Dj Record Scratch Sound Effect Mp3 Download ##TOP##
Tamar Rochon
I always have remembered the trope of a record scratch sound effect playing in a movie scene, and everyone looking awkward or looking at what went wrong all at once, does anyone know if this actually was in a movie or tv show?
found the culprit.... Bandsintown app has this "record scratch" sound effect when it updates, but for some reason the badge notification wasn't working, so I never new that was what it was. Mystery sound solved
I am trying to reproduce a DJ scratch effect used a lot by Dr Dre and Eminem on tracks produced by them. You can hear it at the very beginning of "My Name Is" (Eminem), just before the first vocals drop (in the background) on "The Cross" (Nas prod. Eminem), and many other tracks. I'm hoping you don't need a turntable to reproduce this sound, so if you do, I would appreciate samples or any shortcuts through Logic to obtain it. (or even how to do it on a turntable...)
However I suspect I haven't expressed myself 100% correctly. The effect I'm trying to achieve is not exactly a classic DJ scratch sound, it's more like a kick drum which is rhythmically reversed and played forward again, and I'm pretty sure it's done with a turntable in reality. (Again, listen to the beginning of "My Name Is")
Either you're talking about a sound that sounds to me like a record being cued, moved back and forth from where the first bit of music is and the nothing before it ... It's not quite scratching, almost, maybe...
Finally, lets try our hand at reproducing the "record scratch" sound we hear on "Bulls On Parade". This is done via toggle switch gating. The tone of the guitar will need to be very treble heavy and sensitive to make this easier, I recommend using a wah wah pedal with the toe all the way down. Remember to think of your toggle switch as a kill-switch and use it anywhere you would normally pick the strings to generate sound. The switch is now the source of your attack and the fretting hand will determine the tone of the sound from where you slide it on the strings.
Records can only modify the audio playback by speeding up or slowing down the physical record, this effects both pitch and playback rate together. Some audio software can change the pitch and rate independently. Record players can not.
When you scratch, you're just moving the record back and forth under the needle. So it's equivalent to looping forward and backwards repeatedly over the same part of the audio file. I would guess that the speed is somewhere between a sine wave and a triangle wave. You'll need to do linear interpolation on the sample.
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Hey im currently one of two guitarists. Our band plays with a click track on many of our songs with random DJ effects in between and other electronic stuff. I want to be able to do some of these effects live without it being in the click. Whats the best way to do this? I really only want to be able to do the scratching sounds. Whats the best setup to do this? How do guys like the guy from linkin park do it?
you can just grab a Technics 1200, a needle(Shure's are good for scratching), a record(with proper music), and a cheap and decent mixer like a 2 channel vestax and you're good to go. You only need one turntable if all you want to do is scratch, and then you need the mixer for the cross fader. The Q-Bert turntable actually has the fader built into it so you won't need the mixer with that. After words just plug the audio output into your main mixing board and you;re good to go.
A vinyl disc (also known as a gramophone record) is a type of storage medium that stores audio recordings on the disc by carving the audio data into a continuous spiral groove on the surface of the disc. These are typically played on a phonograph (also known as record players (since 1940s) or, most recently, turntables). The player spins the disc as a stationary stylus rides along the groove. The movement of the stylus along the groove is converted by an electromagnetic or piezoelectric transducer into a corresponding electric current, which an amplifier then converts to sound.
The noise referred to as a "record scratch" can be caused by someone attempting to stop a record's play by dragging the stylus across the radius of the record, or by stopping the disc's rotation with one's hand (opposing the turntable's rotation). As a result, this is often used as a sound effect in movies for comedic effect. This type of sound is also often used in hip-hop music; in particular, rapidly and manually rotating the disc in both clockwise and counterclockwise directions.
The comic pokes fun at a movie cliché in which the story opens with the main character in some kind of unbelievable predicament, followed by a record scratch, seemingly freezing time (using the sound of a sudden pausing of a record to symbolize the sudden pausing of time in the movie). As the action in the film is paused, a character narrates something along the lines of, "Yup, that's me. You're probably wondering (how I ended up in this situation)..." The rest of the story then follows, often with the film going back in time to depict the events that leads up to the situation of the opening scene.
In this case, it would be interesting to know why Cueball is at a party where everyone has wine glasses in their hands, but suddenly one of the glasses (Cueball's or his nearest adversary's) is lying on the floor, and it seems like a fight is about to break out. This is what an opening narration might begin to explain (typically in a flashback) after the record scratch. At the time of the comic's posting, parodying the cliché, variations on the phrase had become a popular meme on social media. As the record scratch continues to be used despite the fact that record players (gramophones) have largely become obsolete technology, Randall pokes fun at this by beginning this meme by giving the backstory on what that sound actually is, (as many people from the younger generation may very well not know this), rather than giving context to the situation via a story. This is yet one more of Randall's comics that is trying to make people feel old, and is likely most relevant to those who have actually used vinyl to listen to music, comedy or other recordings.
So, this alt text is actually pretty misleading, because he's misusing the "whoa! Event A was closer to Event B than to today" meme by implying that 78s were vinyl, when in fact they were largely shellac -- and also I would argue that he's just got the facts wrong about when the 78-rpmera ended. The 78-rpm era arguably began as early as 1898, and arguably ended as late as the 1950s. In became the standard in 1925. So, ok, we could say, "Yeah, 78-rpm era should be considered to mean some time before 1940. That's reasonable, because the 1940s is really when the age of the 33 1/3 begins. So, OK, Randall, the 78-rpm era was closer to the Civil War than to today. But here's the thing. You implied that the 78-rpm era was a vinyl thing. That's not really true. Vinyl is what ushered in the 33 1/3 days. So while it's maybe a cool piece of trivia to say "we first started using 33 1/3 rpm vinyl records in earnest only slightly closer to today than to the Civil War," it's not really a "wow, compare these well known events! Look how old this record scratch reference is!" Because tapes didn't start to seriously compete with vinyl until the late 1970s, and didn't overtake it until about 1985. So it would be fair to say, "the vinyl era ended closer to the start of the Vietnam War than to today," assuming we treat the Vietnam War as beginning in 1954 or later.108.162.219.66 05:04, 12 October 2016 (UTC)
Why is the explanation even mentioning "gramophones" or "phonographs"? Never mind making them sound important to this comic? (I'm not sure of the spelling, but think "gramophone" is wrong). As someone whose childhood was still during the record era, I've never seen either, but have played many records, and heard said scratch sound many times when I was sloppy or unlucky. It seems likely that 78-rpm records are from the grammophone era, but as the above commentor points out, those weren't vinyl. I would suspect vinyl records are all well past the time of grammophones. The device in question was "commonly" known simply as a record player. The current explanation is making the reference sound a LOT older than it is (and Randall already went there in the title text). - NiceGuy1 162.158.126.227 05:53, 12 October 2016 (UTC) I finally signed up! This comment is mine. NiceGuy1 (talk) 03:13, 13 June 2017 (UTC)
To me, the 'record scratch' sound in movies is not the sound made by a scratch ON a record, which is normally just a pop, but rather the sound of either the stylus being dragged across the grooves, more of a "ZZREEEIIP" sound, or of spinning the turntable in reverse. I have not changed the explanation as I may be the only person who feels this way. Miamiclay (talk) 08:35, 12 October 2016 (UTC)
Attempting to stop the record or slow it down doesn't create a "record scratch" sound. Only dragging the needle across the grooves (whether or not the record is spinning) will create the iconic sound. 108.162.216.97 (talk) (please sign your comments with )
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