The Last Witch Hunter is a 2015 American fantasy action film directed by Breck Eisner and written by Cory Goodman, Matt Sazama, and Burk Sharpless. The film stars Vin Diesel as an immortal witch hunter who must stop a plague from ravaging the entire world.[6] The film was released on October 23, 2015, grossing $147 million while receiving generally unfavorable reviews from critics.
In the present day, Kaulder prevents a teenage witch from unintentionally destroying an airplane with weather-controlling runes. Kaulder is revealed to be working as a witch hunter for an organization called the Axe and Cross, which aims to keep the truce between humans and witches and either executes or imprisons the witches who break the law. He is aided by a priest called "Dolan", a tradition carried from the battle to destroy the Witch Queen.
The 36th Dolan tells Kaulder that he is retiring from his duties and has chosen a new Dolan for him, but dies in his sleep. Kaulder and the 37th Dolan deduce that 36 was murdered by a witch. While tracking down the witch, Kaulder finds traces of old dark magic, not seen since before he killed the Queen. It is revealed that 36 is not dead but under a dark magic spell that can only be broken if the witch that cast it is killed.
To get the rare ingredient to create another memory spell, they visit another witch, Danique. However, Danique casts an endless memory spell on Kaulder, planning to entrap him in his dream forever. Chloe, revealed to be a dream-walker, is able to enter his trance and free his mind and the pair escape. Kaulder asks Chloe to enter his mind and pull out the memory. He discovers that, though the Queen's body burned to ash, the first Dolan chose to spare her heart; if the heart was destroyed, Kaulder would die. They deduce that 36 was attacked because he knew of where the heart was hidden and was tortured into revealing its location. They also realize that Belial's real plan is to revive the Queen.
Leaving Chloe and the 37th Dolan behind, Kaulder goes to face Belial to prevent the Queen from returning. Though he kills Belial in a confrontation, the Queen reenters the world through the sacrifice of another witch (Max Schlesinger) and escapes into the city, stealing Kaulder's immortality. 36, who is recovering, encourages Kaulder to continue fighting.
The members of the Witch Council, who guard the Witches' Prison, are killed and the Queen plans to release another plague curse using the imprisoned witches as a magical power source. Using her dream walking ability, Chloe kills one of the prisoners, severing the connection of the Queen. Kaulder fights the Queen, and appears close to killing her, until 37 attacks him with grudge for killing his witch parents. He asks the Queen to give him magical power. She refuses and kills 37 and uses Chloe to complete the connection for the plague curse to form again. Kaulder summons lightning to his sword using the weather runes he confiscated from the young witch on the plane, and throws his sword into the Queen, burning her to ash. Kaulder prepares to kill both himself and the Queen's heart, but Chloe dissuades him, stating that there were things in the darkness worse than the Witch Queen that he needs to continue fighting.
Screenwriter Corey Goodman was largely influenced by talks with Vin Diesel, specifically about his Dungeons & Dragons witch hunter character.[7] Initially Timur Bekmambetov was to direct but was later replaced by Breck Eisner and Goodman's script was re-written by D.W. Harper before Melisa Wallack was brought on to work on the film's script.[8][9] Both were uncredited. The production filed for a film tax credit in Pennsylvania and was allocated a tax credit of $14 million.[10][11] In February 2014, Vin Diesel posted a photo of the film's concept artwork to his Facebook page and Lionsgate CEO Jon Feitheimer commented that if successful, The Last Witch Hunter could become a film franchise.[12] In March 2014, Lakeshore Entertainment boarded the film as co-financier with Lionsgate, but Lakeshore quietly left the project. In July 2014, it was announced that Rose Leslie would be joining the cast as Vin Diesel's co-star,[13] and in August, Elijah Wood, Michael Caine, and Ólafur Darri Ólafsson were also announced as attached to the film.[14][15][16] Julie Engelbrecht and Lotte Verbeek will also star.[17][18] In February 2015, Steve Jablonsky was hired to compose the film's score.
Principal photography for The Last Witch Hunter was initially delayed due to the death of Paul Walker,[19] as the death delayed shooting for Furious 7. Lionsgate officially began setting up for filming in Pittsburgh in June 2014.[19] The filming began on September 5, 2014, in Pittsburgh, as Diesel posted a first look of himself on Facebook.[20][21][22] The shoot lasted until December 5.[23]
Many films try and fail to pull off the kind of densely over-plotted action-fantasy that director Breck Eisner ("The Crazies," "Sahara") nails in "The Last Witch Hunter." The secrets to Eisner's success are confidence and patience, both of which compensate for the film's script whenever it becomes embarrassingly thin (especially during its rushed finale). Still, if nothing else, "The Last Witch Hunter" is so much more adept than other recent convoluted post-"The Matrix" adventure films about a superhuman men-of-action (Vin Diesel, in this case) who see the world for what it really is, and are humanity's last hope of maintaining a peaceful status quo. While most other films sprint through expository dialogue, and bluster their way through action scenes, "The Last Witch Hunter" is measured enough to make you want to suspend your disbelief.
An especially charming Diesel plays Kaulder, a witch-slayer who was cursed to live forever by the Witch Queen (Julie Engelbrecht) back in ye olde viking days. An integral member of the mortal-led witch-hunting organization Axe and Cross, Kaulder has grown full of himself after centuries of walking the Earth unchallenged. But when Ellic (Michael Caine), Kaulder's sidekick and the chronicler of his stories, dies on the day of his retirement, Kaulder investigates, and discovers a plot to revive the centuries-dead Witch Queen.
There are even fewer directors who are sensitive enough to sell scenes as conceptually all-over-the-map as the ones showcased here. But thanks to Eisner, there are blessedly few scenes in "The Last Witch Hunter" that feel rushed (can we please get this guy to direct the upcoming "Doctor Strange" movie's sequel?). Romantic banter feels genuinely playful in scenes like when Kaulder and Chloe (Rose Leslie), a young witch, flirt at Chloe's hookah bar. There aren't nearly enough scenes where Eisner can flex his muscles and prove that he's a stronger storyteller than the script with which he's working; the best is probably when Chloe comes home and silently tries to ward off a threatening spirit with an array of light bulbs. This scene teaches you how to watch it. No character has to explain that the bulbs' light is Chloe's only defense against whatever is threatening to invade her home. You just pick up that knowledge by watching Eisner work.
Eisner's direction is similarly thoughtful during big special-effects-driven set pieces. He's a sturdy choreographer, and none of the big action scenes in "The Last Witch Hunter" are as good as those from his surprisingly atmospheric, recent remake of George Romero's "The Crazies." But flashbacks to Diesel's "Dungeons and Dragons"-worthy encounters with the Witch Queen and modern-day skirmishes with Belial do look good, and that's not just because of Eisner's keen eye for composition. "The Last Witch Hunter" is just generally poised in ways that most fantasies should be, but aren't. There's breathing room in scenes where characters have to appear to be living with decisions they made a couple of scenes earlier. You know you're seeing an atypically dopey but consummately well-assembled fantasy when poor Michael Caine has to explain to viewers the Witch Queen's plan to spread a human-decimating plague using the various witches that Kaulder locked up over the years in the Axe and Cross's "witch prison." "The Last Witch Hunter" may be corny at heart, but it's cool enough to convince you otherwise while its creators sell you a story you've seen some iteration of many, many times before.
Even allowing for the logistical difficulties of trying to fashion witches into stock horror baddies, there are other potential issues. Most obviously, witchcraft has a very long and complicated history in western civilisation. While zombies might actually exist in Afro-Carribean culture, they are markedly different to the ghouls popularised by George R. Romero. In contrast, witchcraft is tied to pagan religion and philosophy, anchoring it in something akin to the real world. Indeed, paganism has undergone a resurgence in the past few years.
Recently I watched The Last Witch Hunter (2015), it had all but escaped my notice at the time of release and I began watching it knowing very little other than I assumed there was a witch-hunter in it and that he was the last one.
They enter the tree and we learn they are here because of the Black Plague (1350), interesting historically because there is an argument that the origins of witch hunting, so common in the 16th century, can be traced back to the Black Plague.
Next on the list is pacing. A significant segment of the movie was devoted to something called a memory potion. Kaulder needed this potion to discern the motive of the bad guys in the present plot. While the idea itself is fine, the time invested in this pursuit dragged the movie along. There were three attempts at gathering the ingredients for a memory potion, and all three attempts failed. The first failure was handled well, albeit a bit forced (the sudden loyalty of Chloe, a witch, to the Witch Hunter). For the second failed attempt, I gave them a pass. The third attempt, however, did nothing to push the plot forward.
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