I am curious to know why He treated metal (excluding gold) differently.
I am sorry brother but it is completely wrong and perhaps tantamount to blasphemy to say " Sri Ramakrishna used to take a few coins in one hand and a few clumps of earth in the other; and sitting on the banks of Ganges used to throw both in the river telling both were equally useless for realizing God." He did not "use to" do it, He did it only once.
Swami Saradananda in His biography refers to this incident and writes that ordinary people may keep throwing lumps of earth and coin everyday in the river but never realize what He realized by a single action. The reason He says is Thakur's mind, body and speech were completely tuned together.
Later on (?) when Srimat Totapuri told Him that one had to perform spiritual practice regularly just as the brass pot had to be cleaned everyday so that it did not stain, Thakur had cited the example of a Golden pot and said that the Golden pot would not stain even if it was not cleaned regularly. He is Gold.
Thakur's analytic power, sense of logic, sharpness of intellect etc. were too sharp to have made the mistake and "thought that it (metal) also represented money" as though He did not know.
I happen to see a drama "Nati Binodini" which was staged here. I am sure everyone knows Binodini's name. She is the actress who used to work at Srimat Girish Ghosh's theatre who was blessed by Thakur. It completely sucked! They portrayed Thakur as though He was a mad person. I believe there are many who think that He was a mad person although none of His biographers have ever given any such impression. I only hope that the above explanation that He "thought that it (metal) also represented money" does not come from the assumption that He was a bit eccentric or something.
It may sound preposterous and myself haughty and I am not sure but I think it has something to do with His unique nervous system which was such that by thinking of being Mahabeerji He grew a rudimentary tail and by thinking of being woman, His body behaved like that of a woman.
Brother, it was certainly not because He was mistaken simple because He did not make any mistake ever. Let us delve deeper and meditate on Him to find out the true reason - it is certainly worth the effort.
According to Swami Chetananda's English translation of Thakur's biography by Swami Saradananda, Thakur chucked both clay and rupee to the River and His desire for money along with it. I used to think that He did so because He found that money and clay equally inadequate in helping Him achieve His mission of life. There is no reference to suggest that He "used to" throw clay and rupee in the few books that I read. I inferred that since He chucked His desire for money, He did it only once but I may be wrong (on a lighter vein - He would not have had so much money as to throw away).
I am not sure if there is any record to suggest that Thakur had actually condemned money as the biggest evil of society. I used to think that He was too practical to do that and it was the desire for money that He condemned. This is due to the following facts from Thakur's divine life:
1. After He threw away money and clay to the River, He (due to His childlike nature) was a bit worried that by doing so He would have offended Goddess of wealth and thereby jeopardized His food supply.
2. He was a paid employee at the Kali Temple - His salary was Rs. 7 a month.
3. His widow, Holy Mother, was entitled to pension (which however She did not get due to His nephew Ramlal Chatterjee but that is besides the point).
4. Thakur had asked the Holy Mother as to how many rotis She used to eat in order to work out how much saving She would require for Her sustenance in His absence.
5. Holy Mother had given a trunk to Her niece Radhu as a dowry at the time of her marriage. She was not aware that there was Rs. 1000.00 in it. Thakur appeared in Her vision and asked Her to retrieve the money.
6. Holy Mother was travelling in a train sitting next to the window. She used to wear gold bangles. Thakur appeared to Her and cautioned Her lest someone snatched the bangle.
7. Thakur has advised us to provide for our wives’ (if they are faithful) sustenance in our absence.
I do not think it is right to think that Thakur did not altogether deal with money but He treated money just as He treated clay. Also, if Thakur thought metal represented money, how about paper – there was paper money at His time – would He have not thought that paper also represented money.
He did not want His direct disciples to engage themselves in service because He had different plans for them.
Hari Guru, Guru Hari
I suspect that His nervous system underwent some major change at some stage after 4 above - I do not know what and how. Perhaps His nervous system became much finer or the spectrum of frequency of perception widened so much that the frequency of metal caused some sort of discord or something in His system. I do not know - I hope someone explained this.
Jai Thakur
WANT TO KNOW ABOUT BAMAKHEPA AND VIPADNASHINI MA TARA OF TARAPITH....
HOW SRI RAMAKRISHNA WAS DIFFERENT FROM BAMAKHEPA
DUJONEI TARA MAYER CHELE KINTU PARTHOKKO KOTHAYE |
Although I try not to be blinkered but the thought of comparing Thakur with anyone else never crosses my mind just like I would not compare my mother with anyone else’s.
However, for the sake of record, it is significant that Thakur Himself provided a comparative analysis which tells us as to how He is different from others –
WANT TO KNOW ABOUT TARAPITH......IT IS SAID THAT THERE IS A JIVITAKUNDA NEAR TARAPITH MAHASHASHAN WHERE A BUSINESS SON WHO DIED WAS BROUGH ALIVE BY THE WATER OF JIVITAKUNDA SPRINKLED OVER HIM....WAT IS THE MYSTERY BEHIND THIS STORY....WAT IS THE REAL FACE OF MA TARA....IS JIVITAKINDA STILL THERE...... |
BORO DHOOM LEGECHE RIDI KOMOLE BORO DHOOM LEGECHE RIDI KOMOLE
MOJA DEKHIBE AYE MON PAGOLE
BORO DHOOM LEGECHE RID KOMOLE
HOTECHE PAGOLER MELA
KHYAPA KE KHEPITE NIYE
HOTECHE PAGOLER MELA
KHYAPAKE KHEPITE NIYE
EBAR ANONDETE SHODANONDE
ANONDOMOYI PORCHE DHULE
BORO DHOOM LEGECHE RIDI KOMOLE
PREMIK PAGOL KORE SHOKOL
TAYI BOLE AMAR MON KI BOLE
JAR PITA MATA BODDHO PAGOL
BHALO HOYE KI TADER CHELE
BORO DHOOM LEGECHE RIDI KOMOLE
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