Newbluefx Motion Effects Serial Number
Stephen Newcomb
NewBlue Motion Effects adds action and energy to your scenes. This collection of 100 effects in 10 specialized video filters adds movement to your images through a variety of proven motion techniques, such as spin, roll and shake.
You can correct, improve, and otherwise modify your clips with the effects provided in Adobe Premiere Elements. All effects are preset with default values for settings, so when you apply an effect, it alters your clip. You can adjust and animate values as desired.
Thesamples below illustrate just some of the video effects includedwith Adobe Premiere Elements. To preview an effect not in this gallery,apply it and preview it in the Monitor panel. (See Applyand preview effects.)
Use Auto Color, Auto Contrast, and Auto Levelsto make quick global adjustments to a clip. Auto Color adjusts thecontrast and color of a clip by neutralizing the midtones and placinga limit on the range of the white and black pixels. Auto Contrastadjusts the overall contrast and mixture of colors without introducingor removing color casts. Auto Levels automatically corrects thehighlights and shadows. Because Auto Levels adjusts each color channelindividually, it may remove or introduce color casts, which aretints to a clip. Each effect has one or more of the following properties:
The Constant (Const) properties for each output channel allowyou to specify a base value to add to that output. For example,a Red-Const value of 50 will add 50% of full luminance (50% of 255,or about 127) to every pixel in the red output channel.
The Lighting Effects effect applies creativelighting effects on a clip with up to five lights. You can controllighting properties such as lighting type, direction, intensity,color, lighting center, and lighting spread. Use the Bump Layercontrol to use textures or patterns from other clips to producespecial lighting effects, such as a 3D-like surface effect.
ThePosterize effect specifies the number of tonal levels (or brightnessvalues) for each channel in a clip and maps pixels to the closestmatching level. For example, if you choose two tonal levels in anRGB clip, you get two tones for red, two tones for green, and twotones for blue. Values range from 2 to 255. Although the resultsof this effect are most evident when you reduce the number of graylevels in a grayscale clip, Posterize also produces interestingeffects in color clips.
Usethe Shadow/Highlight effect to brighten shadowed subjects in a clipor to reduce the highlights. This effect does not apply a globaldarkening or lightening of a clip, but rather it adjusts the shadowsand highlights independently, based on the surrounding pixels. Youcan also adjust the overall contrast of a clip. The default settingsare optimized to fix clips with backlighting problems.
Specifies that Adobe Premiere Elements automatically analyzes andcorrects highlight and shadow problems stemming from backlighting issues.This option is selected by default. Deselect it to activate manualcontrols for shadow and highlight correction.
Specify the range of adjustable tones in the shadows andhighlights. Lower values restrict the adjustable range to only thedarkest and lightest regions, respectively. Higher values expandthe adjustable range. These controls are useful for isolating regionsto adjust. For example, to lighten a dark area without affectingthe midtones, set a low Shadow Tonal Width value so that when youadjust the Shadow Amount, you are lightening only the darkest areasof a clip.
Specify the size (in pixels) of the area around a pixel thatthe effect uses to determine whether the pixel resides in a shadowor a highlight. Generally, this value should roughly equal the sizeof the subject of interest in your footage.
Specifies the degree of color correction that the effectapplies to the adjusted shadows and highlights. The higher the value,the more saturated the colors become. The more significant the correctionthat you make to the shadows and highlights, the greater the rangeof color correction available.
Specifies the degree of contrast that the effect appliesto the midtones. Higher values increase the contrast in the midtonesalone, while concurrently darkening the shadows and lightening thehighlights.
TheGhosting effect overlays transparencies of the immediately preceding frameson the current frame. This effect can be useful, for example, whenyou want to show the motion path of a moving object, such as a bouncingball. Keyframes cannot be applied to this effect.
The AutoTone effect uses automatic Adobe Premiere Elementssettings for exposure, brightness, contrast, blacks, and whites.You can choose to use the default settings or edit the parametersafter applying the effect to a clip.
Vibrance prevents over saturation of colors as full saturationvalues are reached. For example, you can use vibrance to preventover saturation of skin tones. The saturation levels of lower-saturatedcolors are affected more than the higher-saturated colors.
Assigns a black, midtone gray, or white balance to a clip.For example, for White Balance, you target a color that is purewhite. The three-way color corrector shifts colors in the imageso that the targeted color appears white. Use the different Eyedroppertools to sample a target color in the image, or choose a color fromthe Adobe Color Picker.
Controls the intensity of the color introduced into the video.Moving the circle out from the center increases the magnitude (intensity).The intensity can be fine-tuned by moving the Balance Gain handle.
Affects the relative coarseness or fineness of the BalanceMagnitude and Balance Angle adjustment. For fine (subtle) adjustments,keep the perpendicular handle of this control close to the centerof the wheel. For coarse adjustments, move the handle toward theouter ring.
Shifts the video color toward a target color. Moving theBalance Magnitude circle toward a specific hue shifts the coloraccordingly. The combined adjustment of the Balance Magnitude andBalance Gain controls the intensity of the shift.
You can adjust the hue, saturation, and luminance of specific colors in your image or video using the HSL tuner effect. Use the slider controls in the Applied Effects panel to adjust the hue, luminance, or saturation for the following colors in your image:
Use the Split toning effect to tint the highlights in your image with a particular color and the shadows with a different color. You can achieve best results, if the highlights and shadows in your image are of opposite colors.Use the Hue and Saturation control sliders to adjust the hue and saturation for both highlights and shadows
TheBend effect distorts a clip by producing the appearance of a wavetraveling both vertically and horizontally through it. You can producea number of different wave shapes at various sizes and rates. Tochange the following effect properties for the horizontal dimension,the vertical dimension, or both, select the clip with the effectin the Expert view timeline. Click the Applied Effects button, andthen click the Setup button to the right of the effect name in the AppliedEffects panel.
Specifies the direction of the wave. The In settingspecifies that waves move toward the center of the clip. The Out settingspecifies that waves start in the center and move to the edge ofthe clip.
The Corner Pin effect distorts a clipby changing the position of any of its four corners. Use it to stretch,shrink, skew, or twist a clip, or to simulate perspective or movementthat pivots from the edge of a layer, such as a door opening.
The Mirror effect creates a mirror imageof the clip and places the center of its side at a pivot point youspecify. You can make both the location of the pivot point and thereflection angle change over time.
The Ripple effect produces an undulating patternon a clip, like ripples on the surface of a pond. The shape, severity,and direction of the ripple pattern are adjustable, as well as thebackground color.
TheSpherize effect wraps the clip around a sphere, giving objects andtext a three-dimensional appearance. To set the size of the sphere,enter a Radius value from 0.1 to 2,500. To position the effect,enter horizontal or vertical values for Center Of Sphere.
Creates the effect of text being hand-written on the screen. The key to this effect is animating the position of the Write-on effect, by creating keyframes in the Effect Controls panel. It is recommended that you use this effect for videos only. You may experience severe performance degradation if this effect is used on still images or synthetic clips.
The Color Pass effect converts a clipto grayscale, with the exception of specified colors. Use the ColorPass effect to highlight a particular area of a clip. For example,in a clip of a basketball game, you could highlight the basketballby selecting and preserving its color, while keeping the rest ofthe clip displayed in grayscale. Note, however, that with the ColorPass effect, you can isolate only colors, not objects within theclip.
In the Color Pass Settings dialog box, select the color youwant to preserve by clicking a color in the Clip Sample area onthe left (the pointer becomes an eyedropper), or by clicking theColor swatch and selecting a color in the Color Picker dialog box.
The Color Replace effect replacesall occurrences of a selected color with a new color, preservingany gray levels. Using this effect, you could change the color of anobject in a clip by selecting it, and then adjusting the controlsto create a different color.
In the Color Replace dialog box, select the color you wantto replace by clicking a color in the Clip Sample area on the left(the pointer becomes an eyedropper), or by clicking the Target Colorswatch and selecting a color in the Color Picker dialog box.
Use the Alpha Adjust effect in place of theOpacity effect when you need to change the default render orderof fixed effects. Change the opacity percentage to create levelsof transparency. The following controls allow you to interpret the alphachannel in the clip.
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