TheGUNVOLT CHRONICLES: LUMINOUS AVENGER IX SOUNDTRACK,[1] also known as the White Steel of X: THE OUT OF GUNVOLT Soundtrack (白き鋼鉄のXイクス THE OUT OF GUNVOLT サウンドトラック) is an album for Gunvolt Chronicles: Luminous Avenger iX, containing all the game's tracks including the game versions of the vocal tracks. Also included is a booklet containing composer credits, track comments, comments from the game's staff, and background information on the game's story and characters.
In parallel, the actor for Copen still kept that idea so we used this opportunity of starting a new series to re-cast the two main characters. Mr. Uchida took up the job despite his busy schedule. Inheriting a role is very hard but I want to thank him for his struggles he went through to achieve it.
For this game, we made live tours and music videos as well, apart from other things outside of the game. I left Mr. Kawakami and his team to handle the game itself, so I really was out of the loop for a lot of things, and that allowed me to enjoy the game with a fresh feeling. This song order applied to this game follows that feeling, and I listed them up after making a few adjustments. I hope you remember the game as you listen to them.
14 years old. The leader of the Minos kids living in hiding beneath the city slums. She has a very bright and positive personality, and leads the kids within this desperate situation. She specializes in fixing machines and most of the equipment in the base is junk stuff that she herself has repaired.
The Talk Room BGM. My intention when making it was to make it a kind track, for the sake of these children living in such a harsh environment. This track focuses on the Minos children and so it prioritizes an acoustic echo. Copen and Lola take part, too, so I added a bit of mechanic tone too.
The final boss appears, having become a total electrical existence. The tension and the ominous feeling and a huge energy surging out; we expressed all of those through a noisy tone. By the time this track plays, the story has reached a very exciting climax, and the effects of noise filling the screen impressed me.
The children who worryingly wait for the return of Kohaku and the others. This track is for a scene in which their feelings sway and move, uncertainness and believing that the others are OK. I asked Mr. Yamada to do this one along with the global staging. This game has important story scenes after the staff roll, and it was very hard to add the ending. But thanks to this track we could add a very good atmosphere to the ending without too much trouble.
Born in Tokyo Prefecture. He began his musical activity as an electron demonstrator in junior high, and after several bands and support sessions, he became an arranger-composer focusing on game music.
There are many tracks in this game the shape of which has greatly changed compared to their initial versions, and I was able to slowly think about the gap between my own impressions and the impressions of others in this title. Thank you, Copen-kun.
Born in Yamagata Prefecture, Yonezawa City. When he was in middle school, he built up a stock of self-made ear copies of game music MIDIs, and relying on his MIDI knowledge, he went through jobs as making MIDIs for karaokes, as well as making ringtones.
Not the usual hard funk that Melbourne's The Bamboos supply, "Avenger" feels as if it waltzed out of an early James Bond film, martini and all. Armed with a thick bass line and a steady drum-beat, the track has a total sixties feel a bit like early B-52s. The first line of the song, "Any minute / They'll be coming for us, for us," speaks to the same sense of paranoia experienced by even the most sangfroid spy. In 2013, the Australasian Performing Right Association nominated "Avenger" as a contender for song-of-the-year, affirming the sonic strides The Bamboos are making. Since the release of their last album, Medicine Man, featuring twelve stunningly fly vocal tracks, it seems that The Bamboos are stepping away from the all-instrumental, Weather Report-esque pieces explored on their first album, Step It Up. Earlier songs like the seven-minute deep funk epic "In The Bamboo Groove," show The Bamboos' versatility, but "Avenger" suggests a cool shift in tempo and a more urgent state-of-mind. In fact, Fever In the Road seems to be a total artistic re-visioning for the band, leaving listeners entangled in their smooth wake. But, maybe it's just their awesome, espionage-themed video that's making me think this way. Inception? I guess I'll never know. Check it out below, and be sure to following them on Facebook and Twitter for more great music.
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
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Avengers Theme Main Suite is a song by Alan Silvestri.Use your computer keyboard to play Avengers Theme Main Suite music sheet on Virtual Piano.This is an Intermediate song and requires a lot of practice to play well.The recommended time to play this music sheet is 00:52, as verified by Virtual Piano legend,Mark Chaimbers.The song Avengers Theme Main Suite is classified in the genre ofSongs From Movieson Virtual Piano.You can also find other similar songs usingFantasy,Instrumental,Marvel.
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