The Darkest Hour Bbc Iplayer

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Oliverio Gallman

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Aug 3, 2024, 3:06:32 PM8/3/24

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The British Broadcasting Corporation (BBC) is a British public service broadcaster headquartered at Broadcasting House in London, England. Originally established in 1922 as the British Broadcasting Company, it evolved into its current state with its current name on New Year's Day 1927. The oldest and largest local and global broadcaster by stature and by number of employees, the BBC employs over 21,000 staff in total, of whom approximately 17,900 are in public-sector broadcasting.[3][4][5][6][7]

The BBC was established under a royal charter,[8] and operates under an agreement with the Secretary of State for Culture, Media and Sport.[9] Its work is funded principally by an annual television licence fee[10] which is charged to all British households, companies, and organisations using any type of equipment to receive or record live television broadcasts or to use the BBC's streaming service, iPlayer.[11] The fee is set by the British Government, agreed by Parliament,[12] and is used to fund the BBC's radio, TV, and online services covering the nations and regions of the UK. Since 1 April 2014, it has also funded the BBC World Service (launched in 1932 as the BBC Empire Service), which broadcasts in 28 languages and provides comprehensive TV, radio, and online services in Arabic and Persian.

Some of the BBC's revenue comes from its commercial subsidiary BBC Studios (formerly BBC Worldwide), which sells BBC programmes and services internationally and also distributes the BBC's international 24-hour English-language news services BBC News, and from BBC.com, provided by BBC Global News Ltd.[13][14] In 2009, the company was awarded the Queen's Award for Enterprise in recognition of its international achievements in business.[15]

The crisis placed the BBC in a delicate position. On the one hand Reith was acutely aware that the government might exercise its right to commandeer the BBC at any time as a mouthpiece of the government if the BBC were to step out of line, but on the other he was anxious to maintain public trust by appearing to be acting independently. The government was divided on how to handle the BBC, but ended up trusting Reith, whose opposition to the strike mirrored the PM's own. Although Winston Churchill in particular wanted to commandeer the BBC to use it "to the best possible advantage", Reith wrote that Stanley Baldwin's government wanted to be able to say "that they did not commandeer [the BBC], but they know that they can trust us not to be really impartial".[26] Thus the BBC was granted sufficient leeway to pursue the government's objectives largely in a manner of its own choosing. The resulting coverage of both striker and government viewpoints impressed millions of listeners who were unaware that the PM had broadcast to the nation from Reith's home, using one of Reith's soundbites inserted at the last moment,[clarification needed] or that the BBC had banned broadcasts from the Labour Party and delayed a peace appeal by the Archbishop of Canterbury. Supporters of the strike nicknamed the BBC the BFC for British Falsehood Company. Reith personally announced the end of the strike which he marked by reciting from Blake's "Jerusalem" signifying that England had been saved.[27]

British radio audiences had little choice apart from the upscale programming of the BBC. Reith, an intensely moralistic executive, was in full charge. His goal was to broadcast "All that is best in every department of human knowledge, endeavour and achievement.... The preservation of a high moral tone is obviously of paramount importance."[31] Reith succeeded in building a high wall against an American-style free-for-all in radio in which the goal was to attract the largest audiences and thereby secure the greatest advertising revenue. There was no paid advertising on the BBC; all the revenue came from a tax on receiving sets. Highbrow audiences, however, greatly enjoyed it.[32] At a time when American, Australian and Canadian stations were drawing huge audiences cheering for their local teams with the broadcast of baseball, rugby and hockey, the BBC emphasised service for a national rather than a regional audience. Boat races were well covered along with tennis and horse racing, but the BBC was reluctant to spend its severely limited air time on long football or cricket games, regardless of their popularity.[33]

John Reith and the BBC, with support from the Crown, determined the universal needs of the people of Britain and broadcast content according to these perceived standards.[34] Reith effectively censored anything that he felt would be harmful, directly or indirectly.[35] While recounting his time with the BBC in 1935, Raymond Postgate claims that BBC broadcasters were made to submit a draft of their potential broadcast for approval. It was expected that they tailored their content to accommodate the modest, church-going elderly or a member of the Clergy.[36] Until 1928, entertainers broadcasting on the BBC, both singers and "talkers" were expected to avoid biblical quotations, Clerical impersonations and references, references to drink or Prohibition in the United States, vulgar and doubtful matter and political allusions.[35] The BBC excluded popular foreign music and musicians from its broadcasts, while promoting British alternatives.[37] On 5 March 1928, Stanley Baldwin, the Prime Minister, maintained the censorship of editorial opinions on public policy, but allowed the BBC to address matters of religious, political or industrial controversy.[38] The resulting political "talk series", designed to inform England on political issues, were criticised by members of parliament, including Winston Churchill, David Lloyd George and Sir Austen Chamberlain. Those who opposed these chats claimed that they silence the opinions of those in Parliament who are not nominated by Party Leaders or Party Whips, thus stifling independent, non-official views.[38] In October 1932, the policemen of the Metropolitan Police Federation marched in protest at a proposed pay cut. Fearing dissent within the police force and public support for the movement, the BBC censored its coverage of the events, only broadcasting official statements from the government.[38]

Throughout the 1930s, political broadcasts had been closely monitored by the BBC.[39] In 1935, the BBC censored the broadcasts of Oswald Mosley and Harry Pollitt.[38] Mosley was a leader of the British Union of Fascists, and Pollitt a leader of the Communist Party of Great Britain. They had been contracted to provide a series of five broadcasts on their parties' politics. The BBC, in conjunction with The Foreign Office of Britain, first suspended this series and ultimately cancelled it without the notice of the public.[39][38] Less radical politicians faced similar censorship. In 1938, Winston Churchill proposed a series of talks regarding British domestic and foreign politics and affairs but was similarly censored.[39] The censorship of political discourse by the BBC was a precursor to the total shutdown of political debate that manifested over the BBC's wartime airwaves.[39] The Foreign Office maintained that the public should not be aware of their role in the censorship.[38] From 1935 to 1939, the BBC also attempted to unite the British Empire's radio waves, sending staff to Egypt, Palestine, Newfoundland, Jamaica, India, Canada and South Africa.[40] Reith personally visited South Africa, lobbying for state-run radio programmes which was accepted by South African Parliament in 1936.[40] A similar programme was adopted in Canada. Through collaboration with these state-run broadcasting centres, Reith left a legacy of cultural influence across the empire of Great Britain with his departure from the corporation in 1938.[40]

Experimental television broadcasts were started in 1929, using an electromechanical 30-line system developed by John Logie Baird.[41] Limited regular broadcasts using this system began in 1932, and an expanded service (now named the BBC Television Service) started from Alexandra Palace in November 1936, alternating between an improved Baird mechanical 240-line system and the all-electronic 405-line Marconi-EMI system which had been developed by an EMI research team led by Sir Isaac Shoenberg.[42] The superiority of the electronic system saw the mechanical system dropped early the following year, with the Marconi-EMI system the first fully electronic television system in the world to be used in regular broadcasting.[43]

The success of broadcasting provoked animosities between the BBC and well-established media such as theatres, concert halls and the recording industry. By 1929, the BBC complained that the agents of many comedians refused to sign contracts for broadcasting, because they feared it harmed the artist "by making his material stale" and that it "reduces the value of the artist as a visible music-hall performer". On the other hand, the BBC was "keenly interested" in a cooperation with the recording companies who "in recent years ... have not been slow to make records of singers, orchestras, dance bands, etc. who have already proved their power to achieve popularity by wireless." Radio plays were so popular that the BBC had received 6,000 manuscripts by 1929, most of them written for stage and of little value for broadcasting: "Day in and day out, manuscripts come in, and nearly all go out again through the post, with a note saying 'We regret, etc.'"[44] In the 1930s music broadcasts also enjoyed great popularity, for example the friendly and wide-ranging BBC Theatre Organ broadcasts at St George's Hall, London by Reginald Foort, who held the official role of BBC Staff Theatre Organist from 1936 to 1938.[45]

Television broadcasting was suspended from 1 September 1939 to 7 June 1946, during the World War II, and it was left to BBC Radio broadcasters such as Reginald Foort to keep the nation's spirits up. The BBC moved most of its radio operations out of London, initially to Bristol, and then to Bedford. Concerts were broadcast from the Bedford Corn Exchange; the Trinity Chapel in St Paul's Church, Bedford was the studio for the daily service from 1941 to 1945, and, in the darkest days of the war in 1941, the Archbishops of Canterbury and York came to St Paul's to broadcast to the UK and the world on the National Day of Prayer. BBC employees during the war included George Orwell who spent two years with the broadcaster.[46]