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Leoma Cianchetti
As I worked on my Thesis, I identified many little known, even previously unknown, sources for these songs. A lifetime of research in the oral tradition of song in English in Ireland has uncovered sources of recordings of Orange songs, traditionally sung and indicated others as yet unexplored.
Orange is the soundtrack to the 2010 Indian Telugu-language romantic film of the same name, directed by Bhaskar and starring Ram Charan. The soundtrack album includes six tracks composed by Harris Jayaraj marking his first collaboration with Bhaskar and Ram Charan. The album was released on 25 October 2010, at a promotional event held at Shilpakala Vedika in Hyderabad,[1] and was marketed by the Aditya Music label.[2] The audio of its Tamil dubbed version Ram Charan was launched at 4 Frames Theater in Chennai on 7 November 2012.[3][4] The soundtrack album released to highly positive reviews and gained critical acclaim. It became one of the highest rated music albums in Telugu cinema.[5] The album was positively received and was nominated at major award ceremonies.[6]
The audio was initially planned to be launched on 14 August 2010.[7] However, the audio was launched on 10 September 2010 at Shilpakala Vedika in Hyderabad. The function was attended by Chiranjeevi, D. Ramanaidu, K. Raghavendra Rao, Nagendra Babu, Bhaskar, Allu Arjun, Rana Daggubati, Sai Dharam Tej, Harris Jayaraj, Anand Sai, V. V. Vinayak, Boyapati Srinu, Allu Aravind, K. S. Rama Rao, K. L. Narayana, Bhogavalli Prasad, D Danayya, Gemini Kiran, Paruchuri Venkateswara Rao, Brahmanandam, Ali, Venu Madhav etc. attended it. However Ram Charan and Genelia D'Souza missed the event as they were shooting for a song in Australia.[8]
The audio launch function of the Tamil version was held on 7 November 2012 at the 4 Frames Theatre in Chennai. Singer Devan Ekambaram, Lyricist Arivumathi, Viveka, Jayamurasu, Yugabharathi, Arun Bharathi graced the event.[4]
Harris Jayaraj began working on this film from late October of 2009 onwards.[9] Before working on this film, Harris Jayaraj composed music for the delayed film Engeyum Kadhal,[10] and the song "Dhimu Dhimu" that was finished in December of 2009 was used in this film as "Chilipiga Chusthavala".[11][12][13] The songs "O Range" and "Oola Oolala Ala" were shot in Australia.[14][15] The song "Rooba Rooba" was initially supposed to be pictured on Genelia D'Souza, but after Ram Charan's suggestion that Genelia's homely nature would not work well, Shazahn Padamsee was featured.[16] Vanamali felt that writing lyrics for "Nenu Nuvvantu" was tough because "Bhaskar wanted to convey the feel with simple words that fit into Harris Jayaraj's tune".[17]
Whether used on a canvas or in song lyrics, the color orange is said to free the spirit of its limitations and aid in the creation of new ideas. With the glowy feeling of limitlessness on our minds, we've gone and compiled a list of the best songs about the color orange, ranked by your votes. Do you have a favorite orange song? Give it an upvote and it just might rise to the #1 spot on the poll.
One of our favorite songs about orange is actually a dedication to what is in fact a huge county, an ode to growing up in the 714 by Gwen Stefani, "Orange County Girl." R.E.M. composed one of their most beloved songs about the color with the legendary "Orange Crush." Common, known more for his rapping and dissing Drake than his love of fruity breakfast drinks, surprises us all with "Orange Pineapple Juice."
The first recorded use of Princeton's colors occurred in 1867, when the Class of 1869 Base Ball Club wore badges of orange ribbon with black printing provided by George Ward, Class of 1869. In 1874 the colors were worn during an intercollegiate rowing regatta in Saratoga and thereafter also by athletic teams. In 1888 the song "The Orange and the Black" followed, written by Clarence Mitchell, Class of 1889, to a tune arranged by Ernest Carter, Class of 1888. It soon won a place in Princeton lore.
I had a job at 15 working at an Episcopal Church asa janitor. I was a pew dustin', cross polishin', lawn mowin', snow shovelin' sonof a gun. Early one Sunday morning, I was walking through the alley by thechurch to shovel snow before the congregation arrived. All that's out on thestreets at that time on Sunday mornings are paperboys, altar boys and guys likeme. Turns out one of the altar boys on his way to the Catholic church waswalking down the train tracks. God only knows where his mind was, but a localcommuter train come from behind and they had to put him in bushel baskets - whatwas left. I saw a group of mothers standing near the accident, not knowing whoseboys it was. When they finally identified the boy, the mother broke down, andthe other mothers consoled her with a great sense of relief. This story iscoupled with a shattered romance, juxtaposed with a loss of innocence: "Myheart's in the ice house/Come hill or come valley."
- this is from Clay Eals" excellent biography of Steve Goodman - "Facing the Music" (p.511)a
"Prine said he chose the word "orange" because he liked the colors of autumn and Halloween, and he ate oranges "by the dozen" as a child. "It just came up as somethin' that's really sweet and delicate and gettin' bruised just by bein' mishandled," he says. In short, the orange symbolized the human heart."
Orange, orange, orange.
Orange, orange, orange.
What is orange? What is orange?
An orange, a cantaloupe, and a peach,
A pumpkin, a goldfish, and cheddar cheese,
The carrot that my little rabbit eats,
They are orange.
There are two new Blood Orange songs in the world after Dev Hynes uploaded fresh material to Soundcloud overnight. The two tracks, "Christopher & 6th," and "June 12th," were accompanied by an Instagram caption from Hynes: "U must luv yourself. Happy Black History Month. (All year)."
Hynes also clarified in the message that this new material will not feature on the next Blood Orange album. Late last year he said he was "78% done" with the follow up to 2016's Freetown Sound. The album is reported to be centered around his childhood in Essex, England and has not confirmed release date.
Every year I get a little more used to the fact that the great majority of our pop culture is not created with me in mind. Queer people interested in connecting with the world around them learn quickly to find bits of it that they can transform into something of their own: a statement of pride, a piece of glamour, a declaration of eternal love. But recent developments in the mainstream popularity of LGBT rights have muddied the waters: artists can now piggyback their way to success on messages of equality packaged neatly for straight audiences. This brings up uncomfortable questions about authorial intent and patronization. For every "I'm Coming Out" or "Thinkin' Bout You," you can point to a "Firework" or "Born This Way" or "Same Love," and while those in the latter group may represent more benefits than burdens in a broad sense, they begin to feel like pandering condescension on their 10th and 100th and 1,000th plays. I've become more cynical about pop music in this way; it takes something special for me to let my guard down, especially if it's coming from an artist who doesn't identify as queer. One album that broke through those defenses this year was Cupid Deluxe, British pop-R&B artist Dev Hynes' second album as Blood Orange.
How does Hynes incorporate that nuance into the world of Cupid Deluxe? As Ryan Dombal pointed out in his Pitchfork review, there's an obvious reference in the title of one of the album's highlights, "Uncle ACE," named for the New York City subway lines that share the IND Eighth Avenue Line through Midtown Manhattan. The trains, which run from the northern reaches of Manhattan through to the furthest reaches of Queens, have been given the titular nickname by NYC's homeless youth, many of whom identify as queer. It's a thoughtful hat tip, one that betrays a little more depth than your standard vague pop star platitudes about equality and freedom, and it's given voice by a sparky little funk riff and lyrics that allude to trans prostitution, fear, and emotional hollowness: "Not like the other girls / Go home and wait for me / I'll be there after 5 / The others got that V." But Hynes has more impressive tricks up his sleeve, as he transcends direct reference by making skillful use of theme, structure, and sound on the rest of Cupid Deluxe to honor queerness in a tender, touching way.
Hynes' use of the other voices on Cupid Deluxe is also telling. Romantic involvement and vocal chemistry aside, Urbani is rarely presented as a partner on this record, or at least not a happy one; on many songs, like "No Right Thing" and "It Is What It Is," she seems like more of an older, wiser sister or friend than a lover, and when she's placed in the latter role, it's on the vicious kiss-off "You're Not Good Enough" and breakup ballad "Always Let U Down." The duet roles that possess any real sexual tension are reserved for men: Dirty Projectors frontman Dave Longstreth appears on the soaring "No Right Thing," and British singer-songwriter Adam Bainbridge (of Kindness) performs on the second-half sparkler "On the Line." The sentiments on these songs are a little more ambiguous than on those featuring Urbani: When Hynes and Bainbridge go back and forth with questions like, "Tell me, baby, are you mine? / Is our love on the line?" it's ripe with confusion and lust.
Dev Hynes / Blood Orange has released his first new music since 2019. The EP, titled Four Songs, was written and produced by Hynes himself, and features collaborations with Ian Isaiah, Eva Tolkin and Erika de Casier. I'll leave you to guess how many songs it has.
Orange is the band who perform their song "Revolution" as the theme song to Cartoon Network's animated show Generator Rex. Some of their other songs has also appeared on certain episodes of the Generator Rex series.
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