Castings, Sublet and call for film submissions
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Lanna Joffrey
Jan 26, 2011, 3:05:26 PM1/26/11
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$650 two weeks in February
Looking for a beautiful, spacious, bright apartment in Manhattan for a couple of weeks in mid February? Convenient to midtown? Close to parks and the Hudson? Don't want to pay through the nose?
What's the catch? We have a lovely, sweet adopted kitty that we can't take with us for a short gig.
You would just need to make sure she's fed and that someone's checking in on her.
We're lowering the rent, throwing in utilities, and internet we would just love for someone to enjoy our space and make sure Matti's safe at home and not too lonely.
Broadway at 189
Michael Bakkensen michaelb...@yahoo.com
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Below is a casting notice for a replacement in Birds On A Wire
starring our very own John Gazzale. The play is already in rehearsal
and they are looking to cast immediately.
starring our very own John Gazzale. The play is already in rehearsal
and they are looking to cast immediately.
The contact information is also included
Equity Approved Showcase
VOICETheatre is seeking an immediate casting for the role of :
Harlen Lane in Birds on a Wire By Shauna Kanter.
Harlen Lane in Birds on a Wire By Shauna Kanter.
This ensemble play takes place in West Texas during the Dust Bowl,
1934-1936.
1934-1936.
Harlen Lane is in his twenties and is an integral part of the
ensemble.
ensemble.
Birds on a Wire opens March 9 at the Drilling Company, 78th &
Broadway.
The play will run for two week closing on March 20th. Rehearsals are
flexible in the day and evening.
Broadway.
The play will run for two week closing on March 20th. Rehearsals are
flexible in the day and evening.
Auditions will take place Thursday, January 27 at the Seafarers
International House,
123 East 15th Street on the corner of 15th & Irving Place.
International House,
123 East 15th Street on the corner of 15th & Irving Place.
For an appointment please submit your picture and resume to our Stage
Manager
Kathleen Purcell, SKaK...@hotmail.com. We will be reading from the
script.
Manager
Kathleen Purcell, SKaK...@hotmail.com. We will be reading from the
script.
==========================================
Dramatic Question Theatre Company is casting -
DQT Playwright/ Directors Lab. Please have Barefoot members and
referrals submit directly to Michael Mejitas via e-mail at
meji...@yahoo.com.
referrals submit directly to Michael Mejitas via e-mail at
meji...@yahoo.com.
By the Short Hairs by Anna Capunay
Will Mojon- Latino 40s-50s
Tom Thorpe- Caucasian 40's-50's
Bill Hughes- Caucasian 20s-30s
Concha Alegra-Latina 20's-30's
Martin O' Malley- Irish-American 20's-30's
Chi-Man Chang- Asian 40's-50's
The second half of our season will be dedicated exclusively to new
play development. To that end, the DQT has initiated a six month
Playwrights/ Directors Lab. Over the course of that time, our member
playwrights pair with a director and take their first drafts through
four separate stages:
To start with, THE FIRST TWENTY pages of each play is presented to the
Lab. We all participate in a lively discussion of what we just saw and
heard. Both the playwright and director take notes. Next, we TABLE
READ THE FIRST ACT and again their lively discussion, with the
playwright and director taking notes. The third stage is the FORMAL
READING of the entire play; and, at this point, we schedule a
rehearsal (s) and encourage some elements be introduced (blocking,
etc). Finally, THE SCRIPT-IN-HAND is afforded to each. Again, there is
a scheduled rehearsal (s) and even more elements alchemized into the
presentation. Lively discussion follows these last two phases too. The
aim of the Lab is to introduce collaboration early on in the
development of the play; so, that the playwright isn’t writing in a
vacuum.
Lab. We all participate in a lively discussion of what we just saw and
heard. Both the playwright and director take notes. Next, we TABLE
READ THE FIRST ACT and again their lively discussion, with the
playwright and director taking notes. The third stage is the FORMAL
READING of the entire play; and, at this point, we schedule a
rehearsal (s) and encourage some elements be introduced (blocking,
etc). Finally, THE SCRIPT-IN-HAND is afforded to each. Again, there is
a scheduled rehearsal (s) and even more elements alchemized into the
presentation. Lively discussion follows these last two phases too. The
aim of the Lab is to introduce collaboration early on in the
development of the play; so, that the playwright isn’t writing in a
vacuum.
Naturally, actors participate in every stage of presentation and are
encouraged to participate in the discussions. Since, we are limiting
the Lab to once-a-month, the time commitment is modest. Further,
rehearsal time will be kept to a minimum. Actors will be paid a small
travel stipend, as per the AEA Showcase Code. All final decisions on
payment are at the discretion of DQT.
encouraged to participate in the discussions. Since, we are limiting
the Lab to once-a-month, the time commitment is modest. Further,
rehearsal time will be kept to a minimum. Actors will be paid a small
travel stipend, as per the AEA Showcase Code. All final decisions on
payment are at the discretion of DQT.
The Lab will meet at the Theatre for the New City ( 155 First Avenue )
on the last Saturday of each month through June.
on the last Saturday of each month through June.
=======================
Call for submissions:
Green Light Arts Film Series
Featuring films created by and about women.
Did you make a film that tells the true story of a woman or women? Did you make a film that incites passion, sparks curiosity and provokes action about women? Did you make a film that explores the role of women in society? If so, then we invite you to submit your film to the Green Light Arts Film Series.
Green Light Arts is accepting submissions of all subjects, styles and lengths. Films must be created by women filmmakers. There is no submission fee. Selected films will be screened at The Old Pine Community Center in Philadelphia, PA. In addition to the screening, Green Light Arts will also host a post-film reception and talk-back where the film maker can meet her audience.
All women filmmakers are encouraged to become artist members of GLA – the cost is only $24 a year. Filmmakers whose work is chosen will be required to become artist members of Green Light Arts.
All women filmmakers are encouraged to become artist members of GLA – the cost is only $24 a year. Filmmakers whose work is chosen will be required to become artist members of Green Light Arts.
The Old Pine Community Center is a sponsor of The Green Light Arts Film Center.
Green Light Arts is women creating visionary and innovative artistic programs that challenge and seek to change how society views women. Green Light Arts tells the true stories of women.
To submit your film please send a DVD copy of your film along with a one-page synopsis and one-page bio to:
Green Light Arts
c/o A. Pandola
1819 JFK Blvd.
Suite 400Philadelphia, PA 19103
c/o A. Pandola
1819 JFK Blvd.
Suite 400Philadelphia, PA 19103
Please direct any questions to Artistic Director, Alexandria Dilks Pandola at al...@greenlightarts.org. You can also visit our website at www.GreenLightArts.org
--
The Public Theater's MEASURE FOR MEASURE By William Shakespeare, Directed by Michelle Hensley
Featuring Rob Campbell, Carson Elrod, Meg Gibson, Shalita Grant, William Jackson Harper, Jackie Sanders Hayes, Ruy Iskandar, Lanna Joffrey and Nicole Lewis.
http://www.nypost.com/p/entertainment/theater/theater_in_prison_for_good_measure_uOtpOEo24jt30HCLdkdnLK
Featuring Rob Campbell, Carson Elrod, Meg Gibson, Shalita Grant, William Jackson Harper, Jackie Sanders Hayes, Ruy Iskandar, Lanna Joffrey and Nicole Lewis.
http://www.nypost.com/p/entertainment/theater/theater_in_prison_for_good_measure_uOtpOEo24jt30HCLdkdnLK
The Denver Center presents THE HOUSE OF SPIRITS By Caridad Svich, Directed by Jose Zayas
Valiant
"War seen through women's eyes makes a different kind of war story." --Sally Hayton-Keeva
http://www.valiant.tamilla.com/about.htm
"War seen through women's eyes makes a different kind of war story." --Sally Hayton-Keeva
http://www.valiant.tamilla.com/about.htm
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