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Gordon, in frustration, tells them they have to be in the order they were originally. The engines remember their song, and start practicing it to make sure they are in the right order. The engines come back to the museum, where Carly and Sandy put the skeleton together correctly this time. Later, Sir Topham Hatt shows off the skeleton to the public, and thanks The Biggest Adventure Club for their work. Suddenly, a tired out Diesel arrives with a new bone, which Sandy identifies as a tusk. The Biggest Adventure Club sets out on their next adventure, to find the rest of the woolly mammoth's bones.
"Panic on the Streets of Springfield" is the 19th episode of the thirty-second season of the American animated television series The Simpsons, and the 703rd episode overall. It aired in the United States on Fox on April 18, 2021. The episode was directed by Matthew Nastuk, and written by Tim Long. In this episode, Lisa becomes obsessed with a cynical English singer named Quilloughby (based on Morrissey and voiced by Benedict Cumberbatch) who becomes her imaginary friend.
The episode received the highest audience on Fox that night, while its critical reception was mixed. It was criticized by Morrissey and his manager, who found the Quilloughby character inaccurate and offensive. The episode was dedicated in memory of Edwin E. Aguilar, an animator, character layout and assistant director of The Simpsons who died on April 11, 2021.[1]
Morrissey turned down an offer to play himself in "The Regina Monologues," a Britain-based episode of the 15th season of The Simpsons.[5] According to writer Tim Long, the "Morrissey-esque" Quilloughby character is also based on other British singers, including Robert Smith of The Cure and Ian Curtis of Joy Division.[3] The episode's original music was composed by Bret McKenzie of the New Zealand duo Flight of the Conchords.[6] A full-length version of the original featured song "Everyone Is Horrid Except Me (And Possibly You)," written by McKenzie with vocals by Cumberbatch as Quilloughby and Yeardley Smith as Lisa, was released in May 2021 by Hollywood Records.[7]
The episode was dedicated in memory of animator Edwin E. Aguilar.[8] Aguilar worked on The Simpsons since 1999 as an animator, character layout artist, storyboard revisionist, assistant director, and other roles. He also worked on the 2007 Simpsons Movie.[9]
The episode's title parodies the lyrics to the Smiths' song "Panic,"[7] while the character Quilloughby sings "Hamburger Homicide," a parody of their song "Meat Is Murder."[5] The band also has a song called "How Late is Then?," similar to "How Soon Is Now?" and another called "What Difference Do I Make?," similar to "What Difference Does It Make?"[10] Homer's truck pulls up a tree that is labeled as Shel Silverstein's Giving Tree, a reference to the author's book.[2] The imaginary younger Quilloughby believes that his real, older self looks like Winston Churchill.[2] When Principal Skinner tells Homer and Marge that the children have been influenced by older music, Martin Prince is seen singing along to "Maneater" by Hall & Oates.[2]
Tony Sokol of Den of Geek gave the episode 4 stars out of 5, calling it "surprisingly warm, and almost depressingly funny." He compared the episode to "Moaning Lisa," a season one episode also revolving around Lisa's sadness and musical interests.[12] John Schwarz of the animation website Bubbleblabber gave the episode 5 out of 10. He found it off-putting that Lisa's hallucinations seemed to resemble serious mental illness, and disliked the new voice of Dr. Hibbert, Kevin Michael Richardson.[13]
In 2022, Andrew Bloom of /Film listed Quilloughby as the 27th best one-off character on The Simpsons. He noted the "wispier and more fluid" gait that complimented the pretentious character, and praised the plot, the music and Cumberbatch's performance.[14] Psy White of WhatCulture listed the episode as number 3 on a list of "10 Episodes Probably Made Out Of Spite"; commenting on the claim that Quilloughby is based on several people, she wrote "it's plain to see exactly whom the episode is mocking."[15]
The episode was criticized by Peter Katsis, the manager of British singer-songwriter Morrissey, upon whom the Quilloughby character is at least partially based. He called The Simpsons "hurtful and racist," referencing Hank Azaria's apology earlier in the week to people of Indian heritage for his longtime portrayal of Apu Nahasapeemapetilon. He was particularly upset by the depiction of the older Quilloughby as overweight and meat-eating, while the real Morrissey remains vegan.[16] Morrissey himself wrote that the depiction was "taunting" a lawsuit, but he did not have the means to legally challenge it, adding "in a world obsessed with Hate Laws, there are none that protect me."[17] Katsis believed that The Simpsons staff said that the character was based on several people, so that Morrissey could not sue.[18] He also was critical of the character's voice actor, Benedict Cumberbatch; "Could he be that hard up for cash that he would agree to bad rap another artist that harshly?"[19]
Some media pundits, such as Ed Power of The Daily Telegraph and Diamond Rodrigue of the Dallas Observer, believed that Morrissey was overreacting to the episode; the latter said that he should have been happy to be portrayed in popular culture again.[20][21] Conversely, Armond White of the National Review called the episode a "character assassination" and said that it joined in with social media campaigns to "cancel" Morrissey.[22] Writing in The Irish Times, Finn McRedmond found "pleasant symmetry" in how a series he considered to have passed its best was attacking a singer he thought of in the same way.[23]
"The Castle" is the ninth and penultimate episode of the second season of the FX anthology series Fargo, and the nineteenth episode of the series overall. It was written by series showrunner Noah Hawley alongside Steve Blackman and directed by Adam Arkin.
The episode first aired on December 7, 2015, and was seen by 1.31 million viewers.[1] The episode was notable for the controversial appearance of a UFO during its climax, which served as a culmination of numerous UFO-related references recurring throughout the season. "The Castle" was acclaimed by critics, who praised its script, acting performances, and the climactic action sequence at the end.
Lou and Hank call in the South Dakota State Police after recapturing the Blumquists. When Ed reveals his upcoming rendezvous with Milligan at Sioux Falls, State Police Captain Cheney hatches a dangerous scheme for him and Peggy to wear a wire for the meeting. Cheney has Lou escorted out of the state after strongly opposing the idea, though Hank stays behind. The Blumquists agree to the plan for lesser charges, and the police set up an ambush at the motel meeting spot. Hanzee lies to Floyd and Bear by claiming Dodd is being held inside the motel by the Kansas City mob. Meanwhile, Lou stops at the gas station to call home, unaware his wife has collapsed, then discovers that Hanzee killed the attendant. Lou rushes to warn the others, and arrives to find the Gerhardts on the offensive against Cheney and his team. All but Ben and a wounded Hank are dead. Floyd realizes Hanzee's deception when one of the Gerhardt men desperately exclaims "They're cops!", and as she turns to confront him, he stabs her to death. Bear attacks and attempts to strangle Lou. A UFO appears in the midst of the chaos, distracting Bear and allowing Lou to fatally shoot him. The Blumquists flee the premises, pursued closely by Hanzee. Hank tells Lou to pursue the trio as police reinforcements arrive. Milligan and Gale Kitchen arrive upon the scene of the massacre and promptly leave. As the episode ends, the UFO's lights are seen flashing in the sky.
The episode features the "Massacre at Sioux Falls," an event that has been foreshadowed since the first season. In the season 1 episode "A Fox, a Rabbit, and a Cabbage," Lou Solverson recounts to Lorne Malvo a case he encountered in 1979:[3] The season 2 premiere "Waiting for Dutch" opens with a scene depicting the filming of a fictional film titled "Massacre at Sioux Falls," in which an actor portraying a Native American waits for Ronald Reagan to arrive on set. Prior to the episode, commentators drew attention to a real-life homicide that occurred at Sioux Falls in 1973, in which three men impersonating police officers shot and killed four male teenagers, while a fifth victim claimed to have been sexually assaulted by one of the perpetrators.[4] The episode's telling of the events bears little resemblance to the 1973 crime, and instead depicts a massive shootout at the fictional Motor Hotel between the South Dakota State Police, members of the Gerhardt family, Lou, Hank, and Hanzee Dent.
"The Castle" was acclaimed by critics, who praised the writing, acting, directing, and the episode's climax. The episode currently holds a 100% rating on Rotten Tomatoes, with the consensus reading "With "The Castle," Fargo delivers a penultimate episode that is both explosive and contemplative, setting the stage for a humdinger of a finale."[8]
IGN's Terri Schwartz gave the episode a 9.8 out of 10, believing that the episode lived up to the anticipation of its violent climax, with particular praise towards how it handled the fate of the Gerhardts. Schwartz responded positively to the UFO scene, stating "I didn't expect Fargo to go all the way with its extra-terrestrial storyline even though I was hoping it would, but it seems each season of this show is going to include one sequence that can't quite be explained and deeply roots this story in fiction. Last year was the fish falling from the sky, and this year is a flying saucer. The parallel between such an inexplicable burst of violence unfolding the same night as an inexplicable sight like an alien spacecraft makes this a somber touch on an otherwise incredible sequence." She also praised Kirsten Dunst's performance as Peggy during the episode's ending.[9]
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