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Droeshout Portrait Not Unusual!

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Jim KQKnave <kqknave

unread,
Jan 24, 2007, 12:47:34 PM1/24/07
to
The Droeshout portrait is not unusual at all!
http://hometown.aol.com/kqknave/shakenbake.html

See my demolition of Monsarrat's RES paper!
http://hometown.aol.com/kqknave/monsarr1.html

Agent Jim

Art Neuendorffer

unread,
Jan 24, 2007, 6:04:07 PM1/24/07
to
Jim KQKnave <kqknave <nob...@4096.net> wrote:
.

> The Droeshout portrait is not unusual at all
> !http://hometown.aol.com/kqknave/shakenbake.html
................................................
Jim Carroll (a.k.a., KQKnave) wrote:
.

> The Droeshout portrait is not unusual at all!
> http://hometown.aol.com/kqknave/shakenbake.html
--------------------------------------------
<< *THOMAS NASHe*, in his 1592 dedicatory preface
to Strange News, refers to the Earl of Oxford
as "Master Apis Lapis" (the "sacred stone oxen")
and "Gentler Master William,">>
- Charles Wisner Barrell in the October 1944
issue of The Shakespeare Fellowship Quarterly
http://www.tiny.cc/tJEIm
--------------------------------------------
. ... the best for Comedy amongst vs bee,
.
_ Edward Earle of Oxforde,
.
_ Doctor Gager of Oxforde,
_ Maister Rowley once a rare Scholler of learned Pembrooke Hall,
_ Maister Edwardes one of her Maiesties Chappell,
_ eloquent and wittie Iohn Lilly,
_ Lodge,
_ Gascoyne,
_ Greene,
.
_ *Shakespeare* ,
_ *THOMAS NASH* ,
.
_ Thomas Heywood,
_ Anthony Mundye OUR BEST PLOTTER,
_ Chapman,
_ Porter,
.
_ *WILSON, HATHWAY* , and Henry Chettle.
--------------------------------------------------------
. http://hometown.aol.com/kqknave/images/nash.jpeg
.
<< *HEBE* was worshipped as a goddess of *PARDONs* or
*FORGIVENESS* ; freed prisoners would hang their *CHAINS*
. in the sacred grove of her sanctuary at Phlius.>>
. http://www.perseus.tufts.edu/Herakles/hebe.html
--------------------------------------------------------
__ GOOD FREND FOR IESVS' SAKE F{OR}[BE]{ARE},
___ TO DIGG THE DVST ENCLOASED ___ [HE]{ARE}:
.
. BLESTE BE Ye MAN Yt SPA[RE]S THES STONES,
_ AND CVRST BE HE Yt MO[VE]S MY BONES.
.
http://library.thinkquest.org/5175/images/grave1.jpg
--------------------------------------------------------
On the 14th anniversary of Anne Hathaway's death [August 6, 1637].
. Ben Jonson was BURIED UPRIGHT leaning against the WALL
. of his Westminster Abbey crypt as requested:
.
'TWO FEET BY TWO FEET WILL do for all I WANT'. - Ben Jonson
http://westminster-abbey.org/library/burial/images/jonson.
----------------------------------------------------
________ *EDOUARDUS VERIUS*
________ *AURE SURDUS VIDEO*
.........................................
_________ *VIDEO ARDUUS REUS*
_________ *VIDEO ARDUUS ERUS*
.
__ *VIDEO* : comprehend, observe, understand.
.
__ *ARDUUS* : difficult, proudly elevated
.
__ *REUS* : accused
__ *ERUS* : lord
------------------------------------------------
http://www.philological.bham.ac.uk/anagrams/
.
<<Even more curious is the one for Southampton,
which explicitly states that he had been convicted
of treason on false testimony inspired by ENVY.>>
.............................................
. HENRICUS URIOTHESLEUS
_____ per anagramma
. THESEUS NIL REUS HIC RUO
.
.[I]ure quidem poteras hanc fundere ab ore querelam,
.[S]ors tibi dum ficto crimine dura fuit:
"[N]il reus en Theseus censura sortis iniquae
.[H]ic ruo, livoris traditus arbitrio."
.[A]t nunc mutanda ob mutata pericla querela est.
.[I]nclite, an innocuo pectore teste rues?
.[N]on sane. Hac haeres vacuo dat *VIVERE* cura,
.[C]ollati imperii sub Iove sceptra gerens.
.............................................
. *ISNHAINC* {anagram} *IN CHAINS*
.
*Victorious though IN CHAINS* : "In Vinculus Invictus"
Motto in Tower Painting: http://www.gorki.net/Art/fa12.html
-----------------------------------------------
. Antony and Cleopatra Act 5, Scene 2
.
CLEOPATRA: Shall they hoist me up
. And show me to the shouting varletry
. Of censuring Rome? Rather a ditch in Egypt
. Be gentle grave unto me! rather on Nilus' mud
. Lay me stark naked, and let the water-flies
. Blow me into abhorring! rather make
. My country's high PYRAMIDES my GIBBET,
. And hang me up *IN CHAINS* !
--------------------------------------------------
*HEBE* is the *YOUNG* -est daughter of Zeus & Hera and was
the goddess of YOUTH and the servant of the Greco-Roman gods.
. http://homepage.mac.com/cparada/GML/Hebe.html
------------------------------------------------------
. http://westminster-abbey.org/library/burial/jonson.htm
.
<<The simple inscription '{O RARE} Ben Johnson', was said to have
been done at the expense of JACK *YOUNG* who was walking by when
the grave was cOVERed & gave the *MASON 18 pence* to cut it.>>
----------------------------------------------------
<<But hee redeemed his vices, with his *VERtuEs*
. There was *EVER* more in him to be praysed,.
. then to be *PARDONed* .>>
.
. _DiscoVERiEs_ by Ben Jonson (1640)
.. De Shakespeare *NOSTRAT*
. http://my.execpc.com/~berrestr/jon-sha.html
-----------------------------------------------
. Hamlet (Quarto 2, 1604-5): Act 5, Scene 2
.
Ham. Giue me your *PARDON* sir, I haue done you *WRONG* ,
But *PARDON* 't as you are a gentleman, this presence knowes,
.
Laer. Exchange *FORGIUENESSE* with me noble Hamlet,
------------------------------------------------------
http://freepages.genealogy.rootsweb.com/~shakespeare/books/chambers/a...
.
William Shakespeare - A Study of The Facts & Problems
E K Chambers [Appendix A, Section]
.
RECORDS 1. CHRISTENINGS, MARRIAGES, AND BURIALS
.
1626, Apr. 22. M. Mr *THOMAS NASH* to Mrs Elizabeth Hall.
1647, Apr. 5. B. *THOMAS NASH* , Gent.
.
[His stone, to the right of Shakespeare's in the chancel, has
under the arms of *NASH* (on a chevron between three ravens'
heads erased a pellet between four crosses crosslet), quartered
with Bulstrode, and impaling Hall quartered with Shakespeare:
.
. HEERE RESTETH YE BODY OF THOMAS
. NASHE, ESQ. HE MAR. ELIZABETH, THE
. DAVG: & HEIRE OF IOHN HALLE, GENT.
. HE DIED APRILL 4. A. 1647, AGED 53.
.
. Fata manent omnes, hunc non virtute carentum
. vt ncque diuitiis, abstulit atra *DIES* ;
. Abstulit, at referet LUX ULTIMA; siste viator,
. si peritura paras per male parta peris.]
.................................................
*THOMAS NASH* owned in 1642 the house next New Place
in Chapel St., but it is not clear that he ever lived in it.]
---------------------------------------------------
_ *THOMAS NASHE's Honorificabilitudinitatibus*
---------------------------------------------------
<<Honorificabilitudo appears in a Latin charter of 1187,
and occurs as honorificabilitudinitas in 1300.
.
Dante cites honorificabilitudinitate as a typical
example of a long word in De Vulg. Eloq. II. vii.
.
It also occurs in the Complaynt of Scotland,
and in *MAR-STON's Dutch Courtezan* (1605).
.
The earliest use listed in the Oxford English Dictionary
is 1599, by *THOMAS NASHE* :
"Physitions *DEAFEN OUR EARES* with the
Honorificabilitudinitatibus of their heauenly
Panachaea, their soueraign Guiacum."
--------------------------------------------------
__ [ *DEAF IN MY EAR, I SEE* ]
---------------------------------------------------
http://www.philological.bham.ac.uk/anagrams/text.html
____ *EDOUARUS VEIERUS*
_____ per anagramma
____ *AURE SURDUS VIDEO*
__ [ *DEAF IN MY EAR, I SEE* ]
----------------------------------------------------------
<<honorificabilitudinitatibus is found in the collected papers
of Francis Bacon in the British Museum, in the form of a diagram:
.
ho
hono
honori
honorifi
honorifica
honorificabi
honorificabili
honorificabilitu
honorificabilitudi
honorificabilitudini
honorificabilitudinita
honorificabilitudinitati
honorificabilitudinitatibus >>
-------------------------------------
___ *nohonor*
----------------------------------------
.
--------------------------*
-------------------------oho
-----------------------onohono
---------------------ironohonori
-------------------ifironohonorifi
-----------------acifironohonorifica
---------------ibacifironohonorificabi
-------------ilibacifironohonorificabili
-----------utilibacifironohonorificabilitu
---------idutilibacifironohonorificabilitudi
-------inidutilibacifironohonorificabilitudini
-----atinidutilibacifironohonorificabilitudinita
---itatinidutilibacifironohonorificabilitudinitati
subitatinidutilibacifironohonorificabilitudinitatibus
.
_____________ *353* letter pyramid
........................................................
7th palindromic prime:
101, 131, 151, 181, 191, 313, *353*
.
______________ 666 = 313 + 353
........................................................
34th Pythagorean prime: 5, 13, 17, 29, 37, 41, *53* ,
61, 73, 89, 97, 101, 109, 113, 137, 149, 157, 173,
181, 193, 197, 229, 233, 241, 257, 269, 277, 281,
293, *313* , 317, 337, 349, *353*
....................................................
.. a1 a2 a3 perimeter area
--------------------------------------------------
... 3 4 5 12 6
... 5 12 13 30 30
.. 15 8 17 40 60
.. 21 20 29 70 210
.. 35 12 37 84 210
... 9 40 41 90 180
.. 45 28 53 126 630
.. 11 60 61 132 330
.. 25 312 313 650 3900
. 225 272 353 850 30600
-----------------------------------------------
. Monvment Shakspeare has 29 BUTTONS!
. Christopher MAR-L.O. killed at 29
------------------------------------------------------------
<<Thomas NASHE died in 1647 (= 9 x 61) , at age 53.
Two years later the poet's granddaughter Elizabeth
took as her second husband, John BARNARD (or Bernard),
a widower and country squire of *ABINGTON Manor* ,
Northamptonshire who had eight children by his first wife. The
wedding took place at *BILLESLEY* on 5 June 1649. 12 years later
in return for services in the Civil War, King Charles II favoured
BARNARD with a baronetcy. Elzabeth owned New Place & the Birthpalace,
but the couple chose to live at ABINGTON Manor. Childless & nearly
62, Lady BARNARD died in 1670. No monument, headstone, or marker
from the time survives for her.>> - _Shakespeare_, a Life by Honan
.
http://www.northampton.gov.uk/museums/Museums/Abington_Museum.htm
----------------------------------------------------------------
Laila Roth wrote:
>
> The text says the poet was 53 years old when it was written
> at his death 23 april 1616. Shakspere wasn't. He was baptized
> 26 april 1564, we don't know excactly when he was born, so
> he might have been only 51 when he died. So there is a
> glaring fault with this text. Why bother to do the
> hard work of engraving this unless it was intentional?
---------------------------------------------------------
. the word *BACON* is given explicitly on page 53 of:
----------------------------------------------------------
. The Comedies: The Merry Wives of Windsor Act 4, Scene 1
http://ise.uvic.ca/Library/facsimile/bookplay/Bran_F1/Wiv/1822/
http://ise.uvic.ca/Library/facsimile/bookplay/SLNSW_F1/Wiv/1822/
http://ise.uvic.ca/Library/facsimile/bookplay/SLNSW_F2/Wiv/1822/
http://ise.uvic.ca/Library/facsimile/bookplay/SLNSW_F3/Wiv/1822/
.
Mistress Quickly: 'Han[G]-ho[G]' is Latin for *BACON* , I warrant you.
-----------------------------------------------------------
. The Histories: 1 King Henry IV, Act 2, Scene 1
http://ise.uvic.ca/Library/facsimile/bookplay/Bran_F1/1H4/633/
http://ise.uvic.ca/Library/facsimile/bookplay/SLNSW_F1/1H4/633/
http://ise.uvic.ca/Library/facsimile/bookplay/SLNSW_F2/1H4/633/
.
2nd Carrier: I have a [G]ammon of *BACON* and two razors of [G]in[G]er,
_______ to be DEliVEREd as far as Charing-cross.
. ----------------------------------------------
. and implicitly on page 53 of:
. ----------------------------------------------
. The Tragedies: [which starts _Romeo & Juliet_]
http://ise.uvic.ca/Library/facsimile/bookplay/Bran_F1/Rom/1/
http://ise.uvic.ca/Library/facsimile/bookplay/SLNSW_F1/Rom/1/
.
Enter Samps(on) & [G]regory, with {Sw}ords and (B)[uck]lers,
____________________ of the {H}ouse of (Ca)[p]ulet.
_____________________ Samps(on).
--------------------------------------------------------
<<Gilbert Shakspere was a haberdasher at St. Bride's in 1597 when
he & a local shoemaker put up £19 bail, in the court of Queen's Bench,
for the clockmaker *William SAMPSON*>> -Honan's _Shakespeare a Life_
---------------------------------------------------
<<In The Northumberland Manuscript, is a set of scribbled notes,
believed to have been written by a copyist employed by Francis Bacon.
Among disconnected words and phrases, Shakespeare and Bacon, appears
the the word honorificabilitudini. There is in existence only one
manuscript known to have contained originally two Shakespearean
Plays and that manuscript belonged to Francis Bacon.
.
For what purpose other than a cryptogram would anyone trouble himself
to construct such a diagram? The ocurrrence of this long word in the
Northumberland Manuscript and in Love's Labours Lost where it is
followed by the cryptic line "What is A b spelt backwards with
the horne on his head?"--suggests a deliberate word play cipher.
(Bacorn, a phonetic play on Bacon)>>
.
http://www.sirbacon.org/gallery/karl.html
----------------------------------------------------
. LOVE'S LABOURS LOST Act 5, Scene 1
-----------------------------------------------------
MOTH . . . What is a, b, spelt backward,
________ with the horn on his head?
.
HOLOFERNES: Ba, pueritia, with a horn added.
---------------------------------------------
. a horn on his "taille"?
-----------------------------------------------
On the Frontispiece in volume 1
of *nichola-S (r)OWE* 's 1709 edition of
_The Works of Mr. William Shakespeare_
there is "a horn[/oBoe] on his head."

http://www.gutenberg.org/files/16275/16275-h/images/between.jpg
.
The oBoe's "double READ" points to the number 53 on the Stratford
. Monument. (See p. 193 of Matus' _Shakespeare In Fact_.)
------------------------------------------------
http://www.sirbacon.org/links/whitneyemblem.html
.
"Horns are given him, broad at the roots, but narrow
and sharp at the top, because the nature of all
things seems pyramidal; for individuals are infinite,
but being collected into a variety of species,
they rise up into kinds, and these again ascend,
and are contracted into generals, till at length
nature may seem collected to a point."
-----------------------------------------------
____*DIE* : *SUCK* , *SUCKLE*(Danish, Norwegian)
.........................................
http://www.mun.ca/alciato/whit/w053a.html
.
The *GREE-DIE SOWE* so longe as shee dothe finde,
Some scatteringes lefte, of harvest under foote
She forward goes and nEVER lookes behinde,
While anie sweete remayneth for to roote,
. Even soe wee shoulde, to goodnes EVERiE daie
. Still further passe, and not to turne nor staie.
------------------------------------------------
. Dedication to Oxford in *FAERIE QVEENE* (1590)
----------------------------------------------------
. To the right Honourable the Earle of Oxenford,
. Lord high Chamberlayne of England. &c.
.
. REceiue most Noble Lord in gentle *GREE* ,
. The vnripe fruit of an vnready WIT:
. Which by thy countenaunce doth craue to bee
.
. Defended from foule *ENUIES POISNOUS* bit.
.
. (W)hich so to doe may thee right well befit,
. (S)ith th'antique glory of thine auncestry
.
. *Vnder a shady VELE is therein writ* ,
. [VELLE = L., to WILL]
.
. And eke thine owne long *liuing MEMORY* ,
. Succeeding them in *TRUE* nobility: -- E.S.
---------------------------------------------
Samuel Taylor Coleridge:
.
Alas! they had been friends in youth;
but whispering tongues can *POISON TRUTH* .
.
____*POISON* : *VERI* (Catalan)
____*POISON* : *VERGIF* (Dutch)
-------------------------------------------------
St. Bernard: "Slander is a *POISON* which kills
charity, both in the slanderer & the one who listens."
.
http://www.philological.bham.ac.uk/anagrams/text.html
____ *EDOUARUS VEIERUS*
_____ per anagramma
____ *AURE SURDUS VIDEO*
__ [ *DEAF IN MY EAR, I SEE* ]
-----------------------------------------------
__ [Pythagorean triangle: *28:45:53* ]
................................................
_The Mystery of Francis Bacon_ By William T. Smedley
http://www.hiddenmysteries.com/freebook/bacon/bacon6.html

.
<<In 1577 Christopher Plantin published an edition of Andrea Alciat's
. "Emblemata." On page 104 is Emblem No. 45, "In dies meliora."
...........................................
http://www.mun.ca/alciato/045.html : "Better things to come"
At the new year a client brought to me the snouts of a bristling boar.
Take these, he said, a gift for your belly. The boar always goes
forward, nor does it ever look back, as it voraciously rips apart
the grass with its open mouth. This same is the duty of men:
that the hope that's slipped does not fall behind,
and that what's further ahead, be better.
...........................................
This has been re-designed for the 1577 edition. It contains at the
back the pillars of Hercules, with a scroll around being the motto:
. "Plus oltre." These pillars stand on some arches,
. immediately in front of which is a mound or pyramid,
. two sides of which are seen.
.
. On one is to be found the light A
. and on the other the dark A.
.
. This design was appropriated by Whitney, and appears
. in the 1586 edition of his Emblems on page 53.>>
----------------------------------------------
____*Better things to come*
______*I(n) DIES MELIORA*
_______{near anagram}
_____*MEDIO[c]RIA LI(n)ES*
---------------------------------------------
http://www.sirbacon.org/harner-oxford.htm
. MAR-STON's Satire 4
.
<<What, NOT *MEDIOCA FIRMA* from thy spite!>>
-----------------------------------------------
______ *MEDIOCA FIRMA* ri:
______ *BACON* laughed (Fr.)
...........................................
. *MEDIOCriA FIRMA* [BACON motto]
. 'the middle ground is best'.
. MEDIOCrity is safe
. *Moderate things are surest*
-------------------------------------------------
. Troilus and Cressida (Quarto) Act 4, Scene 4
.
Pandarus: *Be Moderate, be Moderate*
.
Cresseida: Why tell you me of Moderation?
. The greife is fine, full, perfect that I taste,
. And violenteth in a sence as strong
. As that which causeth it, how can I Moderate it?
------------------------------------------------
Art Neuendorffer

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