After coming in contact with radioactive waste, small-time crook Enzo Ceccotti gains super-strength. A misanthropic, introverted brute, he uses his new powers for personal gain until he meets Alessia, a mentally ill girl who believes Enzo is the hero from her favorite anime Steel Jeeg.
Courageous debut for Mainetti, who has chosen a genre unfamiliar to Italian cinema. Due to budget limitations, focusing on characters and environment was the only route to take, and that was managed pretty well, adapting the classic superhero movies plot to Italy (specifically Rome) background: there aren't people who want to save or conquer the world, just people that struggle to go on living among criminals and Camorra bosses. Filthy Tevere river, filthy rooms and filthy souls. All the main characters live at the margin of society, a society that refuses them and doesn't give a chance to change their condition. Enzo is a low grade thief who has lost all hopes on society and on its own life, living day to day with no ambitions, eating yogurt and watching porn movies, and uses the superpowers casually granted to him just to repeat his habits over and over. Alessia is a girl with a mental disorder who escapes reality by continuously watching the Jeeg Robot anime and relating everything to it. Zingaro (the Gypsy) is trying to find his place on the world (Rome) by achieving fame, failing with usual ephemeral means through TV shows, and now trying to be the most known and feared criminal (again, in Rome). "Normal" people seem to live in another universe, behind a one way mirror: Enzo watches and despises them, while they pretend not to see him and , in general, the horrors of the world. This situation is interrupted only by terrorist attacks, that recall those that in Italy are called Years of Lead, and later by Enzo's switch towards "good". It's really amazing the constant tie to reality that the movie has, despite the superpowers: common streets, common people, common criminals and common situations (the first good action of Enzo is saving a little girl involved in a car accident). Good acting for the 3 main roles: Santamaria and Pastorelli (i was surprised by her, since she came from Italian Big Brother reality show, i had my doubts) did a great work, Marinelli shines in his villain role. Solid direction from Mainetti with a couple scenes i personally liked: Zingaro assault on Camorra clan and the scenes on Enzo's house where Jeeg was screened on the wall. Soundtrack consists mostly of years '80 Italian pop music, and i find it fitting. Script is where the movie has some weaknesses, the plot is too straightforward (but as i said before, that's most likely a choice), and the final confrontation didn't convince me. Interesting references to other movies, even Kill Bill, and of course the Jeeg anime. As a side note, since Mainetti knows well Japan animes as they inspired some of his previous works, i wonder if that's the same for Japanese new wave directors. I noticed some similarities with Sion Sono's themes: dysfunctional families, psychological and physical abuses, violence as a mean of self-awareness, technology amplifying or leading to delusions and solitude. If that's the case, that's for sure a great addition. Once, something considered impossible happened: Italy mastered and created his own Western genre, passing through Japan. I don't know if this will happen with superheroes, but this movie surely marks a good starting point.
An superhero iteration from Italian cinema, THEY CALL ME JEEG is director debut from Gabriele Mainetti. Our reluctant hero is a small-time criminal Enzo (Santamaria), who gains superhuman strength after falling into a barrel of radioactive waste in the Tiber river when chased by police in the snappy opening sequence.
The story might be transposed to a new location, Rome's seedy outskirt where criminal act runs rampant, yet the narrative structure is more or less commonplace like its many a predecessor, Enzo must adhere to the same road-to-redemption drill to voluntarily take on his responsibility of helping those who are in extremis, although the first thing occurring to Enzo's mind is to rob an ATM machine once he has realized what he is capable of doing. (Btw, ATM machine will automatically deface the notes with ink once it is opened by force, everyday, you live and learn!)
It is interesting to posit Enzo as a misanthropic deadbeat, feeding off from pornography and self- loathing, so he needs a conduit to lead him to wear that mask and cape, and here comes Alessia (Pastorelli, a screen debutante), the mentally impaired girl living downstairs with her father Sergio (Ambrogi), she is possessed with the popular Japanese manga STEEL JEEG and insists that Enzo is the incarnation of its hero Hiroshi Shiba. A dissonance occurs when we realize Enzo and Sergio are acquaintance-in-crimes, yet, the way the film introduces Enzo to Alessia gives us the impression that they just know each other for the first time. When Sergio is dispatched by a drug mule, the story predictably binds Enzo and Alessia together, and piles on woeful back-stories to the damsel- in-distress in order to attain sympathy, both from Enzo and audience,the result is 50/50.
The problem is that Alessia, played with verve by Pastorelli nonetheless, vacillates in her personalities at the convenience of the plot, she appears to be obtuse enough to bury herself in her infantile fantasy (all she wants is a princess dress) so as not to question the fount of Enzo's superpower and just play along, in other occasions, lucid enough to invigorate Enzo's sense of justice and affection, not to mention gallantly stabbing her kidnapper at a critical moment. So what is the real deal of her? We would never get a full picture since she has one last mission to perform - a dramatic exit to kick-start our hero's conscience.
The chief villain here is Zingaro aka. the Gypsy, a crazed psychopath play by Marinelli, the alumnus from Saverio Costanzo's THE SOLITUDE OF PRIME NUMBERS (2010), with unbridled bravado, to counter Enzo's more muted personality. Taking reference from today's spiked fame from YouTube and reality show, the Gypsy has a maniacal hunger for fame,and blatantly takes a leaf out of the Joker's book, the pomp of wanton volatility and cartoonish grandstanding is duly underlay, only to be undermined in the eleventh hour by the much hyped blast, betrays that the movie's budget runs out quickly. Also, it is hardly not to notice, theoretically, our hero's nemesis could fall upon the shoulders of the equally cold-blooded alpha gangster Nunzia (Truppo), but as often as not, there is still no room for women to break that glass ceiling as far as superhero fares are concerned.
At any rate, THEY CALL ME JEEG is to say the least, a competent genre piece, might not be innovative as we wanted it to be, yet, it at least plays up the pipe dream from a worm's eye-view, an ordinary type who is endowed with something extraordinary, still gets a rueful sigh when he finds out the rehabilitation of a chopped pinkie toe is just his wishful thinking.
A thief got super power by some chemical and he starts to save people after his girl friend advice..then few gangsters chase him for possession smuggling goods and one of the goon want to know how he get those power...at one stage that goon also got power and he starts to planting yhe bomb in statium to kill huge people...but our super hero save people from him..Good super hero and thriller movie..Worth watchable..!!
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So this was handed in to me not that long after the official Kuuga subs dropped like 15 months ago so I decided to sit on it to give the official subs less competition and let more people experience them so as to not steal their thunder. Then I just kinda forgot lol. I have the script around here somewhere and will try to get to it.
Someone finally uploaded DVD9 ISOs to nyaa a couple months back, which got this ball rolling again. Bunny Hat has very graciously agreed to encode the DVDs and she will be dropping a batch torrent of these raws *THIS WEEK*. We will be applying our old subs to these new raws and making a final batch torrent as soon as physically possible. Please bear with us.
So Shout has decided to have the Grongi language translated from the get go. Does this spoil important plot information? Yes, without question. But is this a huge deal breaker that completely breaks the show? No, absolutely not.
Since this is the last episode of a series that has taken years to release, I asked (or attempted to anyway) pretty much every person who was involved in this project if they'd like to say a few words regarding their thoughts on this series and working on it. So without further ado:
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