(aneuendor...@comicass.nut) wrote:
> ------------------------------
> __*INDIANAPOLIS COLTS*
> __*PLAINS DISLOCATION*
> __*SPINAL DISLOCATION*
But Art -- those anagrams have an INPNC score of zero. A better
anagram is:
"Polls: A. C. N. is an idiot."
> __*INDIANAPOLIS*
> __*INLAID PIANOS*
> ---------------------------------------http://tradepianos.co.uk/services/index.html
> .
> <<We particularly look to buy Bösendorfer ,
Bozo-dorffer would be an excellent cognomen for you, Art.
> Steinway,
STONE-way, Art -- how oVERtly Masonic a name can one imagine?
> Bechstein,
BechSTEIN.
> Bluthner and Erard pianos.
> .
> Art cased marquetry & *INLAID PIANOS* are always of interest.
> .http://www.furnituresociety.org/cs/may2001/newyork2.html
> ---------------------------------------
> Stephanie Rauschenbusch
> Pavanne for a dead princess
> .
> A humble pie moon tumbles to the linoleum
> in my laundry room, hugging my
> bare legs as if to beg me for something--
> making my threadbare towel glow
> like a white veil of Veronica,
But Art -- "Veronica's" is an anagram of "Ver is a con."
> the oil of my face wiped on the cloth.
> .
> I rise from my banquet couch in the painted tomb
> at Tarquinia, holding the egg between thumb and fingers.
> I am the painting of joy, resurrected many times
> in many thyme-scented, pomegranate-blossom springs.
> I have grown into the bodies of women and men
> like a vine that penetrates a masonry wall.
MASONRY, Art!
> I am the green shoots
Green's hoots, Art -- you know, from the _Groatsworth_.
> that pry apart the rock.
> The sui-zen blowing meditation of my bamboo flute
> sharpens the ear as a razor makes a point
> on a pencil which begins to draw.
> The present moment enters me, as a letter
> is written in pine needles and bamboo leaves.
> .
> The defunct princess dances her pavanne
> by the piano. She unravels her revels
> with taffeta ribbons loosening in her braids.
> Her smile is solemn, the smile of a priestess
> who moves ceremoniously into the temple of death,
> which oddly resembles the sounding board
> of *an old Bösendorfer PIANO, INLAID* with mother-of-pearl.
> .
> At the reading, five elegies are read,
> three streaked with silVER. THE FOURTH
> is a painted narrative of Mother, a huge
> hatbox
HatbOX, Art!
You're priceless, Art!
> ----------------------------------------
> Art Neuendorffer
> > Steinway,
.
"nordicskiv2" <David.L.W...@Dartmouth.edu> wrote:
>
> STONE-way, Art -- how oVERtly Masonic a name can one imagine?
.
How about: MAR-STON, Ben Johnson, etc.
> > Bechstein,
.
"nordicskiv2" <David.L.W...@Dartmouth.edu> wrote:
>
> BechSTEIN.
>
. BlechSTEIN!
.
> > Bluthner and Erard pianos.
> > .
> > Art cased marquetry & *INLAID PIANOS* are always of interest.
> > .http://www.furnituresociety.org/cs/may2001/newyork2.html
> > ---------------------------------------
> > Stephanie Rauschenbusch
> > Pavanne for a dead princess
> > .
> > A humble pie moon tumbles to the linoleum
> > in my laundry room, hugging my
> > bare legs as if to beg me for something--
> > making my threadbare towel glow
> > like a white veil of Veronica,
.
"nordicskiv2" <David.L.W...@Dartmouth.edu> wrote:
>
> But Art -- "Veronica's" is an anagram of "Ver is a con."
.
Too many words, Dave.
.
VERO CAIN & OVERABLE
.
> > the oil of my face wiped on the cloth.
> > .
> > I rise from my banquet couch in the painted tomb
> > at Tarquinia, holding the egg between thumb and fingers.
> > I am the painting of joy, resurrected many times
> > in many thyme-scented, pomegranate-blossom springs.
> > I have grown into the bodies of women and men
> > like a vine that penetrates a masonry wall.
>
> MASONRY, Art!
--------------------------------------------------------------------
SNOUT-THOMA(s): You can never bring in a *wall*
[SOUTHAM(p)TON] What say you, BOTtom?
BOT(tom): Some man or other must present *WALL* : and let him
have some *PLASTer* , or some loam, or some rough-cast
about him, to signify *wall*; and let him hold his
fingers thus, and through that cranny shall
Pyramus and Thisby whisper.
---------------------------------------------------------------
Rev 21:17: And he measured the *WALL* thereof, an hundred
and forty and four cubits, according to the measure of a man:
-------------------------------------------------------------
Titus Andronicus Act 5, Scene 1
___________________ ////
- SAY, WALL-EYED slave: (o o)
_______________oOO__(_)__OOo___________________
|______|_____|_____|_____|_____|_____|_____|_____|
|___|____|_____|_____|_____|_____|_____|_____|____
|_____|_____!_____!_____|_____!_____!_____|_____!_
|______|_____|_____|_____|_____|_____|_____|_____|
|___|____|_____|_____|_____|_____|_____|_____|____
|_____|_____!_____!_____|_____!_____!_____|_____!_
LUCIUS Say, WALL-eyed slave, whither wouldst thou convey
This growing image of thy fiend-like face?
Why dost not speak? what, deaf? not a word?
-----------------------------------------------------------------
> > I am the green shoots
.
"nordicskiv2" <David.L.W...@Dartmouth.edu> wrote:
>
> Green's hoots, Art -- you know, from the _Groatsworth_.
.
You're a hoot alright.
>
> > that pry apart the rock.
> > The sui-zen blowing meditation of my bamboo flute
> > sharpens the ear as a razor makes a point
> > on a pencil which begins to draw.
> > The present moment enters me, as a letter
> > is written in pine needles and bamboo leaves.
> > .
> > The defunct princess dances her pavanne
> > by the piano. She unravels her revels
> > with taffeta ribbons loosening in her braids.
> > Her smile is solemn, the smile of a priestess
> > who moves ceremoniously into the temple of death,
> > which oddly resembles the sounding board
> > of *an old Bösendorfer PIANO, INLAID* with mother-of-pearl.
> > .
> > At the reading, five elegies are read,
> > three streaked with silVER. THE FOURTH
> > is a painted narrative of Mother, a huge
> > hatbox
.
"nordicskiv2" <David.L.W...@Dartmouth.edu> wrote:
>
> HatbOX, Art!
>
You couldn't box your way out of a HatbOX, Dave.
.
"nordicskiv2" <David.L.W...@Dartmouth.edu> wrote:
>
> You're priceless, Art!
.
. You're worthless, Dave!
.
Art Neuendorffer