On Nov 9, 2012, at 12:00 AM, Helix Discussion List wrote:
> Daniel,
> Thinking about this a bit more... Are you serious?
> You looked at that and thought folk songs rather than the tablet or gesture prior art?
> Wade
Wade, Thursday 8 November 2012
I tend to notice inconsistencies, and non-horizontal hanging pictures.
I started formal study of law 1981, Macintosh 1984.
And Kirby starts out his 10 minutes with music, Dylan and folk music, IIRC.
So yes, I seriously had a music framework established by Kirby, within which he
discusses his imprecise ideas.
Additionally, IIRC he leads talking about Dylan taking (perhaps using "stealing")
prior music, and towards the end uses "steal" for Steve Jobs.
Steal is to take what one is not entitled to, unlawfully (about);
Take may be lawful or unlawful.
Loose talk confuses many,
and doesn't help voters and intellectual property (IP) creators and users
rationally discuss how society ought to define IP property.
Most "property" laws are creations of the society.
When I took Economics 101, air and water were free goods.
Rachel Carlson, Barry Commoner, Gaylord Nelson, etc.
Then they became unfree.
Now pollution can be an asset, when trading pollution rights.
The Apple-Samsung and related current litigation if fairly complicated,
involving at least utility patent, design patent, trademark, and unfair
competition--all different legal concepts with different rules for
use and infringement. Moreover, with suits in several nations,
the results have been inconsistent.
Walter Isaacson's Steve Jobs biography I found fascinating, fast reading.
I've lived with Mac since 1984, I learned a lot more from the book.
I knew many Mac (and Lisa) functions were built on Xerox PARC.
What I hadn't heard until reading the book, is that Apple paid
$$ to Xerox for the rights to visit and use the technology.
It may have been dumb for Xerox HQ in CT to sell the rights to
PARC (in CA) development, but that's currently the right of managers
of a corporation.
That's enough response I think.
So yes, I'm very serious.
Kirby mangles concepts,
and mis-educates,
and distracts from the honest issues involved in creativity and
fair allocation of creator and use rights.
Daniel Kegan, Chicago