Postcolonialismexplores the political, social, and cultural effects of decolonization, continuing the anti-colonial deconstruction of western dominance. This work discusses both the history and key debates of postcolonialism, and considers its importance as a means of changing the way we think about the world. Robert J.
C. Young examines the key strategies that postcolonial thought has developed to engage with the impact of sometimes centuries of western political and cultural domination. Situating the discussion in a wide cultural and geographical context, he draws on examples such as the status of indigenous peoples, of those dispossessed from their land, Algerian rai music, and global social and ecological movements.
In this new edition he also includes updated material on race, slavery, and postcolonial gender politics. Above all, Young argues that postcolonialism offers a political philosophy of activism that contests the current situation of global inequality, which in a new way continues the anti-colonial struggles of the past and enables us to decolonize our own lives in the present.
This volume introduces the field of gender history--its origins, development, reception, recalibrations, and frictions. It offers a set of working definitions of gender as a descriptive category and as a category of historical analysis, tracing the emergence, usage, and applicability of these entwined subjects across a range of times and places since the 1970s.
Inevitably political, gender history has taken aim at the broader field of historical narrative by asking who counts as a historical subject, what difference gender makes, and how attention to it subverts reigning assumptions of what power, culture, economics, and identity have been in the past--and what they are today. The book explores how gender analysis has changed interpretations of the histories of slavery, capitalism, migration, and empire.
As a field, gender history has been extraordinarily influential in shaping several generations of scholars and students. The fact that its early emphasis on the relationship between masculinity and femininity was part of a larger set of challenges to universal history by poststructuralism, postmodernism, and postcolonialism positions it at the heart of some of the most fractious intellectual debates of the late twentieth and early twenty-first centuries. And, as part of the movement toward gender equality that is key to modern western progress, gender history has been caught up in the culture wars that continue to shape post-global society. What is intriguing and ultimately defining about gender history is the way that the centrality of gender, so important for revealing how identity is structured in and through regimes of power, has been unable to hold its own over the half century of the field's own history. The practice of gender history has always run up against the forces of race, class, and sexuality that challenge the singularity of gender itself as an explanatory category of historical analysis. That powerful, unruly tension is at the heart of this Very Short Introduction.
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Postcolonialism explores the political, social, and cultural effects of decolonization, continuing the anti-colonial deconstruction of western dominance. This Very Short Introduction discusses both the history and key debates of postcolonialism, and considers its importance as a means of changing the way we think about the world.Robert J. C. Young examines the key strategies that postcolonial thought has developed to engage with the impact of sometimes centuries of western political and cultural domination. Situating the discussion in a wide cultural and geographical context, he draws on examples such as the status of indigenous peoples, of those dispossessed from their land, Algerian rai music, and global social and ecological movements. In this new edition he also includes updated material on race, slavery, andpostcolonial gender politics. Above all, Young argues that postcolonialism offers a political philosophy of activism that contests the current situation of global inequality, which in a new way continues the anti-colonial struggles of the past and enables us to decolonize our own lives in the present.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area These pocket-sized books are the perfect way to get ahead in a new subject quickly Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable
Postcolonialism explores the political, social, and cultural effects of decolonization, continuing the anti-colonial deconstruction of western dominance. This Very Short Introduction discusses both the history and key debates of postcolonialism, and considers its importance as a means of changing the way we think about the world. Robert J. C. Young examines the key strategies that postcolonial thought has developed to engage with the impact of sometimes centuries of western political and cultural domination. Situating the discussion in a wide cultural and geographical context, he draws on examples such as the status of indigenous peoples, of those dispossessed from their land, Algerian rai music, and global social and ecological movements. In this new edition he also includes updated material on race, slavery, and postcolonial gender politics. Above all, Young argues that postcolonialism offers a political philosophy of activism that contests the current situation of global inequality, which in a new way continues the anti-colonial struggles of the past and enables us to decolonize our own lives in the present. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area These pocket-sized books are the perfect way to get ahead in a new subject quickly Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable
The colloquium provides the space for discussing recent as well as by now classic texts from postcolonial, transnational and transcultural studies. The thematic focus for the winter semester will be social, cultural, and intellectual transmigrations. It is also a forum for presenting ongoing reserach towards MA-, Staatsexamen-, PhD-theses, or Habilitationen.
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This seminar assumes the interdependence of playtext and performance and will focus on performance studies as a profitable critical approach to and teaching method of drama. In other words, students will be involved in using performance techniques as a means of studying plays and simultaneously teaching them through rehearsal and acting out.
The classwork will include practical but also theoretical activities. Thus, students will revive their knowledge of the basic characteristics of the genre drama and transfer it to the phases of theatrical work, such as casting, preparing a script, thinking about costumes and props etc.
Among the authors discussed will be Edward Albee, Samuel Beckett and selected contemporary British playwrights.
There will be an obligatory preliminary meeting in room 101 on July 15, 12 p.m.
Please check the notice board for further information on the texts and the first regular meeting.
Seminar fr MEd. Gym/Ges, BK, BAB - nicht fr MEd. GHR!
Bob Dylan, who became famous as "songpoet" of the protest-movements in the 1960s and 1970s, has since then developed into an icon of American culture as well as a global twentieth-century icon. Attempts at categorising him have failed because his works exceed boundaries between disciplines and genres. Thus, in addition to being labelled "demigod of folk" or "anti-establishment composer," he has, since 1996, been regularly nominated for the Nobel Prize of Literature. In 1999, he was awarded an Academy Award for his music to the film Wonder Boys, and in 2005, his "Like a Rolling Stone" was named "greatest song ever written." His "Desolation Row" was canonised by inclusion in The Oxford Book of American Poetry, and literary scholars have compared him to Shakespeare, Blake, Byron, T. S. Eliot and Ezra Pound but also detected parallels with the works of Virgil, Ovid, Dante and Petrarch. Although Bob Dylan has also written narrative fiction, the seminar will focus on his lyric poetry and songs. The goal is to recognise and analyse the richness of Dylan's themes and language, his use of myths and cultural traditions, the host of intertextual references in his poems and songs and especially the relationship between lyrics and music.
There will be a mandatory preliminary meeting on Wednesday, 15 July 2009, 18-19 hrs in room H 19.
First meeting: see notice board
Main text: Detering, Heinrich, ed. Bob Dylan: Lyrics. Stuttgart: Reclam, 2008. Other texts will be announced.
This two-semester postgraduate class intends to assist students in choosing and defining fields of interest within the MA curriculum that are appropriate for independent study. The purpose is to outline possible research areas, topics, and approaches that might ultimately be relevant for students’ final MA-theses. We will discuss key theoretical and methodological aspects within literary and cultural studies in general and this MA curriculum in particular, but focus will be on students’ needs for their own research. The class will be a combination of in-class discussions and presentations and individual supervision in sessions outside the classroom. In this first part of the class (i.e., the first semester), each student will perform at least one writing assignment. Details will be discussed in the first class meeting.
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