PATCHED Corel Draw X3 Portable

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Savage Doherty

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Jul 9, 2024, 10:18:30 AM7/9/24

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Im sorry did you want to cut from x5 or click the SEND TO SIGNCUT in coreldraw x5? I was talking about the plugin, thats not fixed yet but will be soon. But if you want to cut right from x5 like a printer then im sorry, just forget what I said.

I was able to use Signcut X2 directly from application launcher in CorelDraw X3 I would just click on signcut in the application launcher and it would take me to signcut with my artwork displayed on the page. I now have signcut productivity pro. How do I get prod. pro into corel so I can do it the same way. Right now I save my corel file as an .svg, then open sign cut, then open my file. That's fine, but I really like just clicking on the application launcher.

PATCHED Corel Draw X3 Portable

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profile register preferences faq search next newest topic next oldest topicAuthorTopic: Want to design own mission patch. How to?Greggy_D
Member Posts: 977
From: Michigan
Registered: Jul 2006posted 04-25-2007 01:56 PM I would like to design a mission patch for my Space Camp crew from back in 1984. I've kept in touch with a few of them and thought this would be a nice surprise for them.First off....I am NOT artistic whatsoever. I can't draw with pens, pencils, markers, or Crayola crayons. BUT...I am a computer whiz so manipulating pre-rendered graphics within a Microsoft Office program would not be a problem. I do not have Photoshop if that makes a difference.Where do you guys recommend I start with my design? Any clipart/graphics exist out there of the shuttle and Earth?

Posts: 729
From: South Carolina
Registered: Jul 2006posted 04-26-2007 12:37 PM I did a Shuttle mission emblem as an inside joke a few years back (if I can remember to, I'll have to post a scan), and used Adobe Illustrator to create it. There was a graphic in there of a Shuttle orbiter, but the way I did it was to place a .jpeg of the Shuttle in the orientation I wanted, then draw around it. Using various combinations of "bring to front" and "send to back," I used the photo as a template for the various components of the Shuttle. It takes some practice, but it can be done.Vector-based art programs, in my view at least, are better for this kind of project because they're much easier to modify than bitmapped images. You can always export a .tif or a .jpg (or whatever you need) from a vector-based program like CorelDraw or Illustrator, but if you need to edit or change something, you can always open the vector artwork file and change it easily.

Hello every one,

Please excuse me if this post already has an answer somewhere but until now I couldn't find any relevant info on my question. Also, I'm french and even if I'm not too bad in english, sometimes I'm stuck because I can't find the english word to translate accurately an idea, a problem and so on.

Now, here's my problem. I've recently been recruited in a company that produces embroidies and that engraves different objects, cut them with a laser machine (a trotec one).

Most of the time I have to work on small series. But the company has been increasing it's activity lately but the processes didn't follow. (lack of true IT division). Therefore I spend a LOT of time copying/pasting names, IDs, blood types to engrave "dog tags" (like in the army) and placing them manually in... Corel draw x5 p_p before sending the files to the laser driver.

This is a big waste of time and during the process one can make errors (bad copy, paste, change a letter, etc.). Tat's why I searched a way to use data merge functionalities on the softwares my company is already using. Unfortunately I couldn't find a proper way to do so on the PC at work.

Fortunately I've been using Designer for quite some time on my personal MACBP and already had publisher (even if I hadn't had the opportunity to really use it).

And I was amazed to discover that Publisher had this great tool for data merge that consists in placing a grid and so I tried to develop my own canvas to automatically fill the needed fields. It worked almost flawlessly but I still have to overcome an issue.

As the metal dog tags we're using have limited space we have to be careful with the length of the names. Some of them will fit the box it's supposed to get in. As shown in my screen captures the longest names ares cropped. If I had to do it manually for some cases it would be okay but soon I'll have to handle hundreds of entries...

So, IS THERE A WAY TO DYNAMICALLY RESIZE IMPORTED TEXT IN PUBLISHER SO THAT LONGER TEXT WILL NEVER OVERFLOW ?

Thanx for your advice

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This is an example for a classical standard synthwith 3 VCOs built into an A-100LC1 case. It contains a midi interface (A-190-3),three VCOs (A-111-3), a noise/random/S&H source (A-118-2), a (switched)mixer (A-138i), a VCF(A-121-3), a dual VCA (A.130-2), a dual envelope generator(A-140-2) and a quad LFO (A-145-4). The sawtooth outputs of the VCOs (A-111-3)and the noise output (A-118-2) are patched into the 4 inputs of the interruptingmixer (A-138i). The levels of the signals can be adjusted by means of the levelcontrols and turned on/off with the corresponding switches. The output of themixer is processed by a VCF (A-121-3) and VCA (1/2 A-130-2). Both VCF and VCAhave their own envelope generator (A-140-2). The quad LFO (A-145-4) can be usedfor additional modulations (e.g. for FM or PWM of the VCOs, frequency modulationof the VCF, time modulation of the envelopes, loudness modulation of the VCAs)or triggering the S&H of the A-118-2 to obtain stepped random voltages formodulations (e.g. VCF filter frequency). One can play around e.g. with differentVCO waveforms (sawtooth, rectangle, triangle), different filter types (lowpass,highpass, bandpass, notch) and filter resonance, different flavors of the noisesignal and different settings of the parameters A,D,S and R of the envelopegenerators, and different modulation frequencies of the LFOs. The second VCA canbe used e.g. for velocity (CV V/V has to be patched into the CV input of thesecond VCA) or additional loudness modulation by means of an LFO or controllingthe deepness of a modulation signal by means of a control voltage (e.g. CV Ctr.from the midi interface).
The signals CV and Gate are generated in this patch by the midi interfaceA-190-3. CV is internally wired to the VCOs (CV note), gate to the envelopegenerators (A-140-2). For this the jumpers for the bus access of these moduleshave to be installed accordingly!

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