Re: on a BEND sable

[Arthur Neuendorffer]

-------------------------------------------------------------
. JOYCE: Ulysses, Scylla & Charybdis
.
STEPHEN ( *Stringendo* .) He has hidden his own name, a fair name,
William, in the plays, a super here, a clown there, as a painter
of old Italy set his face in a dark corner of his canvas.
.
He has *REVEalED* it in the sonnets
where there is *wil{L IN OVER}pl{US}* ({VERO NIL} VERI{US}).
.
Like John O'Gaunt his name is dear to him, as dear as the
coat of arms he toadied for, *on a BEND SABLE a spear*
or steeled argent, honorificabilitudinitatibus, dearer
than his glory of greatest shakescene in the country.
What's in a name?
------------------------------------------------
http://shakespeareauthorship.com/eulogies.html

COTES's 2nd Folio of Shakespeare's works(1632), in addition to the
eulogies from the First Folio, contains three additional ones. The
first of these, "An Epitaph on the admirable Dramaticke Poet, W.
Shakespeare," was unsigned in the Folio, but later appeared in John
Milton's 1645 Poems with the date 1630. The second eulogy, also
unsigned, is entitled "Upon the Effigies of my worthy Friend, the
Author Maister William Shakespeare, and his Workes." The third,
signed only with the initials "I.M.S.," is a well-written 77-line
poem called "On Worthy Master Shakespeare and his Poems."
...............................................................
"I.M.S." = I, Mary Sidney {MARI.H(e)}
....................................................
These gently woo`d him, *ENVYING one another* ,
(Obey`d by all as Spouse, but lov`d as brother),
And wrought a curious robe of
.
*SABL[E] gra[V]e* , Fr[E]sh g[R]een[E],

'The friendly admirer of his endowments', I.M.S.,
in Comedies, Histories, and Tragedies (1632)
..................................................
Underneath this *SABLE hearse*
Lies the subject of all verse,
Sidney's sister! Pembroke's mother!
Death, ere thou hast slain another
Fair, and learn'd, and good as she,
*Time shall throw a DART* at thee!
..................................................
- Epitaph [in print, NOT on grave] to Lady Mary Sidney,
ascribed to the poet and dramatist Ben Jonson,
but apparently was written by the poet William Browne.
.
Lady Mary died London, 25th Sept 1621, of smallpox, age 59 yrs,
.
bur. in the choir ["Quire"] of Salisbury Cathedral, Wiltshire,
there is no gravestone, but there is apparently a plaque
to "several members of the Pembroke family buried *HERE*
with no mark" or similar wording, beside S door of Quire.>>
------------------------------------------------------------
. Love's Labor's Lost (Quarto 1, 1598) Act 1, Scene 1

Longa.: You swore to that Berowne, and to the rest.

Berowne: By yea and nay sir, than *I swore in IE-ST* .
. What is the ende of study, let me know?

Ferd.: Why that to know which else we should not know.

Berowne: *Things HID & BARD* (you meane) from *COMMON SENSE* .

Ferd.: I, that is studies god-like recompence.

Berowne: Com'on then, I will sweare to study so,
. [T]o know the thing I am forbid to know:
. [A]s thus, to study where I well may dine,
. [W]hen I to fast expressely am forbid.
. Or studie where to meete some Mistris fine.
. [W]hen Mistresses from *COMMON SENSE* are hid.
. [O]r hauing sworne too hard a keeping oth,
. [S]tudie to breake it, and *not breake MY TROTH*.
. If studies gaine be thus, and this be so,
. Studie knowes that which yet it doth not know,
. Sweare me to this, and I will nere say no.
....................................................
Ferd.: No wordes.

Clow.: Of other mens secrets I beseech you.

Ferd.: So it is besedged with SABLE coloured melancholie, I did
. commende the blacke oppressing humour to the most holsome phisicke
. of thy health-geuing ayre: And as I am a Gentleman, betooke my
. selfe to walke: the time When? about the sixt houre,
. When *Beastes* most grase, Birdes best peck,
. and Men sit downe to that nourishment
. which is called Supper: So much for the time When. Now for the
. ground Which? which I meane I walkt vpon, it is ycliped Thy Park.
. Then for the place Where? where I meane, I did incounter that ob-
. seene & most propostrous euent that draweth frõ my snowhite pen
. the [E]bon colo[U]red Inck[E], which he[R]e thou vi[E]west,
. beholdest, suruayest, or seest.
..............................
[EUEREO] 8
..............................
. But to t[H]e} place Where? [I]t standeth No[R]th North-east
. [A]nd by East fro[M] the West corner of thy curious knotted
. garden; There did I see that low spirited Swaine,
. that base Minow of thy myrth,
..............................
_____ <= 12 =>

. B u t t o t [H]e} p l a c
. e W h e r e?[I]t s t a n
. d e t h N o [R]t h N o r
. t h-e a s t [A]n d b y E
. a s t f r o [M]t h e W e
. s t c o r n e r o f t h
. y c u r i o u s k n o t

[MARIH{e}] 12
------------------------------------------------------------
Art Neuendorffer

[David L. Webb]

In article
<367b18c7-566a-40af...@j4g2000yqc.googlegroups.com>,
Arthur Neuendorffer <acne...@gmail.com> (aka Noonedafter) wrote:

[Lunatic logorrhea snipped]

> . seene & most propostrous euent that draweth fr� my snowhite pen

> . the [E]bon colo[U]red Inck[E], which he[R]e thou vi[E]west,
> . beholdest, suruayest, or seest.
> ..............................
> [EUEREO] 8
> ..............................
> . But to t[H]e} place Where? [I]t standeth No[R]th North-east
> . [A]nd by East fro[M] the West corner of thy curious knotted
> . garden; There did I see that low spirited Swaine,
> . that base Minow of thy myrth,
> ..............................
> _____ <= 12 =>
>
> . B u t t o t [H]e} p l a c
> . e W h e r e?[I]t s t a n
> . d e t h N o [R]t h N o r
> . t h-e a s t [A]n d b y E
> . a s t f r o [M]t h e W e
> . s t c o r n e r o f t h
> . y c u r i o u s k n o t
>
> [MARIH{e}] 12

I'm not sure whether it's sable or not, but you've definitely gone
around the BEND, Art.

> ------------------------------------------------------------
> Art Neuendorffer










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