Hi,
Terry Duell schrieb am 08.11.13 04:07:
>> Hi, i�m working on a workflow to take my Canon raw files to TIFF and
>> then into align_image_stack, and enfuse.
>>
>> Raw Photo Processor offers: Lab TIFF 16-bit, RGB TIFF 16-bit
>> (BetaRGB), RGB TIFF 16-bit (L*), or (L*, perceptual), (ECI-RGB),
>> (sRGB), (-studio swing), and Raw RGB TIFF 16-bit. It has other 8-bit
>> and 32-bit formats but my camera uses a 14-bit ADC so I plan to use
>> 16-bit TIFF.
>>
>> Which of that plethora of options would be best for the hugin parts of
>> this workflow?
>
> In the absence of any other response, I'll offer a less than expert
> opinion.
> I think as a general rule, hugin passes on the input profile. There was
> some discussion a couple of years ago as to what would happen if
> different images had different profiles, and I think the profile from
> the first image was passed on.
> Regarding enfuse, it seems that if there is no profile, sRGB is assumed.
> I am not sure, but guess that an input profile is passed on.
> I would also guess that align_image_stack would mimic the general hugin
> behaviour...I haven't found anything that says one way or another.
> Looking at the notes accompanying DCRaw (a respected raw file
> converter), it defaults to sRGB.
> So, I would reckon sRGB would be a safe choice.
> Having said that, those that know better can now correct me :-)
I usually use sRGB only for output on unknown printers and displays.
It's the minimal (standard) color space that can be displayed in
browsers on calibrated or not so calibrated systems.
As a working space for editing and also archival purposes a color space
with a wider gamut is usually recommended. Is your system calibrated,
which profiles are available in your system / workflow? This is usually
a can of worms when you start diving into this topic.
An overview is maybe
http://en.wikipedia.org/wiki/Color_management
Check out the "Getting Started" tab on
http://www.color.org/
In Raw Photo Processor ("RPP", a "Mac only" application) I usually
default to ECI-RGB when I'm heading for CMYK print output. Here is more
information about that profile:
http://www.eci.org/en/colourstandards/workingcolorspaces
If I remember correctly RPP's own choice is BetaRGB, see also
http://pavelkosenko.wordpress.com/2012/05/24/rpp-for-begginers/
Also read the "RPP User Manual" PDF (page 11) that comes with your
latest version of RPP. There you find a link to
http://brucelindbloom.com/index.html?BetaRGB.html
If you use Photoshop CS6 (or CC) also try the built-in raw converter.
Cheers,
Carl