Two Moons Song Download Mp3

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<div>"Many Moons" is a 2008 song by American singer Janelle Monáe, included on the Metropolis: Suite I (The Chase) album. It was number 47 on Rolling Stone's list of the 100 Best Songs of 2008.[1] The song was also nominated for Best Urban/Alternative Performance at the 51st Grammy Awards. The song's opening section, which involves a refrain of "voodoo," borrows both musically and lyrically from the "Pinball Number Count" song from Sesame Street, which was performed by The Pointer Sisters.</div><div></div><div></div><div></div><div></div><div></div><div>two moons song download mp3</div><div></div><div>DOWNLOAD: https://t.co/kttlmj5SVa </div><div></div><div></div><div>The song received a positive critical reception. Random JPop wrote "'Many Moons' follows in the footsteps of 'Violet Stars Happy Hunting' by marrying 60's swing with hip-hop undertones ... This sounds very much like an OutKast song - with an unconventional beat that seems hard to catch in places, but sticks a couple of minutes in. The song oozes originality and Janelle's operatic runs are hot. So many different genres and styles get fused into this song, yet they all unify so well."[4]</div><div></div><div></div><div>The Moons Song written by Olivia FernI went for a walk under the moon and I asked her for a song, to guide me on, through the darkness, through the darkness... The darkness of my fears, when all else disappearsOh, the darkness of self doubt, will burn out all your lightness, all your lightness... So let go of the shadow of shame and blame, praise and gain, you are more. Oh just be who you are. And she sang: Child, be unafraid to shine, be bold and bright reflecting the light. Child, be unafraid to shine, be bold and bright reflecting the light.</div><div></div><div></div><div>Shepherd Moons is the third studio album by Irish singer, songwriter and musician Enya, released on 4 November 1991 by WEA. After the unexpected critical and commercial success of her previous album Watermark (1988), Enya embarked on a worldwide promotional tour to support it. At its conclusion, she wrote and rehearsed new material for her next album with her long time recording partners, manager, arranger and producer Nicky Ryan and his wife, lyricist Roma Ryan. The album was recorded in Ireland and London and continued to display Enya's sound of multi-tracked vocals with keyboards and elements of Celtic and new-age music.</div><div></div><div></div><div>When the process got underway, she was able to forget about the success of Watermark and start again. She added, "It felt like Watermark was a dream. It felt like it hadn't happened. And in a way it's nice because you can concentrate only on the music. You can forget about charts, how much you sold. You forget that."[7] As with all her albums, Enya considered a strong melody as a fundamental part to her songwriting.[8] Only when she has pieced one together, usually with vocal ideas or with piano accompaniment, does she then build a song around it.[9] As with Watermark, Enya sings Irish, her first language, English, and Latin.[10] Her Catholic upbringing and childhood experiences of hymns and church music, coupled with later studies in classical music, were big influences that helped form her albums.[9] She gained inspiration from several sources and stories, including her personal diaries and her grandparents.[7] Two tracks on Shepherd Moons are traditional songs that Enya rearranged with Nicky.[5] Initially, Enya felt worried that by recording non-original songs, she would be unable to perform them with the same amount of emotion as she might with her own compositions, though her strong feelings towards them coupled with their age, made recording them easier.[4]</div><div></div><div></div><div>As with Watermark, the album title opens with an instrumental title track with wordless vocals. Its title, devised by Roma, refers to two inner satellite moons around Saturn discovered in 1980, Pandora and Prometheus,[13] that "protect and preserve the rings very much like a shepherd guiding his flock". Enya also liked the title as the association with the moon "is quite romantic".[9]</div><div></div><div></div><div>"Caribbean Blue" is a waltz that depicts a journey through a fantasy world. It was named by Roma Ryan, as the melody that Enya had come up with reminded her of the Caribbean.[7] In writing about the song in 2002, Roma wrote: "As with all dreams we reach for the ideal and "Caribbean Blue" represents such a dream. The lyrics can be summed up in three words, Believe in yourself."[13]</div><div></div><div></div><div></div><div></div><div></div><div></div><div>Enya believed "How Can I Keep from Singing?" was a traditional Christian hymn from the Shaker sect. She chose to record her own rendition of it as she liked its melody and "very strong" lyrics. She added, "They talked about the trouble in the world, the strife, the turmoil, but at the end of each verse it simply said "how can I keep from singing?" ... I believe this in music ... at some stage you've got to try and forget the trouble that is around you".[4]Enya and her record company were sued for copyright infringement by Sanga Music, Inc. for recording the song because she had mistakenly credited this track as a "traditional Shaker hymn", thus assumed it as public domain. Pete Seeger had helped make the song fairly well known in the 1950s by publishing it with Doris Plenn's additional third verse in his folk music magazine Sing Out! (Vol. 7, No 1. 1957), recording it, and mistakenly credited it as a "traditional Quaker hymn" without copyrighting Plenn's verse, thus presenting the entire song as "public domain". It was again published by Sanga Music, Inc. in 1964. Seeger had presented the new verse as being public domain and Plenn had only wanted the song to be preserved rather than seeking to make a profit from it, so the court decided that Enya could use the verse without paying royalties.[14]</div><div></div><div></div><div>"Ebudæ" is an ancient name of the Hebrides islands in western Scotland. The word was previously referenced in "Orinoco Flow", specifically in the lyric "From the north to the south, Ebudae into Khartoum". The song is composed of wordless mouth sounds that resemble Irish and Scottish Gaelic. Its story was inspired by the tradition of Scottish waulking songs sung by women as they fulled cloth.[15]</div><div></div><div></div><div>Enya drew inspiration for "Book of Days" from her own personal diary, something which Roma suggested as she knew Enya enjoyed keeping one. The song was adapted from its original form as an instrumental track for the soundtrack to the 1992 romantic film Far and Away, with Roma writing a set of lyrics based on the film's themes.[13] The song features Irish lyrics that describe the excitement of writing in the diary in the morning, "because you don't really know what's going to happen ... it's the expectation of that day really that she was talking about".[a][7]</div><div></div><div></div><div>"Evacuee" was written after she and Roma had seen a BBC documentary about a child evacuated from London during World War II and her subsequent reunion with her parents. A girl who was crying while recounting the story of her separation from, and return to, her home had moved them greatly. After Enya had written a melody for the song, the two imagined the scenario of the girl saying goodbye at the train station, "waiting until it's all over".[7][10]</div><div></div><div></div><div>The album's second traditional song, "Marble Halls", is an aria from the 1843 opera The Bohemian Girl by Irish composer Michael William Balfe.[10][13] Enya felt a sense of challenge when she recorded the latter as it had only been previously sung in an opera setting.[4] For Nicky, it was necessary to incorporate reverb in the song as its title suggested to him that the listener should feel as if they are within a hall itself.[15]</div><div></div><div></div><div>"Smaointe...", roughly translated from Irish as "Thoughts...", was originally released as a B-side to the 7" single of "Orinoco Flow" as "Smaoitím... (D' Aodh Agus Do Mháire Uí Dhúgain)", released in 1988. The song refers to the story of a large tidal wave destroying the church, and everyone inside, at Magheragallon Beach in Gweedore, where Enya's grandparents are buried. The theme of loss, something that Enya depicted in Watermark and Shepherd Moons, stemmed from her leaving home at age eleven to attend a strict boarding school, which she described as "devastating".[10]</div><div></div><div></div><div>At first glance, you might think 5 Moons 'only' has five tracks. But once you bounce down those five tracks to the first track of a new song, you'll have 4 more tracks to add to it! </div><div></div><div></div><div></div><div>Once those four new tracks have audio, bounce down again and you'll have another four new more tracks to play with! ...and on and on until your masterpiece is complete. </div><div></div><div></div><div></div><div></div><div>The USB-C port is used for both power and data transfer. Connect to your computer and copy your recordings for posterity and/or additional editing.</div><div></div><div></div><div></div><div>You can also copy existing audio files onto 5 Moons. Use these files as the beginnings of new songs or use 5 Moons' interface as a way to reenvision and remix your prior tracks! </div><div></div><div></div><div></div><div></div><div>Cowgirl pointed out that a moon-thread could be fun--Neil *is* kinda </div><div></div><div>occupied with moons. I let my PC do a search in its NY song files, and found </div><div></div><div>26 different moon songs. Amazing. </div><div></div><div>Not only intriguing that Neil mentions the moon so much, what's even more </div><div></div><div>intriguing is the way there might be links within Neil's use of this word.</div><div></div><div></div><div>Someone asked for an explanation of the moon-symbolism within Neil's songs. </div><div></div><div>I've sure been wondering about that myself. Though to me, it seems that </div><div></div><div>when NY mentions the moon it often either emphasizes the darker or </div><div></div><div>introspective sides of the personality -- or it seems to pertain to aspects </div><div></div><div>of femininity -- or both. ;-) </div><div></div><div>But that's not exactly a new thought, in myths and folklore our Silver Luna </div><div></div><div>has probably had very profound meanings within this range ever since </div><div></div><div>prehistoric times. :-) </div><div></div><div></div><div></div><div></div><div>For those who perhaps want to see a list of NY moon-songs: </div><div></div><div></div><div></div><div>After The Goldrush: I was lyin' in a burned out basement With the full moon </div><div></div><div> in my eyes. </div><div></div><div>Amber Jean: Every morning got sun to shine Every day got plenty of time </div><div></div><div> Every night there's a moon so fine There for you, my Amber Jean. </div><div></div><div>Berlin: Lights are shining in the German sky Cosmic walls between the </div><div></div><div> moon and I Don't know where I started from </div><div></div><div>Big Green Country: Across the plain flew the lone grey rider Leather bag </div><div></div><div> pounding on his back Above the clouds the moon was climbing higher ... </div><div></div><div>Cinnamon Girl: A dreamer of pictures, I run in the night, You see us </div><div></div><div> together, chasing the moonlight.. </div><div></div><div>Coastline: Oooweee, baby, what a night That old moon sure is shinin' bright </div><div></div><div> We'll be dancin' 'til the mornin' comes </div><div></div><div>Come On Baby Let's Go Down Town: Sure enough, they'll be sellin' stuff </div><div></div><div> When the moon begins to rise. Pretty bad when you're dealin' with the man, </div><div></div><div> And the light shines in your eyes. [Chorus] Snaky eyes, French fries, </div><div></div><div> and I got lots of gas. Full moon and a jumpin' tune, now you don't have to </div><div></div><div>Don't Let It Bring You Down: Old man lying by the side of the road With the </div><div></div><div> lorries rolling by, Blue moon sinking from the weight of the load... </div><div></div><div>Give Me Strength: I'm riding down swept road in my old car The moon is </div><div></div><div> almost full except for stars. </div><div></div><div>Harvest Moon: But there's a full moon risin' Let's go dancing in the light </div><div></div><div> We know where the music's playin' Let's go out and feel the night.. </div><div></div><div>Hawaiian Sunrise: Pretty Maui Mama Lying over the water With my moon in </div><div></div><div> your eyes From my hotel window in the clouds I love you right out loud.. </div><div></div><div>Helpless: Blue, blue windows behind the stars, Yellow moon on the rise, </div><div></div><div> Big birds flying across the sky, Throwing shadows on our eyes. </div><div></div><div>I'm The Ocean: On the long plain See the rider in the night See the </div><div></div><div> chieftain See the braves in cool moonlight Who will love them... </div><div></div><div>Let It Shine: There's a moon roof over my head, my Lord And my Lincoln is </div><div></div><div> still the best thing built by Ford Let it roll, let it roll although... </div><div></div><div>Like a hurricane: Far across the moonbeam I know that's who you are, </div><div></div><div> I saw your brown eyes Turning once to fire. </div><div></div><div>Opera Star: Well you grew up on a corner And you never missed a moonlit </div><div></div><div> night. </div><div></div><div>Over And Over: At night when the sky is clear and the moon is shining down </div><div></div><div> My heart goes running back to you </div><div></div><div>Sail Away: As long as we can sail away There'll be wind in the canyon </div><div></div><div> Moon on the rise As long as we can sail away </div><div></div><div>Southern Pacific: Roll on Southern Pacific On your silver rails Through </div><div></div><div> the moonlight </div><div></div><div>Sweet Joni: Sweet Joni from Saskatoon There's a ring for your finger </div><div></div><div> It shines like the sun But it feels like the moon. </div><div></div><div>The Old Country Waltz: Out the window the moon shines On the roofs of the </div><div></div><div> cars While I knock down tequila and salt, oh. </div><div></div><div>The Old Homestead: Up and down the old homestead The naked rider gallops </div><div></div><div> through his head And although the moon isn't full He still feels the pull </div><div></div><div> (...) And the sky was darkened by a prehistoric bird Who flew between the </div><div></div><div> unfulfilled moon And the naked rider... </div><div></div><div>This Old House: Later, we came back in the moonlight And made love right </div><div></div><div> where the kitchen is </div><div></div><div>Thrasher: They were hiding behind hay bales, they were planting in the full </div><div></div><div> moon They had given all they had for something new </div><div></div><div>Time Fades Away: All night sentries watch the moonglow All are waiting till </div><div></div><div> the time is right </div><div></div><div>Train Of Love: Sail along, sail along silver moon Don't be blue Throw </div><div></div><div> shadows in my room... </div><div></div><div></div><div></div><div> df19127ead</div>