Scarbee Jay Bass Keygen Crack
Towanda Tuning
I experience issues similar to those of OP with Scarbee Pre-bass, Pre-bass Amped, MM-bass and MM-bass Amped (though not with Jay-Bass). The symptom is whenever I move a "round control" with my mouse (e.g. Bass/Middle/Treble from the EQ menu, or Release/Fretnoise/PU hits/PU clap from the Noise Levels menu), they seem to move together as a locked group - it's not possible to change the value of an individual knob without moving the others in the same group by the same amount.
Doing some testing with various systems I found this seems to be a VST3 issue. I created a separate session with only a single instance of Kontakt/Scarbee bass to eliminate any issues with my particular session. I just updated to Kontakt Player 7.3.0 today, so results for Kontakt 7 Player are for this version, though I had same issue prior to updating.
Basically they built in the sound of the pick scraping against the string before the actual attack of the bass hits. You can adjust it with the "scrape offset". A high value produces a quick scrape and the bass frequencies will hit right away. A low value and makes the bass frequencies hit slightly late to allow a scrape sound.
I can see why the scrape sound would be important, so I think if that is what you are going for, you would be best to record without the scrape (Scrape Offset at 33.999), then add the scrape back in (Scrape offset set at a low value. Default is 0), bounce it, and drag your bass to the left so that the scrape is occurring slightly before and not creating a feeling of lag.
wut up st. joe i agree this sounds awsome long time a go i tried out a rick in a music store and love the way it sounded plus it is a stereo bass this thang sound so much like real thing and if someone told me i could buy a rick for 99 bucks i,d tell to buy it and let me know where i could get it from now i know and think it comes with komplete 9 as well thanks again bro
I can't deny a frisson of eager anticipation whenever Native Instruments release a virtual instrument with the Scarbee branding. Scarbee have already produced three excellent virtual bass guitars: J-Bass, Pre-Bass and MM-Bass (Jazz, Precision and Music Man). All are eminently playable, extremely expressive and uncannily realistic. These particular models of bass often crop up in sample libraries and virtual instruments, though for some reason the Rickenbacker is a comparative rarity. Rickies have provided the signature sound of bassists across a hugely diverse range of musical styles, from Bruce Foxton of the Jam to Chris Squire of Yes; their throaty, almost guitar-like tone is instantly recognisable, and remains the definitive bass sound for many progressive rock bassists. It was only a matter of time before someone would redress the balance, and as a fully paid-up prog rocker, I couldn't be more pleased that Scarbee have risen to the challenge.
Like Scarbee's other basses, SRB uses KSP scripting to take care of string selection and up/down strokes automatically. But if SRB's 'intelligent' choices aren't to your taste, they can be manually overridden at any time via non-latching keyswitches. So, for example, if you'd prefer that open G to be played on the A string with an upward stroke, it can be forced to do so. While the most frequently used articulations (sustain, hammer-on, pull-off, grace notes) are available directly from the playable keys, additional keyswitched articulations, such as trills, buzz trills, mutes and pickup claps, are also provided. The scripting for trills and buzz trills has been considerably improved from previous Scarbee basses, which offered only short trills of preset speed and length. On SRB, the player can now perform trills and buzz trills at their own speed, for as long as desired. A 'Force Hammer-on/off' keyswitch also enables hammer-ons, normally invoked by overlapping two notes a semitone or tone apart, to be 'forced' across much wider intervals, as long as they're within the range of the currently playing string. SRB can play polyphonically up to four notes (obviously!), but the Sustain keyswitch renders SRB monophonic, and simultaneously functions like a traditional sustain pedal, useful for keeping repetitive eighth-notes sounding 'connected'. The sustain pedal itself (CC64) is used in conjunction with consecutive overlapping notes to produce legato string slides: an essential articulation for creating the illusion of a real bass. The legato slides were sampled at three speeds, the choice of which is determined by the key velocity.
In a departure from previous Scarbee basses, SRB takes advantage of Kontakt 5's suite of effects to further shape the sound. On offer are an amp simulator (Kontakt 5's new Jump model), a choice of seven cabinets, tape saturation, and the SSL-modelled compressor and equaliser. The GUI for the compressor and equaliser offer a reduced set of controls: attack, threshold and makeup gain for the compressor, and four fixed frequency bands for the EQ. However, there's nothing to stop you going 'under the hood' and tweaking the full range of parameters for those effects if you feel the urge! Each effect is individually switchable, and all pickup and effect knobs and switches, including each effect's on/off status, can be assigned MIDI controllers via the usual 'MIDI Learn' procedure.
If a sampled bass can capture the imagination and provide hours of pleasure through simply being played on its own, it must have something going for it. SRB is very easy to get to grips with and a real delight to play. The sound can be best described as having the joy and playfulness of a bouncing ball; it drives a track along with great authority and its tone seems to fill the frequency spectrum, yet it has the magical ability to leave other instruments in the mix plenty of room to breathe. It sits proudly, but never clouds the picture. Scarbee's tried and trusted implementation is further enhanced by the built-in effects, obviating the need for external plug-ins to sculpt the sound, although that option is always open to you and, indeed, a good bass-amp simulator extends the sonic possibilities even further. I wish there was space here to describe SRB's other minutiae, such as the release samples, controllable neck position, fret noises, scrape offsets and round robins. Nevertheless, I look forward with eager anticipation to Scarbee's next product; personally, I'd vote for a Rickenbacker electric 12-string.
Native Instruments today introduced SCARBEE RICKENBACKER BASS, a new KONTAKT instrument featuring the sound of a Rickenbacker 4003 bass guitar. Sampled by bassist and instrument designer Thomas Skarbye, SCARBEE RICKENBACKER BASS is also the first software version of this bass to be approved by Rickenbacker.
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