Bygmester Finnegan

[Arthur Neuendorffer]

--------------------------------------------------------------
Bygmester Finnegan, of the Stuttering Hand, FREEmen's mau-
rer, lived in the broadest way immarginable in his rushlit toofar-
back for messuages before joshuan judges had given us numbers
or Helviticus committed deuteronomy (one [YEAST]yday he [STERNEL]y
struxk his tete in a tub for to watsch the future of his fates but
ere he {SWIFT}ly stook it out again, by the might of Moses*, the
VERy water was eviparated and all the guenneses had met their exodus
so that ought to show you what a pentschanjeuchy chap he was!)
------------------------------------------------------------
He has *REVE(al)ED* it in the sonnets where there
is *Wil{(L IN O)VER}pl{US}* [anagram: {NIL VERO}]
.....................................................
____ *VERO NIL VERIUS*
____ *VERUS (LINO) RIVE*
.................................................
. *VERUS*: DE VERE
. *LINO* : to *DAUB* , besmear, anoint.
. *RIVE* : a small stream of water, a brook. (vocative)
.......................................................
Exodus 2:3. And when she could not longer hide him,
. she took for him an ARK of bulrushes [i.e., BASKET],
. and *DAUBED* it with *SLIME* and with PITCH,
. and put the child therein; and she laid it
. in the flags by the *[RIVER]'s BRINK* .
.
[Anne Hathaway gave birth in 6 months like the mother of Moses]
------------------------------------------------------------
EXODUS 2:10 And she called his name *Moses* and
. she said, because I *drew him out of the water* .
...................................................
*Moses* is from the Hebrew/Aramaic:
*MaSHeH* : "drawing out (of the water)"
....................................................
*Ma.S.He.H.* : Ma(ry) S(idney) He(nry) H(erbert)
------------------------------------------------------------
https://www.etymonline.com/search?q=plaster

<<*PLASTER* (n.) late Old English for "medicinal application," from Vulgar Latin
*plastrum, shortened from Latin emplastrum "a plaster" (in the medical as well
as the building sense), from Greek emplastron "salve, plaster" (used by Galen
instead of more usual emplaston), noun use of neuter of emplastos "*DAUBed* on,"
from en- "on" + plastos "molded," verbal adjective from plassein "to mold"
(see plasma). The building construction material is first recorded
in English c. 1300, via Old French plastre, from the same source.>>
----------------------------------------------------------
. THOMA(s) SNOUT
. SOUTHAM(p)TON
..........................................................
https://en.wikipedia.org/wiki/Tom_Snout
.
<<[THOMA(s) SNOUT] is a character in William Shakespeare's A Midsummer Night's Dream.
He is a tinker, and one of the "mechanicals" of Athens, amateur players in Pyramus
and Thisbe. Tom Snout was originally set to play Pyramus's father, but the need for
a wall was greater, so he discharged The Wall which separates Pyramus' and Thisbe's
gardens. In Pyramus and Thisbe, the two lovers whisper to each other through Snout's
fingers (representing a gap in the wall). Snout has eight lines under the name
of Tom Snout, and two lines as The Wall. He is the Wall for Act V-Scene 1.
..................................................................
Wall: Thus have I Wall, my part discharged so;
And being done, thus Wall away doth go. Exit Clow.
..................................................................
Snout is often portrayed as a reluctant actor and very frightened, but the other
mechanicals (except Nick Bottom and Peter Quince) are usually much more frightened
than Tom Snout). Snout's name, like that of the other mechanicals, is metonym
and derives from his craft: "Snout" means a nozzle or a spout, a feature
of the kettles a tinker often mends.>>
.....................................................
. This man, with lyme and rough-cast, doth present
. Wall, that vile wall, which did these louers sunder:
. And through walls chink (poor soules) they are content
. To [W.H.]isper. At the which, let *no man* wonder.
-----------------------------------------------------
<<While browsing through the book, 'Secret Diplomacy,
Expionage & Cryptography 1500-1815,' BALLANTINE learned that
authors of Greek tragedies traditionally constructed their
plays 'so that the first 8 iambic lines made 4 connected
anagrams. *The first Two lines gave the name of the author*'>>
.............................................................
________ *The Two Gentlemen of VERona*
.
VALENTINE: CEease to perswade, my louing Protheus;
. HOME-keeping youth, haue *{EU}ER HO{M}ELY WITS*
....................................................
___ *{EU}ER HO{M}ELY WITS*
.....................................
__________ . . . {M}
__________ . . . {U}
_ *W R I O T H E {S} L E Y*
__________ . . . {E}
--------------------------------------------------------------
. King Richard II Act 3, Scene 2
.
KING RICHARD II: Our lands, our lives and all are Bolingbroke's,
. And nothing can we call our own but death
. And that small model of the barren earth
. Which serves as *PASTE and COVER to our BONES*.
........................................
"[Shakespeare] is a Brontosaur: nine bones and
six hundred barrels of *PLASTER* of paris." - Mark Twain
--------------------------------------------------------------
Quince: Then there is another thing,
. we must haue a wall in the great Chamber; for Pi-
. ramus and Thisby (saies the story) did talke
. through the chinke of a wall.
.
. .THOMA(s) SNOUT: You can neuer bring in a wall.
. [SOUTHAM(p)TON] What say you Bottome?
.
Bottom: Some man or other must present wall, and let
. him haue some *PLASTER*, or some Lome, or some rough
. cast about him, to signifie wall; or let him hold his fin-
. gers thus; and through that cranny shall Piramus and
. Thisby whisper.
----------------------------------------------------------------
READ IF THOV CANST, WHOM ENVIOVS DEATH HATH *PLAST*
WITH IN THIS MONVMENT SHAKSPEARE: WITH WHOME,
QUICK [NATURE DIDE] [WHoSE] [NAM {E] DO}<TH. DECK.> YS TOMBE,
*FAR* MORE,THEN COST: [SIEH] ALL, YT HE HATH WRITT,
................................................................
[N(a)TUREDIDE] [.W.H.oS.E] [si eH] [NAM {E] DO}<TH. DECK.>
[He is] [E.MAN.]&[E.So. H.W.] [EDIDERUT(a)N] / {EDO} <TH. DECK.>
.............................................................
{EDO}: I give out, put or bring forth; eject, discharge.
. I produce, bear, give birth to, yield, form, *BEGET* .
. I put forth, *PUBLISH* , spread abroad.
. I *SET FORTH*, relate, tell, disclose, deliver, announce, declare.
. I produce, perform, show, inflict, bring about, cause.
. I \ARAISE\ , lift, elevate.
.
[EDIDERUNT(a)]: 3rd-person plural perfect active
. indicative of {EDO} [They have *SET FORTH*]
------------------------------------------------------------
To [.W.H.oS.E] sound chaste wings obay.
...................................................
3: [.W.H.oS.E] fresh repaire if now thou not renewest,
8: [.W.H.oS.E] speechlesse song being many, seeming one,
....................................................
. *EDO-uardus VERUS*
....................................................
. {EDO} , edere, EDIDI, EDITum, [EDIDERUNT] (Latin)
. give out, *SET FORTH*; bring forth, beget, produce;
. relate, tell, utter; *PUBLISH*.
...............................................................
How much more pRAISE *DESERVED* thy beauty's use, Sonnets: II
----------------------------------------------------------------
Mary [SIDNEY] Herbert --- Newly drawn?
http://tinyurl.com/zf6kjzl
.
The swans on the collar look suspiciously prominent.
------------------------------------------------------
. . The *Swan of Mantua* : *VIRGIL*
.
*VIRGIL*'s tomb, once treated like a shrine, has disappeared.
.
. . . *VIRGIL*'s epitaph was supposedly:
.
. Mantua me genuit, Calabri rapuere, tenet nunc Parthenope.
Mantua GAVE me BIRTH, the Calabrians took me, now Naples holds me;
-------------------------------------------------------------------
. IVDICIO [P]YLIVM, GENIO [S]OCRATEM, ARTE [M]ARONEM,
. . . TERRA TEGIT, POPVLVS MAERET, OLYMPVS HABET.
.
("In judgement a *Nestor*, in wit a *Socrates*, in art a *VIRGIL*
the earth buries him, the people mourn him, Olympus possesses him")
-------------------------------------------------------------------------------
Dave Roper: "{SO TEST} Him, *I UOW* He Is Edward [DE] [UERE]"
.....................................................................
. . . . . . . . . . . . . . <= 34 =>

. H E N . R . Y. W R . . I . O T HE. SLEYEA R . . . L E O F S O . U .T. HAMPTO. N
----------------------------------------------------------------------------------
. T E R . R . A. T E .. [G] .I T,PO. PULUSM Æ . . . R E T O L Y . M .P. USHABE. T
................................................................................
. S T A . Y . P. A S .. [S] .E N GE. RWHYGO E . . . S T T H O U . B {Y) SOFAST. R
. E A D . I . F. T . (H)[O] .V C AN. STWHOM . [E] [N] V I O U S] .D {E) ATHHAT. H
.*P L A. <S> .T* W . (I){T} <H{I}NT> HISMON . [U](M)[E] N T. *S H A (K) SPEARE* W
. I T. <H W H> . O . (M){E} .Q{U}IC. KNATVR . [E D](I)[D] E. *W H O .S. ENAMED* O
. T H D. <E> .C. K Y... {S} .T{O}MB. EFARMO . [R E] t (H) E . N C O .S. TSIEHA. L
. L Y T. <H> .E. H A-.. {T} .H{W}RI. TTLEAV . [E] S L I V] . .I N G .A. RTBVTP. A
. G E T . O. .S. E R.... V. .E H IS. WITT
.......................................................
[DE] [UERE] 34
{SO TEST} . 34
{I UOW} . . 34
<HEWS> . . -34 : https://tinyurl.com/5ryf94sf
(KEY). . . -34
...........................................................
............................ "[ENVIOUS SLIV/ER] broke"
---------------------------------------------------------------------------
Sir {H}enry {SIDNEY} (1529 – 5 May 1586) was instrumental in the Elizabethan
conquest of Ireland, serving as Lord Deputy three times. Sidney married
Mary Dudley, eldest daughter of John Dudley, 1st Duke of Northumberland,
in 1551. His eldest son was Philip Sidney. His daughter Mary Sidney
married Henry Herbert, 2nd Earl of Pembroke, and by reason of her
literary achievements was one of the most celebrated women of her time.
-----------------------------------------------------------------------
The first chapter of the third book of Part 1:

I. Wherein Is Rehearsed the Unfortunate Adventure Which Happened
to Don Quixote, by Encountering with Certain Yanguesian Carriers

For thou must understand, that in the Kingdomes and P12rovinces newly conquered, the
minds of the Inhabitants are never so throughly appeased or weded to the affection
of their new Lord, that it is not to be feared, that they will worke some noveltie
to alter t{H}ing{S} aga{I}n, an{D} tur{N}, as m{E}n sa{Y}, afresh to trie Fortune.
And it is therefore requisite that the new possessor have understanding to Govern,
and valour to offend, and defend himself in any Adventure whatsoever.
......................
. . <= 4 =>
.
. .s. o m e
. .n. o v e
. .l. t i e
. .t. o a l
. .t. e r t
. {H} i n g
. {S} a g a
. {I} n,a n
. {D} t u r
. {N},a s m
. {E} n s a
. {Y}
.
{H.SIDNEY} 4
.................................................
‘In this last that hath befallen us,’ quoth Sancho, ‘I would I had had that
understanding and valour of which you speak; but {I VOW} unto you, by the
faith of a poor man, that I am now fitter for *PLAISTERS* than discourses.

I pray you try whether you can arise, and we will help Rozinante, although
he DE(s)ERVE(s) it not; for he was the principal cause of all these troubles.

I would never have believed the like before of Rozinante, whom I ever held to
be as chaste and peaceable a person as myself. In fine, they say well, that
one must have a long time to come to the knowledge of bodies, and that there’s
nothing in this life secure. Who durst affirm that, after those mighty blows
which you gave to that unfortunate knight-errant, would succeed so in post,
and as it were in your pursuit, this so furious a tempest of staves, that hath
discharged itself on our shoulders?’ ‘Thine, Sancho,’ replied Don Quixote, ‘are
perhaps accustomed to bear the like showers, but mine, nursed between cottons
and hollands, it is most evident that they must feel the grief of this disgrace.
.................................................
And were it not that I imagine, (but why doe I say imagine?) I know certainly that all
these incommodities are annex'd to t[He] exercise of Armes, I [W]ould here dye for
ver[Y] wrath and displeasu[R]e. To this the Squire a[N]swered, Sir, seeing th[E]se
disgraces are of t[H]e [Cosecha] essence of Knighthood, I pray you whether they
succeed very often, or whether they have certain times limited wherein they befall?
.................................................
. . . . . . . <= 18 =>
.
. i n c o m m o .d. i t i e s a r e a n
. n e x'd t o t [H] e e x e r c i s e o
. f A r m e s,I [W] o u l d h e r e d y
. e f o r v e r [Y] w r a t h a n d d i
. s p l e a s u [R] e.T o t h i s t h e
. S q u i r e a [N] s w e r e d,S i r,s
. e e i n g t h [E] s e d i s g r a c e
. s a r e o f t [H] e[C o s e c h a]e s
. s e n c e o f K n i g h t h o o d,
.
[HENRY W.H.] -18
----------------------------­-----------------------
T O T H E R I G H T H O N O R A B L E
Henrie Wriothesley, Earle of Southampton,
and Baron of Titchfield.
RIght Honourable, I know not how I shall offend in
dedicating my unpolisht lines to your Lordship, nor
how the worlde Will censure mee for choosing so
strong a proppe to support so Weake a burthen,
onelye if your Honour seeme but pleased, I ac-
count my selfe highly praised,

and *VOWE* to take advantage of all idle houres,

TILL I [H]AV[E] HO[N]OU[R]ED [Y]OU [W.]IT[H.] SO[M]E G[r.]

-AVER LABOUR.

[HENRY W.H. Mr.] 3 : Prob. [HENRY W.] in V&A dedication ~ 1 in 36,000
.....................................................................
AVER, n. [OF. AVER domestic animal, whence LL. AVERia,
pl. cattle. cf. {AVERage}.] A WORKING OX. [Obs. or Dial. Eng.]
..............................................................
Moby Dick by Herman Melville
Chapter 103: Measurement of The Whale's Skeleton

The largest, a middle one, is in width somet[H]ing less than
three fe[E]t, and in depth more tha[N] four. The smallest,
whe[R]e the spine tapers awa[Y] into the tail, is only t[W]o
inches in width, and looks something like a white billiard-ball.
.............................................................
[HENRY W.] 19 : shortest skip in Moby Dick or KJV.
------------------------------------------------------------
. https://tinyurl.com/wtr8jkf
.
. <<Ben Jonson's _To the Reader_ was replaced by
. .these ten lines in Bodleian's First Folio.
...............................................................
. .An Active Swain to make a Leap was seen
. .Which sham'd his Fellow Shepherds on the Green,
. .And growing [V]ain, he would [E]ssay once mo[R]e,
. .But lost th[E] Fame, which he had gain'd before;
. .Oft' did he try, at Length was forc'd to yeild
. .He sto{V}e i(N) [V]ai(N), – he had himself Excell'd:
. <S> o Nature onc{E} in h[E]r (E)ssays of Wit,
. <I> n Shakespear took the Sh{E}phe[R|D)'s Lucky Leap
. <B> ut OVER-strai(N)ing in the g{R|E)at [E]ffort,
. <I> n (D)ryden, and the rest, has since fell Short.
.......................................................
<SIBI> the LATIN dative of the reflexive pronoun
. meaning to herself, to himself, to themselves
..................................................................
. . . . . . . . <= 38 =>
.
. AnA .c. tiveSwaint .o m akeaLeapw .a. ss .e e n W h .ich s h
. amd .h. isFellowSh .e p herdsonth .e. Gr .e e n A n .dgr o w
. ing [V] ainhewould [E]s sayoncemo [R] eB .u t l o s .tth[E]F
. ame .w. hichhehadg .a i ndbeforeO .f. td .i d h e t .rya t L
. eng .t. hwasforcdt .o y eildHesto {V} ei (N|V]a i(N) heh a d
. him .s. elfExcelld .S o Natureonc {E} in h [E]r(E)s .say s o
. fWi .t. InShakespe .a r tooktheSh {E} ph e [R|D)s L .uck y L
. eap .B. utOVERstra .i(N)ingintheg {R|E)a t [E]f f o .rtI n(D)
. ryd .e. nandtheres .t h assincefe .l. l S h o r t
.
[VERE] 11,38
{VEER} 38 : Prob. of all 3 ~ 1 in 210
(NED) 11,37,39
--------------------------------------------------------
. (B)aron (O)f (T)itchfield/[H]enry [W]riothesley
.......................................................
. (T)his Figure, that thou here seest put,
. .It was for gentle Shakespeare cut,
. [W]herein the Graver had a strife
. .with Nature, to out-doo the life :
. (O), could he but have drawne his wit
. .As well in brasse, as he hath hit
. [H]is face ; the Print would then surpas[SE]
. .All, that was *EVER WRIT* in bras[SE].
. (B)ut, since he cannot, Reader, looke
. .Not on his Picture, but his Booke.
.........................................................
"In Vinculus Invictus" Motto in Tower Painting:
.
. https://tinyurl.com/zpa7rug
. https://tinyurl.com/gnj9385
.
DROESHOUT/HERODOTUS = "In Vinculus Invictus" Painting:
.
. 1) Large forehead
. 2) eyebrows
. 3) eyes
. 4) nose
. 5) moustache
. 6) lips
. 7) 14 buttons.
.
http://emc.english.ucsb.edu/images/shakespeare-frontispiece_L.jpg
-----------------------------------------------------------------
. H.W. (Henry Wriothesley)
. B.O.T. (Baron of Titchfield)
. S.E. (Southampton Earl)
-----------------------------------------------------------
THE TEMPEST. Actus primus, Scena prima.

A tempestuous noise of Thunder and Lightning heard:
Enter a Ship-master, and a [BOTESW]aine.
.........................................................
. B.O.T.E.S.W.("aine" : "harmony" [Scottish] )
(B)aron (O)f (T)itchfield/(E)arl (S)outhampton/(W)riothesley
-------------------------------------------------------------
Master. [BOTESW]aine.

[BOTES]: Heere Master: What cheere?

[BOTES]: Heigh my hearts, cheerely, cheerely my harts:
yare, yare: Take in the toppe-sale: Tend to th'Masters
whistle: Blow till thou burst thy winde, if roome enough.

Alon. Good [BOTESW]aine haue care:
where's the Master? Play the men.

[BOTES]: I pray now keepe below.

Anth. Where is *the MASTER*, Boson?

[BOTES]: Do you not heare him? you marre our labour,
Keepe your Cabines: you do assist the storme.

Gonz. Nay, good be patient.

[BOTES]: When the Sea is: hence, what cares these
roarers for the name of King? to Cabine;
silence: trouble vs not.

Gon. Good, yet remember whom thou hast aboord.

[BOTES]: None that I more loue then my selfe. You are
a Counsellor, if you can command these Elements to si-
lence, and worke the peace of the present, wee will not
hand a rope more, vse your authoritie: If you cannot,
giue thankes you haue liu'd so long, and make your
selfe readie in your Cabine for the mischance of the
houre, if it so hap. Cheerely good hearts: out of our
way I say. Exit.

Enter [BOTESW]aine.

[BOTES]: Downe with the top-Mast: yare, lower, lower,
bring her to Try with Maine-course. A plague ---
A cry within. Enter Sebastian, Anthonio & Gonzalo.
vpon this howling: they are lowder then the weather,
or our office: yet againe? What do you heere? Shal
we giue ore and drowne, haue you a minde to sinke?
Sebas. A poxe o'your throat, you bawling, blasphe-
mous incharitable Dog.

[BOTES]: Worke you then.

Anth. Hang cur, hang, you whoreson insolent Noyse-
maker, we are lesse afraid to be drownde, then thou art.

Gonz. I'le warrant him for drowning, though the
Ship were no stronger then a Nutt-shell,
and as leaky as an vnstanched wench.

[BOTES]: Lay her a hold, a hold, set her
two courses off to Sea againe, lay her off.

Enter Mariners wet.

Mari. All lost, to prayers, to prayers, all lost.

[BOTES]: What must our mouths be cold?
------------------------------------------------------
. The Tempest: II, ii
.
. Enter Stephano singing.
.
Ste. I shall no more to sea, to sea, here shall I dye ashore.
This is a very scuruy tune to sing at a mans
Funerall: well, here's my comfort. Drinkes. Sings.
.
The Master, the Swabber, the *Boate-swaine* & I;
The Gunner, and his Mate
Lou'd Mall, Meg, and Marrian, and Margerie,
But none of vs car'd for Kate.
For she had a tongue with a tang,
Would cry to a Sailor goe hang:
She lou'd not the sauour of Tar nor of Pitch,
Yet a Tailor might scratch her where ere she did itch.
Then to Sea Boyes, and let her goe hang.
This is a scuruy tune too:
But here's my comfort. drinks.
-----------------------------------------------------------
http://www.bbc.com/news/education-35973094

<<There is a stage direction in King Lear, which, in the early
part of the print run, says rather cryptically "H {EDIS}",
which is then updated in later copies to "He dis"
before it is finally corrected to "He dies".>>
------------------------------------------------------
. "H {EDIS}" : {You *PUBLISH*} "H".
..................................................
_______ Sonnet 102 (Only Sonnet's *PUBLISH*)
.
. MY LOVE IS Strengthned though more weake in seeming
. I love not lesse, thogh lesse the show appeare,
. That love is marchandiz'd, whose ritch esteeming,
.
. The own[E]rs tongu[E] (DOTH} PUB[L]ISH {E}VER[Y] {WH}E{R}E) .
. Ou[R] lov{E} was [N]ew, and th[E]n but in t[H]e spring,
.
.{WH}en I was wont to greet it with my laies,
. As Philomell in summers front doth singe,
. And stops his pipe in growth of riper daies:
. Not that the summer is lesse pleasant now
. Then when her mournefull himns did hush the night,
. But that wild musick burthens *EVERy bow* ,
. And sweets growne common loose their deare delight.
. Therefore like her, I some-time hold my tongue:
. Because I would not dull you wiTH MY SONGE.
..................................................
. . . . . <= 8 =>
.
. . .T h(E)o w n [E]
. .r s t(O)n g u [E]
. (D O T{H}P U B [L]
. .I S H{E}V E R [Y]
. {W H}E{R}E)O u [R]
. .l o v{E}w a s [N]
. .e w,a n d t h [E]
. .n b u t i n t [H]
. .e s p r i n g,{W H}
.
Sidney friend/Queen's Champion:
[HENRY LEE] -8 : Prob. in any Sonnet ~ 1 in 1765
--------------------------------------------------
. Amazement : 1640 Benson
.
. MY love is strengthned though more weake in seeming
. I love not lesse, though lesse the show appeare,
. That love is marchandiz'd, whose rich esteeming,
. The own[E]rs tongu[E] (DOTH} PUB[L]ISH {E}VER[Y] {WH}E{R}E) .
. Ou[R] lov{E} was [N]ew, and th[E]n but in t[H]e spring,
---------------------------------------------------------------------
https://wikivisually.com/wiki/Henry_Danvers%2C_1st_Earl_of_Danby

<<On the night of the death of the 17th Earl of Oxford [Sun., June 24, 1604]
Baron [H]enry [DANUERS], the Earl of Southampton and Sir Henry Neville as
well as the a [LEE] were arrested by order of the king and Privy Council.
.......................................................................
Baron [DANUERS] had been employed in Ireland under the Earl of Essex, and
Charles Blount, 8th Baron Mountjoy, successive lords-lieutenant of Ireland.>>
-----------------------------------------------------------
. . . . First Folio (1623)
TO THE MEMORIE of the deceased Authour
. . *MAISTER W. SHAKESPEARE*

SHake-speare, at length thy pious fellowes giue
The world thy Workes: thy Workes, by which, out-liue
Thy Tombe, thy name must: when that {STONE} is rent,
And Time dissolues thy {STRATFORD MONIMENT},
Here we aliue shall view thee still. This Booke,
When Brasse and Marble fade, shall make thee looke
Fresh to all Ages: when Posteritie
Shall loath what's new, thinke all is prodegie
That is not *S[H]AKE-SPEARES* ; eu'ry Line, each Verse
Here shall reuiue, re[D]eeme thee from thy Herse.
Nor Fire, nor cankring Age, a{S N|A]so said,
Of his, {T}hy wit-fraught B{O}oke shall once i{N}vade.
[N]or shall I {E}'re beleeve, or thinke thee dead.
(Though mist) [U]ntill our bankrout Stage be sped
(Impossible) with som[E] new straine t' out-do
{P}assions of Iuliet, and her Romeo;
{O}[R] till I heare a Scene more nobly take,
{T}hen when thy half=[S]word parlying Romans spake.
{T}ill these, till any of thy (v)olumes rest
Shall with more fire, more feeling be expr{E}st,
Be sure, our Shake=speare, thou canst n[EVER DYE],
But cr{O}wn'd with Lawrell, liue eternally.

L. Digges.
---------------------------------------------------------
. . . . . . . . . . . <= 45 =>
.
. when .Posteri. tieS. h .a. llloathwha .tsnewthinkeallispr
. odeg .ieThati. snot *S [H] AKESPEARES* euryLineeachVerseH
. eres .hallreu. iuer. e [D] eemetheefr .omthyHerseNorFiren
. orca .nkringA. geas. N [A] sosaidOfhi .sthywitfraughtBook
. esha .lloncei. nuad. e [N] orshallIer .ebeleeueorthinketh
. eede .adThoug. hmis. t [U] ntillourba .nkroutStagebespedI
. mpos .siblewi. thso. m [E] newstraine .toutdoPassionsofIu
. liet .andherR. omeo. O [R] tillIheare .aScenemorenoblytak
. eThe .nwhenth. yhal. f [S] wordparlyi .ngRomansspakeTillt
. hese .tillany. ofth. y (v) olumesrest .Shallwithmorefirem
. oref .eelingb. eexp. r {E} stBesureou .rShakespearethouca
. nstn [EVERDYE] Butc. r {O} wndwithLaw .rellliueeternally.
.
[H.DANUERS] 45 : Prob. in poem ~ 1 in 192,000
------------------------------------------------------------------------
https://en.wikipedia.org/wiki/Earl_of_Danby

<<Earl of Danby was a title that was created twice in the Peerage of England.
The first creation came in 1626 in favour of the soldier [H]enry [DANUERS],
1st Baron Danvers (28 June 1573 – 20 January 1643). He had already been
created Baron Danvers, of Dauntsey in the County of Wiltshire, in 1603, also
in the Peerage of England. The titles became extinct on his death in 1644.>>
----------------------------------------------------------
http://www.geocities.ws/garydanvers/PS-funeral.html
http://www.geocities.ws/garydanvers/PhilipSidney-HD-Page.jpg

[H]enry [DANUERS], aged 13, Philip Sidney's page, seated
upon Sidney's war horse and trailing a broken lance.
..........................................................
Bolbeck or Bolebeck, coat of arms:
lion brandishing a broken lance.

http://www.cumulo-nimbus.ca/shakespeare/images/bolbec.jpg
a lion, *SEJANT* , supporting with dexter a *BROKEN LANCE*.
--------------------------------------------------------------
. King Henry IV, part II > Act III, scene II
.
FALSTAFF: Come, manage me your caliVER. So: VERy well: go
. to: VERy good, exceeding good. O, give me always a
. little, lean, old, chapt, bald shot. Well said, i'
. faith, Wart; thou'rt a good scab: hold, there's a
. tester for thee.

SHALLOW: He is not his *CRAFT's MASTER*; he doth not do it
. right. I remember at Mile-end Green, when I lay at
. Clement's Inn--I was then Sir Dagonet in Arthur's
. show,--there was a *little quiVER fellow*, and a'
. would manage you his piece thus; and a' would about
. and about, and come you in and come you in: 'rah,
. tah, tah,' would a' say; 'bounce' would a' say; and
. away again would a' go, and again would a' come: I
. shall nE'Er see such a fellow.
-------------------------------------------------------
. "Moore C W The Freemasons Monthly Magazine Vol IV 1845"
.
GRAND MASTERS, OR PATRONS, OF THE FREE AND ACCEPTED MASONS IN ENGLAND,

1607. James I., a Brother Mason, Grand Patron by Prerogative, appointed
the celebrated Inigo Jones, Grand Master of all England, in which
capacity he served for eleven years. His Wardens were the Earl of
Pembroke, and *{N}icholas {STONE}*, Esq., who, attended by many
Brothers attired in Craft clothing, walked to White Hall, and laid
the first {STONE} of the Banquetting Hall, with knocks, huzzas,
and sound of trumpets, throwing a purse of gold upon the {STONE}
for the operatives to drink “To the King and Craft!"

1618.[W]illiam [H]erbert , Earl of Pembroke, was chosen Grand Master.
He appointed Inigo Jones his Deputy.

Charles I., a Royal Mason and Grand Patron by Prerogative ;
under him the Earl of Darnley, Grand Master, who erected
the beautiful gate of the Physick Gardens, at Oxford.

1630-1-2. [H]enry [DANVERS] , Earl of Danby.
---------------------------------------------------------
. Antony and Cleopatra Act 5, Scene 2
.
CLEOPATRA: Shall they hoist me up
. And show me to the shouting varletry
. Of censuring Rome? Rather a ditch in Egypt
. Be gentle grave unto me! rather on *NILUS' mud*
. Lay me stark naked, and let the water-flies
. Blow me into abhorring! rather make
. My country's high PYRAMIDES my GIBBET,
. And HANG me up *IN CHAINS* !
.
GIBBET, n. [OE. gibet, F. gibet, in OF. also club, fr. LL. gibetum;
cf. OF. gibe sort of sickle or hook, It. giubbetto gibbet, and
giubbetta, dim. of giubba mane, also, an under waistcoat, doublet,
Prov. It. gibba); so that it perhaps originally signified
a halter, a rope round the neck of malefactors; or it is,
perhaps, derived fr. L. gibbus HUNCHED, HUMPED,
E. gibbous; or cf. E. jib a sail.] 1. A kind of gallows;
an upright post with an arm projecting from the top,
on which, formerly, malefactors were hanged *IN CHAINS* ,
and their bodies allowed to remain as a warning.
----------------------------------------------------------
. . . . . . . . <= 16 x 9 =>
.
__________ . . . . T. O t h e o(N) l i [E] B E G E T T
__________ . . . . E {r}o f t{H} e [S|E] I N S U I N G
__________ . . . . S {o}n n{E} T S (M) R W H A L L H A
__________ . . . . P {p}i{N} e S [S|E|A) N D(T)H A T E
__________ . . . . T {e|R} n I T I [E]p(R)o .M(I)S E D
__________ . . . . B {Y} o U R E V. E R l(I) V I(N)G P
__________ . . . . O. E. T W I S H. E T H T(H) E W(E)L
__________ . . . . L |W] I S H I N. G A D V E n. T U(R)
__________ . . . . E |r] I N S E T. T I N G{f o r} T H
......................................................................
. T O T H E O .N L I [E| B E G E T T E R
. O F T H E S .E I N [S| U I N G S O N N
. E T S M R W .H A L [L|H] a P P I N E S
. S E A N D(T) H A T [E|T] (E) r N I T I E
. P R O M(I) S E D B [Y|O] U (R) e V E R L
. I V I(N) G P O E T [W] |I] S H (E) t H T H
. E W(E) L L W I S H [I] N G A (d V e) N T
. U(R) E R I N S E T [T] I N G {f o r} T H
.
. . . . . . . . <= 18 x 9 =>
-----------------------------------------------------------
Shakespeare Oxford Newsletter Vol. 51, No. 3: Summer 2015
- by Mark Stahley, St Paul MN
......................................................
<<I tried putting [the 144 dedication letters]
in a 12x12 square. The letters "ORIW" going down
caught my eye... and I realized you could unscramble
them to spell the name "H. Wriotheslie, SH"
("SH" for Southampton, perhaps). In the grid
below, you can see the contiguous letters:

"TO {WRIOTHESL(ie)}" .>>
.........................................
. . . <= 12x12 SQUARE =>
.
. .T. O . .{T H E O} N .L. I E B E
. .G. E. T. T. E {R} O .F. T H E S
. .E. I. N. S. V {I} N .G. S O N N
. .E. T [S]{M} R {W} H .A. L L H A
. .P {P}[I]{N} E (S) S .E. A N D T
. .H {A}[T]{E} T {E} R [N] I T I E
. .P {R}[O]{M} I {S}[E] D. B Y O V
. .R {E}[V]{E} R {L} I .V. I N G P
. {O} E. T. W [I] S .H .E. T H T H
. {E} W. E [L] L .W .I {S} H I N G
. .A .D {V} E. N .T .V {R} E R I N
. .S [E] T .T. I .N .G {F} O R T H
.........................................
- _The De Vere Code_ by Jonathan Bond
.......................................
[VOTIS] : to *VOW* or *PROMISE*
{PARE/O} : to appear, be visible
.
{MNEME} : (Μνήμη) muse of *MEMORY* Prob. ~ 1 in 45,000
.
TO {WRIOTHESL(y)} : Prob. ~ 1 in 4000
[NE{V}IL{L}E] : Prob. ~ 1 in 2100
.
{PARE} : Ovid's _Fasti_ 3
PAR/PARIS : a companion, comrade, mate
---------------------------------------------------
_______ Sonnet 134
.
. SO now I hau[E] confest that he is thine,
. And I my se[L]fe am morgag'd to thy will,
. My selfe I[L]e forfeit, so that other mine,
. Thou w[I]lt restore to be my comfort still:
. B[U]t thou wilt not, nor he will not be fr[E]e,
. For thou art couetous, and he is ki[N]de,
..............................................................
_________ . . . . <= 29 =>
.
. S O n o w I h a u [E] c o n f e s t t h a t h e i s t h i n
. e,A n d I m y s e [L] f e a m m o r g a g'd t o t h y w i l
. l,M y s e l f e I [L] e f o r f e i t,s o t h a t o t h e r
. m i n e,T h o u w [I] l t r e s t o r e t o b e m Y c o m f
. o r t s t i l l:B [U] t t h o u w i l t n o t,n o r h e w i
. l l n o t b E f r [E] e,F o r t h o u a r t c o u e t o u s,
. a n d h e i s k i [N] d e,
.
[NEUILLE] -29 {Prob. in any Sonnet ~ 1 in 60}
............................................
... And sue a friend, came debter for my sake,
. So him I loose through my vnkinde abuse.
. Him haue I lost, thou hast both him and me,
. He paies the whole, and yet am I not free.
---------------------------------------------------
‘To my Loveinge good ffrend
& contreymann Mr Wm. Shackespere, deliver thees,’
............................................
‘Loveinge Contr[E]yman, I am bolde of yow, as of a ffrende, cra[V]einge yowr helpe with XXX uppon Mr Bush[E]lls & my securytee, or Mr Myttons with me. M[R] Rosswell is nott come to London as yeat[E], & I have especiall cawse. Yow shall ffrende me muche in helpeinge me out of all the debettes I owe in London, I thancke God & muche quiet my mynde, which wolde nott be indebeted. I am nowe towardes the Cow{R}te, in hope of answer for th{E} dispatche of my Buysenes. {Y}ow shall nether loase cre{D}dytt nor monney by me, the Lord(E) wyllinge; & nowe butt perswade yowr selfe soe, a(S) I hope, & yow shall nott need to feare, butt with a(L)l hartie thanck(E)fullene(S) I wyll ho(L)de my tym(E) & content (Y)owr ffrende, & yf we Bargaine farther, (Y)ow shalbe the paiemaster yowre selfe. My tyme biddes me hasten to an ende, & soe I committ t[H]ys yowr care & hope of yo[W]r helpe. I feare I s{H}all no[T] be backe thys night ff[R]om th{E} Cowrte. Haste, The L[O]rde be with yow, a{N}d with us all. Amen! ffom the Bell [I]n Ca{R}ter Lane the 25 October, 1598, Yowres in all k{Y}ndenes,

RyC. QUYNEY.’
..............................................................
____________ <= 30 =>
.
.‘L o v e i n g e C o n t r [E] y m a n,I a m b o l d e o f y o w,a s
. o f a f f r e n d e,c r a [V] e i n g e y o w r h e l p e w i t h X
. X X u p p o n M r B u s h [E] l l s&m y s e c u r y t e e,o r M r M
. y t t o n s w i t h m e.M [R] R o s s w e l l i s n o t t c o m e t
. o L o n d o n a s y e a t [E]&I h a v e e s p e c i a l l c a w s e.

[E.VERE] 33 : Prob. ~ 1 in 125 at start
..............................................................
____________ <= 30 =>

I f e a r e I s {H} a l l n o[T]b e b a c k e t h y s n i g h
t f f[R]o m t h {E} C o w r t e.H a s t e,T h e L[O]r d e b e
w i t h y o w,a {N} d w i t h u s a l l.A m e n!f f o m t h e
B e l l[I]n C a {R} t e r L a n e t h e O c t o b e r,Y o w r
e s i n a l l k {Y} n d e n e s,R y C.Q U Y N E Y.

{HENRY} 30 : Prob. ~ 1 in 201 at end
............................................
(ESLEY) 8,38 : Prob. of both ~ 1 in 259
[IOTH] -40
[WR] 40
(DYER) -22
---------------------------------------------------------
["Edward *DE VEER* , only son of John, born the Twelfth day
of April A 1550, Earle of Oxenforde (Ogburn, 1998, 765).
........................................................
In the name of God Amen. I *Iohn DE VEER* Erle of Oxinforde,
Lorde greate Chamberlayne of Englonde Vicounte Bulbeck &c,
__ *being of hole and parfecte mynde*

- 1562 Will of the 16th Earl of Oxford (28 July 1562)
http://ist-socrates.berkeley.edu/~ahnelson/DOCS/16will2.htm
------------------------------------------------------------
{(de) VERE} *VOMERE* : *PLOUGHSHARE* (Italian, Latin)
.......................................................
_______________ <= 18 =>
.
. O T H E O {N}L i[E| B E G E T T E R O
. F T H E S E {I}n[S| U I N G S O N N E
. T S M R W h a {L|L|H] A P P I{N}E S S
. E A N D t h a t {E|T|E} R N I T{I}E P
. R O M I S E D [B|Y|O]u{R} E V E R{L}I
. V I N G P O [E]t W|I]S H{E} T H(T)H{E}
. |W]E L L W I S h i n g A{d V e} N(T)U
. |R]E R I N S E t t i n g f o r .T H(T)T
.
{(de) VERE, H.} -19
[WR-IOTH-ESLEY]
--------------------------------------------------------------
Pyramid {(de) VEER} *VOMERE* : *PLOUGHSHARE* (Italian, Latin)
...................................................
___ . . . . . . <= Sonnets 33/34 =>
.
___. /T/ OT __ [H] EONLIEBEGE TTE . [R] .OFTHESEINSUINGS
__- /O/ NN _. [E T] SMRWHALLH APPIN . [E] .SSEANDTHATETE
__ /R/ NI___ [T(I)E] *PROMISED*BYOUREV. [E] .RLIVINGPOET
_ /W/ IS___ [H E T H] THEWELL /WISHINGA [D V E] NTURERIN
_______________ SETTIN GFORTH ______________TT
--------------------------------------------------------------
They burn in love, THY CHILDREN Shakespear [HET] THEm
. Go, wo thy Muse, more NYMPhish brood BEGET THEm
.
[HET], v. t. & i. To *PROMISE*. [Obs.] --Chaucer.
..........................................................
Probability of two {(de) VERE/VEER} *VOMEREs* ~ 1 in 435]
------------------------------------------------------------------
‘To my Loveinge good ffrend
& contreymann Mr Wm. Shackespere, deliver thees,’
............................................
‘Loveinge Contr[E]yman, I am bolde of yow, as of a ffrende, cra[V]einge yowr helpe with XXX uppon Mr Bush[E]lls & my securytee, or Mr Myttons with me. M[R] Rosswell is nott come to L+ondon as yeat[E], & I have especiall cawse. Yow shall ffrende me muche in helpeinge me out of all the debettes I owe in London, I thancke God & muche quiet my mynde, which wolde nott be indebeted. I am nowe towardes the Cow{R}te, in hope of answer for th{E} dispatche of my Buysenes. {Y}ow shall nether loase cre{D}dytt nor monney by me, the Lord(E) wyllinge; & nowe butt perswade yowr selfe soe, a(S) I hope, & yow shall nott need to feare, butt with a(L)l hartie thanck(E)fullene(S) I wyll ho(L)de my tym(E) & content (Y)owr ffrende, & yf we Bargaine farther, (Y)ow shalbe the paiemaster yowre selfe. My tyme biddes me hasten to an ende, & soe I committ t[H]ys yowr care & hope of yo[W]r helpe. I feare I s{H}all no[T] be backe thys night ff[R]om th{E} Cowrte. Haste, The L[O]rde be with yow, a{N}d with us all. Amen! ffom the Bell [I]n Ca{R}ter Lane the 25 October, 1598, Yowres in all k{Y}ndenes,

RyC. QUYNEY.’
..............................................................
____________. . . . . . . <= 33 =>
.
.‘L o v e i n g e C o n t r [E] y m a n,I a m b o l d e o f y o w,a s
. o f a f f r e n d e,c r a [V] e i n g e y o w r h e l p e w i t h X
. X X u p p o n M r B u s h [E] l l s&m y s e c u r y t e e,o r M r M
. y t t o n s w i t h m e.M [R] R o s s w e l l i s n o t t c o m e t
. o L o n d o n a s y e a t [E]&I h a v e e s p e c i a l l c a w s e.

[E.VERE] 33 : Prob. ~ 1 in 125 at start
..............................................................
____________. . <= 30 =>

. I f e a r e I s {H} a l l n o[T]b e b a c k e t h y s n i g h
. t f f[R]o m t h {E} C o w r t e.H a s t e,T h e L[O]r d e b e
. w i t h y o w,a {N} d w i t h u s a l l.A m e n!f f o m t h e
. B e l l[I]n C a {R} t e r L a n e t h e O c t o b e r,Y o w r
. e s i n a l l k {Y} n d e n e s,R y C.Q U Y N E Y.

{HENRY} 30 : Prob. ~ 1 in 201 at end
............................................
(ESLEY) 8,38 : Prob. of both ~ 1 in 259
[IOTH] -40
[WR] 40
(DYER) -22
----------------------------------------------------------------
http://www.angelfire.com/ca/unitedcats/henry.html
http://www.fortunecity.com/greenfield/dreams/383/towercat.htm
.
<<The Tower of London has been a home for many prisoners during its
long history. A grim and foreboding place like this seems to be an
unlikely home for two cats to set up home. But during the Tudor and
Elizabethan eras, a cat gave loyal comfort to one of those unfortunates
incarcerated there. During the bitter struggle between the Yorkest and
Lancastrians in the War of the Roses, Sir Henry Wyatt was taken
prisoner by King Richard III, in 1483, and sent to the tower. This was
quite a difference in life for him, as he had once been the Governor of
the Tower, and now he had a rather different view on life in the tower.
Being a well known cat lover living in Allington Castle it was said of
him that he *EVER used to make much of a cat* . Stories say that while
in the Tower he was visited by a stray cat which made its way to his
cell through a chimney. The cat often used to leave the cell and come
back with *PIGEONS* which it gave to Wyatt. It is said these were
cooked for him by a friendly gaoler and made up for the meagre rations
that were fed to the prisoners. It was surmised that when he was first
incarcerated he would become succumb to illness & starvation, but the
gifts of food that the cat brought kept him alive until he was later
released. Later Sir Henry had a memorial built to his cat friend in
a church at Boxley in Kent. He also remembered him in a painting of
him in 1532. Several years later, in 1601, when the reign of Queen
Elizabeth was nearing its end, Henry Wriothesley, the third Earl of
Southampton, was incarcerated in the Tower of London for supporting
The Earl of Essex's rebellion. During his stay there he was joined by
his favourite cat, a black & white female called *TRIXIE* . The Earl
being a nobleman, had two houses, a country mansion in Gloucestershire
& Southampton House in London. One story says the cat made its own way
across London from Southampton House, scaled the walls & clambered
across the roofs until it found the chimney of his cell and climbed
down to join the Earl. We know that the cat kept Wriothesley company
because many years later after the event, the tale was put into
writing by Thomas PENNANT an antiquarian. The cat was also included in
a portrait commissioned by Wriothesley around 1603, & painted by John
de Critz the Elder. Trixie is shown as a black cat with white markings
to her face, a snowy white bib, and white forepaws, sitting by the
right arm of the Earl with a quizzical look upon her face. Trixie
kept her master company in the tower for about two years.>>
.........................................................
"In Vinculus Invictus" Motto in Tower Painting:

https://tinyurl.com/zpa7rug
https://tinyurl.com/gnj9385

DROESHOUT/HERODOTUS = "In Vinculus Invictus" Painting:
.
1) Large forehead
2) eyebrows
3) eyes
4) nose
5) moustache
6) lips
7) 14 buttons.
---------------------------------------------------------
. Antony and Cleopatra Act 5, Scene 2
.
CLEOPATRA: Shall they hoist me up
. And show me to the shouting varletry
. Of censuring Rome? Rather a ditch in Egypt
. Be gentle grave unto me! rather on *NILUS' mud*
. Lay me stark naked, and let the water-flies
. Blow me into abhorring! rather make
. My country's high PYRAMIDES my GIBBET,
. And HANG me up *IN CHAINS* !
.
GIBBET, n. [OE. gibet, F. gibet, in OF. also club, fr. LL. gibetum;
cf. OF. gibe sort of sickle or hook, It. giubbetto gibbet, and
giubbetta, dim. of giubba mane, also, an under waistcoat, doublet,
Prov. It. gibba); so that it perhaps originally signified
a halter, a rope round the neck of malefactors; or it is,
perhaps, derived fr. L. gibbus HUNCHED, HUMPED,
E. gibbous; or cf. E. jib a sail.] 1. A kind of gallows;
an upright post with an arm projecting from the top,
on which, formerly, malefactors were hanged *IN CHAINS* ,
and their bodies allowed to remain as a warning.
------------------------------------------------
http://www.philological.bham.ac.uk/anagrams/
.
<<Even more curious is the one for Southampton,
which explicitly states that he had been convicted
of treason on false testimony inspired by envy.>>
.............................................
. HENRICUS URIOTHESLEUS
_____ per anagramma
. THESEUS NIL REUS HIC RUO
.
. [I] ure quidem poteras hanc fundere ab ore querelam,
. [S] ors tibi dum ficto crimine dura fuit:
."[N] il reus en Theseus censura sortis iniquae
. [H] ic ruo, livoris traditus arbitrio."
. [A] t nunc mutanda ob mutata pericla querela est.
. [I] nclite, an innocuo pectore teste rues?
. [N] on sane. Hac haeres vacuo dat *VIVERE* cura,
. [C] ollati imperii sub Iove sceptra gerens.
.............................................
. *ISNHAINC* {anagram} *IN CHAINS*
.
*Victorious though IN CHAINS* )
.............................................
. HENRY WRIOTHESLEY by an anagram
. ('HERE I FALL, *THESEUS, GUILTY OF NOTHING* ')
.
Justly you were able to pour forth this complaint from
your mouth, your lot was harsh while a false accusation
prevailed. 'L.O. , Theseus is guilty of NOTHING , *HERE*
I fall by an unfair lot's censure, betrayed by ENVY's whim.'
But now the complaint is to be altered, because of
altered perils. Great man, do you take a fall
with an innocent heart bearing witness? Not at all.
The HEIR, wielding the scepter of rule conferred
under Jove's auspices, grants you to live free of this
.............................................
http://www.philological.bham.ac.uk/anagrams/text.html
-----------------------------------------------------------------
October 8 THESEIA: Festival honoring the hero Theseus.
-----------------------------------------------------------------
Plutarch's Lives Volume I : http://www.stoics.com/plutarch_1.html
. Translated out of Greek into French by James Amyot,
. Abbot of Bellozane, Bishop of Auxerre,
. and out of French into Englishe by *THOMAS NORTH*
.
<<The greatest and most solemne sacrifice they doe unto [Theseus],
is on the eight daye of October, in which he return-
THESEVS ed from CRETA, with the other younge children of ATHENS:
..............................................................
October 8 THESEIA: Festival honoring the hero Theseus.
.
October 8, 1600 A Midsummer Night's Dream entered
. on Stationers' Register.
..............................................................
. . . *THOMA(s) SNOUT* , tinker
. . . . . {anagram}
. . . *SOUTHAM(p)TON*
------------------------------­-------------------------
T O T H E R I G H T H O N O R A B L E
Henrie Wriothesley, Earle of Southampton,
and Baron of Titchfield.

RIght Honourable, I know not how I shall offend in
dedicating my unpolisht lines to your Lordship, nor
how the worlde Will censure mee for choosing so
strong a proppe to support so Weake a burthen,
onelye if your Honour seeme but pleased,
I ac-count my selfe highly praised,
and vowe to take advantage of all idle houres,

TILL I [H]AV[E] HO[N]OU[R]ED [Y]OU [W.]IT[H.] SO[M]E G[r.]

. . . . . . . -AVER LABOUR.

[HENRY W.] 3 : Prob. in V&A [HENRY W.] dedication ~ 1 in 36,000
[W.H. Mr.] 3
..............................................................
AVER, n. [OF. AVER domestic animal, whence LL. AVERia,
pl. cattle. cf. {AVERage}.] A WORKING OX. [Obs. or Dial. Eng.]
..............................................................
Moby Dick by Herman Melville
Chapter 103: Measurement of The Whale's Skeleton

The largest, a middle one, is in width somet[H]ing less than three
fe[E]t, and in depth more tha[N] four. The smallest, whe[R]e the
spine tapers awa[Y] into the tail, is only t[W.]o inches in width,
and looks something like a white billiard-ball.

[HENRY W.] 19 : shortest skip in MD & KJV.
---------------------------------------------------------------------
https://en.wikipedia.org/wiki/Saint_Lucy

<<[LUCIA] of Syracuse (283–304), also known as Saint Lucy or Saint Lucia (Latin: Sancta Lucia), is patron saint of the blind, authors, cutlers, glaziers, laborers, and peasants. She is invoked against diseases of the eye. Saint Lucy's Day is celebrated on 13 December. Absent in the early narratives and traditions is the story of Lucia tortured by eye-gouging. According to later accounts, before she died she foretold the punishment of Paschasius and the speedy end of the persecution, adding that Diocletian would reign no more, and Maximian would meet his end. This so angered Paschasius that he ordered the guards to remove her eyes. Another version has Lucy taking her own eyes out in order to discourage a persistent suitor who admired them.
.
[LUCIA] appears in {DANTE A}lighieri's Inferno Canto II as the messenger sent to Beatrice from the Virgin Mary, to rouse Beatrice to send Virgil to Dante's aid. In the Purgatorio 9:52–63, Lucy carries the sleeping {DANTE} to the entrance to Purgatory. Then in Paradiso 32 {DANTE} places her opposite Adam within the Mystic Rose in Canto 32 of the Paradiso.>>
----------------------------------------------------
. [ALL FOR ONE] . Sonnet 19
.
Make glad and sorry seasons as thou fleet'st,
And do what ere (t)hou wil[T (S)WIFT]-foo(t)ed time
T(o) the wi{D}e (w)orld and [{A}LL] her fadi{N}g sweets:
Bu{T} I [FOR]bid th{E}e [ONE] most h{A}inous crime,
.
O carue not wi{T|H] thy ho{W|e]rs my l{O|V]es fair[E] brow,
No[R] draw no[E] lines there with thine antique pen,
Him in thy course vntainted doe allow,
For beauties patterne to succeding men.
.
. Yet doe thy worst ould Time dispight thy wrong,
. My love shall in my verse *EVER (liv)E YOUNG*.
..................................................
. . . . <= 10 =>
.
. .A n. .d. d .o w h .a t e
. .r e. (t) h .o u w .i l[T
. (S)W. .I. F .T]f o .o(t)e
. .d t. .i. m .e T(o) t h e
. .w i. {D} e (w)o r. l d a
. .n d [{A} L .L]h e. r f a
. .d i. {N} g .s w e. e t s:
. .B u. {T} I [F O R] b i d
. .t h. {E} e [O N E] m o s
. .t h. {A} i. n o u .s c r
. .i m . e,
.
{DANTE A.} 10
.............................................
. <= 7 =>
.
. O c a r u e n
. o t w i {T}[H] t
. h y h o {W}[e] r
. s m y l {O}[V] e
. s f a i r. [E] b
. r o w,N o. [R] d
. r a w n o. [E] l
. i n e s t. .h. e
. r e
.
[He.VERE] 7
-------------------------------------------------------------------
https://tinyurl.com/yczlkh29

“The {TWO} Most Noble Henries” – [He]nry de [VERE] & Henry Wriothesley
. No. 89 of 100 Reasons why the 17th Earl of Oxford was “Shakespeare”
....................................................................
. https://en.wikipedia.org/wiki/Henry_de_Vere,_18th_Earl_of_Oxford

[He.] de [VERE], 18th Earl of Oxford KB (24 Feb. 1593 – June 1625)
-------------------------------------------------------
“Origins of the Pen Name ‘William Shakespeare’” by Katherine Chiljan
https://www.youtube.com/watch?v=ezk1B-airWI
............................................................
The IMAGE OF *PALLAS* ATHENA on the Title-Page of Bacon's 1641
Wisdom of the Ancients: http://www.sirbacon.org/sagessemysterie.htm

On *PALLAS*'s shield is *OBSCURIS VERA INVOLVENS* meaning
*TRUTH is enveloped in obscurity* from Virgil's Aeneid (VI, 100).

. . I find it curious that:
. . *OBSCURIS VERA INVOLVEN{s}*
. . . is an anagram for:
. .*BACONVS/VERO NIL VERIUS {s}*

. much as: *VERO NIL VERIU{s}* is a near anagram
. . . for: *OUR EVER LIVIN{g}*
(from John Michell's _Who Wrote Shakespeare?_)
---------------------------------------------------
. Julius Caesar : Act I, scene II
.
Cassi. Why man, he doth bestride the narrow world
. Like a Colossus, and we petty men
. Walke vnder his huge legges, and peepe about
. To finde our selues dishonourable Graues.
. Men at sometime, are *MASTERS of their FATES*.
. The fault (deere Brutus) is not in our Starres,
. But in our Selues, that we are vnderlings.
. Brutus and Caesar: What should be in that Caesar?
. Why should that name be sounded more then yours .
. Write them together: Yours, is as faire a Name:
. Sound them, it doth become the mouth aswell:
. Weigh them, it is as heauy: Coniure with 'em,
. Brutus will start a Spirit as soone as Caesar.
.
. [Now in the na{M}es of all the Gods] at once,
. Vpon what [M]eate doth this our Caesar feede,
. Th[A]t he is growne so great? Age, thou art [S]ham'd.
. Rome, thou hast lost the breed [O]f Noble Bloods.
. When went there by a[N] Age, since the great Flood,
. But it wa[S] fam'd with more then with one man?
.
. When could they say (till now) that talk'd of Rome,
. That her wide Walkes incompast but one man?
. Now is it Rome indeed, and Roome enough
. When there is in it but one onely man.
. O! you and I, haue heard our Fathers say,
. There was a Brutus once, that would haue brook'd
. Th'eternall Diuell to keepe his State in Rome,
. As easily as a King.
................................................
. . . . . . . <= 29 =>
.
. [Now in the na {M} es of all the Gods] aton
. .ceV po nwh at [M] ea te dot hth isou .rCae
. .sar fe ede Th [A] th ei sgr own esog .reat
. .Age th oua rt [S] ha md Rom eth ouha .stlo
. .stt he bre ed [O] fN ob leB loo dsWh .enwe
. .ntt he reb ya [N] Ag es inc eth egre .atFl
. .ood Bu tit wa [S] fa md wit hmo reth .enwi
. .tho ne man?
.
(M)[MASONS] 29 : Prob. in soliloquy ~ 1 in 19,000
..................................................
Bru. That you do loue me, I am nothing iealous:
. What you would worke me too, I haue some ayme:
. How I haue thought of this, and of these times
. I shall recount heereafter. For this present,
. I would not so (with loue I might intreat you)
. Be any further moou'd: What you haue said,
. I will consider: what you haue to say
. I will with patience heare, and finde a time
. Both meete to heare, and answer such high things.
. Till then, my Noble Friend, chew vpon this:
. Brutus had rather be a Villager,
. Then to repute himselfe a Sonne of Rome
. Vnder these hard Conditions, as this time
. Is like to lay vpon vs.
.
Cassi. I am glad that my weake words
. Haue strucke but thus much shew of fire from Brutus.
.
. . . Enter Caesar and his Traine.
.
Bru. The Games are done, And Caesar is returning.
.
Cassi. As they passe by,
. Plucke Caska by the Sleeue,
. And he will (after his sowre fashion) tell you
. What hath proceeded worthy note to day.
.
Bru. I will do so: but looke you Cassius,
. The angry spot doth glow on Caesars brow,
. And all the rest, looke like a chidden Traine;
. Calphurnia's Cheeke is pale, and Cicero
. Lookes with such Ferret, and such fiery eyes
. As we haue seene him in the Capitoll
. Being crost in Conference, by some Senators.
.
Cassi. Caska will tell vs what the matter is.
.
Caes. Antonio.
.
Ant. Caesar.
.
Caes. Let me haue men about me, that are fat,
. Sleeke-headed men, and such as sleepe a-nights:
. Yond Cassius has a leane and hungry looke,
. He thinkes too much: such men are dangerous.
.
Ant. Feare him not Caesar, he's not dangerous,
. He is a Noble Roman, and well giuen.
.
Caesar: Would he were fatter; But I feare him not:
. Yet if my name were lyable to feare,
. I do not know the man I should avoyd
. So soone as that spare Cassius. He reades much,
. He is a great Observer, and he lookes
. Quite through the Deeds of men. He loves no Playes,
. As thou dost Antony: he heares no Musicke;
. Seldome h[E] smiles, and smiles in such a sort
. As if he mock'[D] himselfe, and scorn'd his spirit
. That could b[E] mov'd to smile at any thing.
. Such men as he, be ne[V]er at hearts ease,
. Whiles they behold a great[E]r then themselves,
. And therefore are they ve[R]y dangerous.
. I rather tell thee what is to be f[E]ar'd,
. Then what I feare: for alwayes {I am *CAESAR*}.
. Come on my right hand, for *this EARe is DEAFe*,
. And tell me TRUEly, what thou think'st of him.
................................................
. . . . . . <= 37 =>
.
. . S el domeh [E] smi lesandsmilesinsuchas ortA
. s i fh emock [D] him selfeandscorndhisspi ritT
. h a tc ouldb [E] mou dtosmileatanythingSu chme
. n a sh ebene [V] era theartseaseWhilesthe ybeh
. o l da great [E] rth enthemseluesAndthere fore
. a r et heyve [R] yda ngerousIrathertellth eewh
. a t is tobef [E] ard ThenwhatIfeareforalw ayes
.{I a m *CAESAR*}[Come]onmyrighthandforthis*EARe
. i s D .EAFe*
.
[E.DEVERE] 37 : Prob. in dialogue ~ 1 in 3,250
----------------------------------------------------------
<< Many times he fell into those things [that] could not
escape laughter, as when he said in the person of *CAESAR*,
one speaking to him, "*CAESAR* thou dost me wrong".

He replied, "[CAESAR NEVER DID WR]ong, but with just cause",

and such like, which were ridiculous.>> -- Ben Jonson
.........................................................
. . [CAESAR NEVER DID WR]ong
. . [EDWARD VERE CAIRNS]
---------------------------------------------------------
(1603) Francis Davison’s
Anagrammata in Nomina Illustrissimorum Heroum
.............................................
http://www.philological.bham.ac.uk/anagrams/text.html
.
____ *EDOUDARUS V(e)IERUS*
_____ per anagramma
____ *AURE SURDUS VIDEO*
...................................
_ *DEAFe IN MY EARe, I SEE*
.
Though by your zeal, FORTUNE, you keep perfidy's
murmurs & schemings at a distance, nonetheless I learn
(at which my mind & ear *QUAKE*) that our bodies have
been deafened with respect to evil affairs. Indeed,
I perceive men who come close to *CATILINE* in deception,
freeing other men's *FATES* by their death.
.
¶ *CATILINE* was the rabble-rouser suppressed by *CICERO*.
His name became a watchword for incendiary troublemakers.>>
-------------------------------------------------------------
. Monstrous Adversary by Alan H. Nelson (p.206)
.
<<Oxford claimed...to have made 'certaiyne excellent oracions'
at Venice, Padua, and Bologna, so that he was 'reputed for his
eloquence another *CICERO* and for his conducke a *CEASER*.'>>
--------------------------------------------------------------
https://en.wikipedia.org/wiki/Philippicae

<<The Philippics are a series of 14 speeches Cicero gave condemning
Mark Antony in 44 & 43 BC. Cicero likened these speeches to those
of Demosthenes' Philippic (Ad Atticus, 2.1.3), which Demosthenes
had delivered against Philip of Macedon. Cicero's Second Philippic
is styled after Demosthenes' De Corona ('On the Crown').>>
------------------------------------------------------
Art Neuendorffer