You kind of missed a crucial piece of the puzzle there, Barthes.
Is this her secretary? Her lover? Her sister? Again, we have another explosion of possibilities. Again, the author whittles a few of them down. But we still retain a shadow of some of the possibilities we thought of, possibilities that may not occur to other readers, and these possibilities influence our experience of the text and make it unique to us.
Julian: I think it's all pretty fucked up. I don't know much of the facts. But I wish everyone will chill the fuck out and smoke a joint. Relax! Long as they (cops) don't run up in ours then I'm happy.
Ricky: That's a tough one, but probably American Hockey. We're more NFL guys.Bubbles: Oh yeah I agree. I got a few of them I like: the old 1970s Steelers with Terry Bradshaw, Frank O'Hara, Lynn Swann and growing up around all that. Plus Snoop Dogg's favorite team and I like his style too.
There were times where no one outside the trailer courts gave a damn about trailer court inhabitants, which carried a certain arrogance once held (and still continues) strongly about those grounds. Bubbles, Julian, Ricky and the rest of the crew -- in their worst of behaviors -- remolded that notion among people within dwellings everywhere. Although December 8 will come and go within a taste of spiked eggnog, take notes to check out these near-carnal characters celebrate Christmas with the Fargo-Moorhead faithful inside the Civic Center on Monday.
A friend asked me yesterday if I had thought about doing a book trailer. She even pointed me to a list of the ten most viewed book trailers of all time: -14.com/the-10-most-viewed-book-trailers-of-all-time-updated/
It is not that they are not good. They are as slick as any Hollywood movie trailer. There is a reason that the site that created the list is a film site, not a book site. They are all great examples of cinematography and acting. If I was a teenage girl I would totally want to watch those movies.
Is it as simple as that? Is it so impossible to gain traction by promoting a book as a book these days that you have to promote it as a movie and then switch it up at the end and try to sell a book instead? And if so, does that actually work?
I have another theory. Bear with me and let me know in the comments if this makes any sense. Fan fiction has become a huge thing. Fans wanting more episodes of their favorite shows than the networks could ever commission or shoot, write their own episodes as short stories and novels and share them among themselves. It has become so big that the networks have caught onto it and continue popular series in the form of books and comics. They write their own fanfiction. Sometimes they even publish the fan fiction written by fans.
In some sense it is easy to see the appeal here. The fans already have pictures of the setting and the characters in their heads. No need for tedious scene setting or description in the books. They can just get on with telling the same stories over and over and over again, world without end, Amen.
I assume that reading these books is a somewhat different experience from reading the book from scratch. The imagination is already populated with images and the reader almost certainly will project the faces of the actors and the sets and locations onto the books as they read, creating what is essentially an extension of the TV watching experience.
This example seems at least consistent with the idea I am proposing. The mood is set. The characters have faces. They have a style. They have a voice. What do you think? Surely that is the face you are now going to see as you read, the voice you are not going to hear?
But even if I am right, there is still a profound oddity here. Books and movies are different media, and the differences are not slight. Other than the fact that they both tell stories, they operate completely differently. The movie is addressed to the senses. It enters through the eyes and the ears. The novel is addressed to memory. It enters through language and the use of story to recall images, experiences, and emotions. If we could define story as plot + telling, then the same plot makes a very different novel than a movie because the means of telling are so different. The final package is an utterly different beast, which is why the book is always better than the movie, except when the book is a novelization of the movie, when it is always worse. It is almost impossible for the secondary media to rival the art of the primary without diverging wildly from its substance.
But perhaps this is not the impediment to media-crossing that it seems. Perhaps it is the point. After all, particularly in the sci-fi and fantasy worlds, fans like to dress up as their favorite characters. If on screen one has to let Bill Shatner be Captain Kirk, at the convention one can be Captain Kirk oneself. And so perhaps the the appeal of the first person present narrative (something I personally find unreadable) is to let the reader step into the skin of the character in a way that does not quite work on the screen.
Still, if the imagination needs to be peopled with scenes and images to get you started before you unzip the lead character down the back and step into their skin, then perhaps the book trailer gives the perfect lead in, giving a face to the character you will inhabit and a mood and tone, at least, to the places you will inhabit on your adventure. Look at it that way and perhaps the book trailer makes perfect sense.
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