Lucky 13 Film
Andrew Schiavo
Lucky is a 2017 American drama film directed by John Carroll Lynch, written by Logan Sparks and Drago Sumonja, and starring Harry Dean Stanton. It was one of Stanton's final onscreen roles before his death. The film tells the story of 90-year-old Lucky as he comes to terms with his own mortality and searches for enlightenment. It received positive reviews from critics.
As the film begins, a tortoise trudges into view in the desert. We meet Lucky, a 90-year-old man who lives alone in an isolated house in the small desert town of Piru, California. He drinks a glass of cold milk after his morning yoga and cigarette before getting dressed and heading out on his daily routine.
He gets coffee at a diner where he is on friendly terms with the owner, Joe. He works on a crossword puzzle from his daily newspaper. Lucky then walks to a convenience store where he buys another pack of cigarettes and a carton of milk. The owner, Bibi, tells Lucky that her son Juan is having his tenth birthday in a week. That evening, Lucky stops at a bar called Elaine's and has a few Bloody Marias with the locals. One of the regulars, Howard, is depressed that his pet tortoise, named President Roosevelt, has escaped.
The next morning, Lucky becomes entranced by the blinking numbers on his coffeepot. He gets light-headed and falls over, smashing his ceramic mug. At a clinic, Dr. Christian Kneedler gives Lucky a clean bill of health and tells him that Lucky has out-smoked and outlived the majority of people his age. At the diner, Lucky mentions how he fell and everyone becomes concerned for his safety. That night, Lucky calls a friend while he watches TV. He tells his friend that when he was a boy growing up in Kentucky, he shot a mockingbird with his BB gun. He describes how devastating the silence was, and that it was the saddest thing he had ever experienced. Lucky thanks his friend for listening and hangs up.
Back at the bar, Lucky listens to a story from one of the regulars, Paulie, about how he met and married his wife. Lucky reflects on how he never married or had any lasting relationships. Lucky sees Howard talking with a lawyer named Bobby Lawrence about making a will for himself and wanting to leave all of his possessions to his pet tortoise. Lucky is hostile to Bobby and challenges him to a fight outside, but Paulie tells him that Bobby won't fight him and that he should go home. A day or two later, Joe's employee Loretta visits Lucky to check on him. While smoking marijuana, Lucky shows Loretta old photos of his time in the US Navy and they watch old VHS tapes of Liberace in concert. While having coffee at the diner, Lucky runs into Bobby Lawrence and tells him about his accident. Bobby tells Lucky about a time when he nearly got hit by a garbage truck and tells Lucky to always be prepared for the unexpected. Lucky visits a pet store and buys a box of live crickets.
The next day at the diner, Lucky meets a World War II Marine veteran named Fred and tells him about his time in the US Navy during the war in the Pacific. Lucky explains that he got his nickname from having the relatively safe job of cook on an LST. Fred tells Lucky a story about how after the Marines secured a beach, the locals began to commit suicide by jumping off cliffs. After a battle, he encountered a child, smiling amidst the carnage. Fred remarked to his fellow Marine that at least someone was glad to see them, only to be told that the girl was a Buddhist and was smiling at the prospect of dying. The story leaves Lucky speechless. Upon returning home, he sets the clock on his coffee machine to the correct time, stopping it from blinking. He attends Bibi's son Juan's birthday party and enjoys himself. He spontaneously sings "Volver Volver" in Spanish for the party goers.
That evening, Lucky goes back to the bar for more Bloody Marias. Howard has not found his tortoise and has concluded that all things must eventually come to an end. Lucky then attempts to light a cigarette at the bar despite being ordered not to do so by the owner, Elaine. He delivers a speech to the bar patrons that everything goes away eventually and that we are left with nothing. Elaine asks what is one supposed to do with nothing. Lucky simply replies "you smile". The remark transforms the mood of the bar; Lucky lights up his cigarette and steps outside.
The next morning, Lucky goes for a walk through town, as he always does, and passes by the outdoor botanic garden and the bar where he was previously banned for smoking. In the desert, Lucky looks up at a tall saguaro cactus and lights a cigarette. He breaks the fourth wall and smiles at the camera before heading back into town. As Lucky walks down the road alone, a tortoise again trudges into view.
On Rotten Tomatoes, Lucky has a rating of 97%, based on 139 reviews, with an average score of 7.82/10. The website's critical consensus reads, "Lucky is a bittersweet meditation on mortality, punctuating the career of beloved character actor Harry Dean Stanton."[5] On Metacritic, the film has a score of 80 out of 100, based on 34 critics, indicating "generally favorable reviews".[6]
Matt Zoller Seitz of RogerEbert.com gave the film four out of four stars, writing that the film is: "The humblest deep movie of recent years, a work in the same vein as American marginalia like 'Stranger Than Paradise' and 'Trees Lounge,' but with its own rhythm and color, its own emotional temperature, its own reasons for revealing and concealing things."[7] Seitz later named Lucky as the best film of 2017, stating that "I didn't expect much more than indie-film quirk when I read the description of this film, but emotionally it destroyed me."[8]
Lucky Film SHD 100 black and white film was one of a number of versions of colour, black and white, and chromogenic black and white consumer films manufactured by Lucky Group Corporation in Hběi (河北), China.
I say Lucky Group Corporation but should say Luckyfilm, the newly formed company that started operations early in 2017. I got in touch with the Luckyfilm folks, found out a bit more about the company and secured a few 35mm rolls for testing (thank you). The first results of these tests are presented here in part one of my multi-part 35mm Lucky Film New SHD 100 review.
Each part will cover the film shot at a different speed with per meter, overexposed and underexposed examples. The final review in the series will cover a test of this film developed as slides using a black and white reversal process.
Although the raw film stock for Lucky New SHD 100 is still manufactured at the China Lucky Film Corporation (乐凯 / 樂凱 / L Kǎi in simplified / traditional / pinyin Chinese) facility that is where the connection between the original and new film ends.
Luckyfilm (华感 / 華感 / Hu Gǎn again, simplified / traditional / pinyin Chinese )take direct responsibility for production of the raw film stock, which they then cut, load and package up before selling it via a combination of distributors, retailers and direct sales channels.
The film was developed at 20c in Kodak HC-110 1+47 (dilution E) for 8 minutes. The film was agitated continuously for the first 60 seconds and then again for 10 seconds at the top of every minute thereafter. No pre-wash.
Of the 12 3-frame scenes I shot on this roll, I have provided eight scenes here for review: a total of 24 frames. The order of images below is underexposed, correctly exposed (per meter) and overexposed. Weather conditions were great on the whole, especially towards the end of the roll.
I have to agree with most of the above. While the highlights seem to be well separated, the results seem better when the film is underexposed a stop, as opposed to box speed. More to come on that front in the following parts of this series.
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Honestly I feel comfortable recommending this film even to people who usually avoid horror films (though do know that there will be depictions of violence reminiscent of domestic abuse). It is a Shudder exclusive, and it is absolutely worth trying the service to watch it. I have a lot more to say, but doing so will require getting into [SPOILERS] starting here.
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