*AHA* my Lord this prince is not an Edward
art
*HORATIO/HORACE* : Good night sweet prince:
. And flights of *ANGELS* sing thee to thy rest!
*ENGEL* : *ANGEL* (Danish, Dutch, German)
*ENGEL* : *FENCE* , *HEDGE* , hindrance, (Turkish)
---------------------------------------------------------
http://www.westminster-abbey.org/library/burial/vere.htm
.
. *FORT(enbr)ASSE* : Let foure Captaines
. Beare Hamlet like a souldier to the stage,
.
. This is CLEARLY the tomb of *HAM(l)ET*
. NOT that of some *COUNT ENGEL-BERT* :
....................................................
. *FORT(enbr)ASSE* : *PERHAPS* (Latin)
....................................................
. The farce is finished. I go to seek a vast *PERHAPS*.
.
. "Je m'en vais chercher un grand *PEUT-ÊTRE* ;
. tirez le rideau, la farce est jouée."
. ---- rABelais's last words.
--------------------------------------------------------
____ *ENGELBErt* : *English Born*
____ *BEnENGELi* : *Son of England*
‘The History of Don Quixote of the Mancha, written
by Cid *HAMETE BEnENGELi*, an Arabical historiographer.’
---------------------------------------------
__ David L. Roper's *EVERE* Monument array
STAYPAS_ *S* ENGERWHYGOES_______ TTHOVBYSOFASTR
EADIFT_ *H O* VCANSTWHOM_ *E _ N* VIOVSDEATHHATH
PLASTW- *I_T* HINTHISMON____*V M_ E* NTSHAKSPEAREW
ITHWHO *M E* QVICKNATVR___ *ED I__D* EWHOSENAMEDO
THDECKY *S* TOMBEFARMO_ *RE t_H* ENCOSTSIEHAL
LYTHEHA- _T_ HWRITTLEAV___ *E* ____SLIVINGARTBVTPA
GETOSERVEHISWITT _______ <= Sonnet 34 =>
.........................................................
__ *SETOS* : *FENCES* , *HEDGES* , *MERES* (Spanish)
<<[Shakespeare] gorged on farming terms & would refer to
_____ *MEERS,* or banks & *HEDGES* .>> - p. 35, Honan
-----------------------------------------------------------
______ *CHETtle* or *GREENE* ?
-----------------------------------------------------------
http://www.followme-series.org/images/templates/hebrew.gif
http://biblescripture.net/Hebrew.html
___ [K]af _ [Y]od _ [T]et _ - *CHET*
___ [K]aph [Y]odh [T]eth - *HETH*
___ Palm __ Hand __ ? __ - *FENCE*
-----------------------------------------------------
__ Waite's 'Chariot' TAROT card
__ http://jktarot.com/chariotser.html
.
<<The Charioteer is NOT riding in the Chariot, but SET in
the cubic *STONE* of the Chariot. *The *STONE* & 8-pointed*
star on the Charioteer's head refer to the same idea:
.
_ the cube is 2 'cubed' *or 8 : the number of HETH*
.
___ the kabbalistic number of this card but
___ also refers to the Masonic *Perfect ASHLAR*
.
In Speculative Masonry an *ASHLAR is freeSTONE* as it comes out
of the quarry. So, a *rough ASHLAR* is a *STONE* in its 'rude &
unpolished' condition that is IGNORANT, uncultivated & vicious man.
But after one is 'smoothed & polished' by education and one learns
to restrain (or 'temper') ones passions, he is represented by the
*Perfect ASHLAR* , the smoothed and squared *STONE*, fitted into
its place in the building (the temple). Or in the Chariot.>>
.........................................................
. Hedingham Castle *ESSEX*
http://www.castles-abbeys.co.uk/Hedingham-Castle.html
.
<<Aubrey II was responsible for building the great keep
at Hedingham, using the Archbishop of Canterbury, William
de Corbeuil as his architect. The keep is faced with
*ASHLAR STONE* which had to be transported all the
way from the quarries of Barnack, Northamptonshire.>>
--------------------------------------------------------------
___ <= Sonnets 33/34 => 35 *DE VEER*
___ /T/ OT __ [H] EONLIEBEGE TTE [R] OFTHESEINSUINGS
__- /O/ NN _ [E T] SMRWHALLH APPIN [E] SSEANDTHATETE
__ /R/ NI___ [T(I)E] *PROMISED*BYOUREV [E] RLIVINGPOET
_ /W/ IS___ [H E T H] THEWELL WISHINGA [DVE] NTURERIN
_______________ SETTIN GFORTH ______________TT
..........................................................
. WE-EVER, JOHN, 1599
Epigrammes in the Oldest Cut and Newest Fashion.
.
They burn in love, THY CHILDREN Shakespear [HET] them
Go, wo thy Muse, more NYMPhish brood BEGET them
..........................................................
[HET], v. t. & i. To *PROMISE*. [Obs.] --Chaucer.
--------------------------------------------------------------
*GROTS* : n. *GROATS* [Obs.] --Chaucer.
...................................................
http://www.heraldica.org/topics/famous/pics/sidney.jpg
.
. T O T H E [O.] N L I E B. . probabilities:
. E G E T T [E.] R O F T H
_ E S E I N [S.] V I N G S __ TIBIAL: 1 in 11,600
. O N N E T [S.] M r W H A __ EMEPH: 1 in 300
__ L H A P ___ I N E S ___ GROTS: 1 in 199
__ |L] N D T [P] A T E [S| ___ PHEON: 1 in 127
___- [E|A] T I [H] P R [T|E]
. R___[N|I] Y [E] V [O|M] I
. S E__ [D|B] [O] [R|E] V E
__ - R L I__ [V|I][N][G|P] O E [T]
. W I S H__ [E||T||H] T H [E] _ [W]
_ E L L W I__ [S] _ H I--[N] G - [A]
_ D V E N T_ [U] R- [E]--R I - [N]
_ S E T T I___ [N] [G] F O R - [T]
..................................................
.http://shakespeareauthorship.com/wds1.html
.
. *PHEON* : 1106d (Sidney *PHEON* crest)
--------------------------------------------------
*GROTS* , n. [F. GROTte, It. GROTta.] *GROTtos* --Milton.
.............................................
<<MITHRAISM was a soldier's cult,
____ in praise of the most powerful of gods.
__ The services took place in caves or *GROTtos*
.
A baptism ushered one into the Militia Mithrae, the
Army of Mithra in the eternal struggle against EVIL.
.
. a novice was called a *CORAX* (a *CROW* ).
-----------------------------------------------------
_________ *CHRISTOPHER*
_________ *TORCH PERISH*
-----------------------------------------------------
One of *MITHRAS*' two COMPANIONs (*Cautopates*)
. traditionally holds an *INVERTED TORCH* !
...............................................................
"A noteworthy feature is the cherub-like boys who sit up aloft.
. It is important to note that these little figures,
. unfinished at the back, are carved in one piece
. with the little mounds on which they sit -
- the one on the left holds a spade, the other an
.
. *INVERTED, EXTINGUISHED TORCH* ,
. *ONE HAND RESTING UPON A SKULL* ."
.
From M. H. Spielmann, "Shakespeare's Portraiture" (1924)
--------------------------------------------------------
. HOLY GRAIL: CHRIST / *MITHRAS*
.
. C (o) M (e d i e s)
. H I S T (o r i e s)
. (t) R A (g e d i e s)
...............................................................
<<The festival of *MITHRAS*' birth: December 25th (winter solstice)
was the rebirth of the sun's light. He was forced out of a rock,
wearing the Phrygian cap, holding a dagger *TORCH* in his hands.>>
. http://www.dimensional.com/%7Erandl/tarsus.htm
<<His father was a butcher, and I have been told heretofore by some
of the neighbours that when he was a boy he exercised his father's
trade, but when he kill'd a calfe he would doe it in a high style,
and make a speech.>> - JOHN *AUBREY* , 1669-96, _Brief Lives_
...............................................................
<<Break the *NEWS* to her *GENTly, AUBREY* ! I shall die!
. With slit ribbons of his shirt whipping the air he hops
. and hobbles round the table, with trousers down at heels,
. chased by Ades of *MAGDALEN* with the *TAILOR's shears*
A scared CALF's face gilded with *MARMALADE* . I don't *WANT*
. to be debagged! Don't you play the giddy *OX* with me!
Shouts from the open window startling evening in the quadrangle.
A DEAF gardener, *APRONed, MASKed* with Matthew Arnold's face,>>
. -- _Ulysses_ by Joyce
-------------------------------------------------------------
<< *MITHRAS* is clad in [Persian] tunic, trousers,
*CLOAK* , and a pointed cap usually called a PHRYGIAN cap.
.
Mithras received his instructions (from Jupiter) to kill
the *BULL* by means of a ( *Mercury/RAVEN* ) messenger.>>
..............................................................
Hamlet: It was a BRUTE parte of him,
. *To kill so CAPITALL a CALFE*
-------------------------------------------------
As in *GREENES, GROATS-VVORTH* of Witte?
...............................................
____ *VERDI* : *GREENS* (Italian)
____ *VERDI* : *WORTH* (Norwegian)
.
http://www.oxford-shakespeare.com/groatsworth.jpg
http://www.oxford-shakespeare.com/groatsworth.html
----------------------------------------------------------------
*VERDE* : *GREEN* (Italian, Spanish, Portuguese, Polish, Venetian)
..............................................
*ne[V]er after [E]are so ba[R]ren a lan[D], for fear[E] it*
yeeld me still so bad a harvest."
..............................................
_ n e [V] e r A f t
__ e r [E] a r [E] [S] o
_ [B] a [R] r e [N] [A] l
_ [A] n [D] f o [R] [F] e
_ [A] r _[E] i_ t [Y] [E] e
_ [L] d m e {S} T i l
____ l s o b {A} d a h
____ a r v e {S} T I l
____ e a v e {I}- T
------------------------------------------------------
"Please, sir, I want some more [ *GRUEL* ] ."
*GRUEL* , n. [OF. gruel, F. gruau; of German origin; cf.
OHG. gruzzi groats, G. gr\'81tze, As. grut. See *GROUT* ]
A light, liquid food, made by boiling meal of maize,
oatmeal, or flour in water or milk; thin porridge.
-----------------------------------------------------------
*GROUT* , n. [AS. grut; akin to grytt, G. gr\'81tze, griess,
Icel. grautr, Lith. grudas corn, kernel, & Z. *GROATS* ]
1. Coarse meal; ground malt; pl. *GROATS*
2. Formerly, a kind of beer or ale. [Eng.]
3. pl. Lees; dregs; grounds. [Eng.] *GROUTS* of tea."
4. A thin, coarse mortar, used for pouring
__ into the joints of *MASONRY* and brickwork.
---------------------------------------------------------------
PSALM 40:13 DE(l)IVER me: O LORD, make *HASTE* to help me.
Let them be ashamed & confounded together that seek after my soul
to destroy it; let them be driven backward and put to shame that
wish me evil. Let them be desolate for a *REWARD* of their shame
. that say unto me, *AHA, AHA* .
----------------------------------------------------------
. King Richard III Act 1, Scene 1
.
CLARENCE: Yea, Richard, when I know; for I protest
.
_______ [A]s yet I do not: but, as I can learn,
_______ [H]e hearkens after prophecies and dreams;
_______ [A]nd from the cross-row plucks the letter G.
_______ [A]nd says a WIZARD told him that by G
_______ [H]is issue disinherited should be;
_______ [A]nd, for my name of GEORGE begins with G,
_______ It follows in his thought that I AM HE.
..................................................
_______ *NIL VERO-VERIU(S) *
_______ *OUR EVER-LIVIN(G) *
------------------------------------------------------
________ O , could he but have drawne his wit
_______ [A]s well *IN-BRASSe* , as he hath hit
_______ [H]is face ; the Print would then surpasse
_______ [A]ll, that was *EVER WRI-TIN-BRASSe* . - B.J.
..........................................................
Buck: *AHA* my Lord this prince is not an Edward
- [King Richard the Third (Quarto) 3.1]
..............................................
*AHA* / *HA-HA* / *haw-haw* ,
n. [Duplication of haw a *HEDGE* .] A sunk *FENCE*,
WALL, or DITCH, not visible till one is close upon it.
.
"David L. Webb" wrote:
> Jane Austen uses the word "haha"
> in the sense of a sunken *FENCE.*
..............................................
___ Island of Dr. Moreau - H. G. Wells *
_____ ( XII. THE SAYERS OF THE LAW. )
The noise of my pursuers passed away to my left.
In one place three strange, pink, hopping animals,
about the size of cats, bolted before my footsteps.
This pathway ran up hill, across another open space coVERED
with white incrustation, and plunged into a canebrake again.
Then suddenly it turned parallel with the edge of a steep-walled gap,
which came without warning, like the *HA-HA* of an English park,--
turned with an unexpected abruptness. I was still running
with all my might, and I nEVER saw this drop until
I was flying headlong through the air.
--------------------------------------------
Art Neuendorffer