Hi, Stephen. I took a crack at your pano, see my comments below:
On Fri, Jun 02, 2017 at 03:00:25PM -0700, 'Stephen Hartley' via hugin and other free panoramic software wrote:
> Total newbie question here, thanks in advance for any tips on how to
> improve my first hugin stitch. Taken using a tripod and rotating ball
> head, with standard rectilinear lens. No effort was made to rotate around
> the no-parallax point, I don't know how significant this is for my pano?
It will matter for the fence, since that gets pretty close to the
camera. In general, the closer something is to the lens, the more
parallax effect you get.
> Source jpegs:
>
> 1 <
https://www.dropbox.com/s/1aj7359lu3qnmj1/DSC_8657.jpg?dl=0>
> 2 <
https://www.dropbox.com/s/wo367hzqfuzxnem/DSC_8659.jpg?dl=0>
> 3 <
https://www.dropbox.com/s/sevisohruvnlh2w/DSC_8662.jpg?dl=0>
> 4 <
https://www.dropbox.com/s/r86z7if5dtfw20b/DSC_8668.jpg?dl=0>
> 5 <
https://www.dropbox.com/s/12qxrfxxpcrgl46/DSC_8672.jpg?dl=0>
One of the images in the .pto seems to be missing from this list.
> Stitched with Hugin 2016.2.0.be8da0221960 on Mac.
>
> Spent a day experimenting with hugin, and this is my best result: output
> <
https://www.dropbox.com/s/uxfehujkyso1pbm/output6.jpg?dl=0> using this pto
> project file. <
https://www.dropbox.com/s/cna8l2k429qp0ao/output.pto?dl=0>
>
>
> Could anyone more experienced give me some pointers on how to fix the
> following:
>
> 1. Horizon line, particularly at the top of the sea - I added a
> horizontal line but this has caused the whole image to slant towards the
> left.
I tend to prefer using vertical lines. Take things like lightpoles, and
add a few vertical lines spaced out across the pano. The horizontal line
of the land-water horizon is also useful. I added one horizontal line
and three vertical lines, which worked pretty well.
> 2. Areas of yellow paving have curved edges. Again, these should be
> horizontal, I added a horizontal line, but this does not seem to have had
> the desired effect - the edges should be parallel to the horizontal edges
> (top and bottom) of the image.
That is due to the projection you're using. If preserving straight lines
is important, try a different projection, like Panini.
> 3. Four noticeable stitching artefacts: two on the grey railings (fence)
> in front of the black car, one on the bicycle path, immediately to the left
> of the painting of the bicycle wheel, and again on the sea horizon line,
> quite a bump about a quarter of the way into the image from the left edge.
> I struggled to add more manual control points for the sea joint and wonder
> if this might be causing the problem, if so, any known workaround?
I masked out the fence from the first picture, since it's causing the
most parallax. I also dropped all control points that were in that
region of that photo. Try to favor control points on farther-away
objects when you have parallax issues.
Also make sure to remove control points on clouds / moving objects.
Once all your control points and masks are in order, you can change the
optimizer to calculate view and distortion as well. Under the photos
tab, start stepping down the geometric optimizations dropdown. Do each
in sequence, checking on the pano each time you optimize (make sure
nothing explodes). Stop at "Everything without translation".
I also duplicated the farthest-right image, and masked the sky in one
and the land in the other. Then I added control points only to those
regions. This will allow the blender to find a seam in the pebbles of
the beach, where it's less likely to cause a visible artifact.
I also ran the photometric optimization to correct some of the color
variations in the images. Even with all the settings on manual, the
camera's RAW to JPG conversion introduces some variations in the color
between the images. I noticed this mostly in the blacktop of the road.
Here's what I managed to come up with after playing with this for about
half an hour:
http://seangreenslade.com/tmp/output.jpg
And here's the PTO:
http://seangreenslade.com/tmp/output.pto
Let me know if you have any questions.
--Sean