La Moutarde Me Monte Au Nez Film Complet

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Dans le mme genre vous pouvez trouver LE DISTRAIT (Pierre Richard interprte l aussi un personnage de gaffeur) ou encore LA COURSE A L'CHALOTE (Une comdie de Claude Zidi qui runit nouveau le tandem Pierre Richard-Jane Birkin).

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La moutarde me monte au nez est une trs bonne comdie ralis par Claude Zidi, cocrite par Michel Fabre sur une musique de Vladimir Cosma... qui met en scne Pierre Richard qui joue Pierre Durois, un brave professeur de mathmatiques (fianc a une prof de Gym... jou ...

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Knives Out is a 2019 American mystery film written and directed by Rian Johnson. Daniel Craig leads an eleven-actor ensemble cast as Benoit Blanc, famed private detective summoned to investigate the death of bestselling author Harlan Thrombey (Christopher Plummer). Although police rule Harlan's case a suicide, Blanc suspects foul play and examines a host of clues and deceptive red herrings to ascertain his true manner of death. Johnson produced Knives Out with longtime collaborator Ram Bergman. Lionsgate managed the film's commercial distribution, and funding was sourced through MRC and a multimillion-dollar tax subsidy from the Massachusetts state government.

Johnson conceived Knives Out in the mid-2000s. Seeking to modernize the whodunit films of the mid-twentieth century, the director was inspired by his interest in big-screen movie adaptations of Agatha Christie's stories. Johnson then shifted his attention to creation of his 2017 film Star Wars: The Last Jedi, halting further progress on Knives Out. Development resumed the following year when Johnson wrote the screenplay in six or seven months. He devised a framework of tonal shifts to escalate tension between the characters, and informed elements of the story with his experience coping with intense culture war backlash to The Last Jedi. Principal photography began in October 2018 on a $40 million budget and wrapped that December. Shooting took place on location in suburban Boston. Nathan Johnson composed the film's classical score, which drew on an eclectic array of his and Rian's favorite symphonic movie scores. Knives Out has been read as work that investigates class warfare, wealth inequality, immigration, and race in contemporary American society.

The family of Harlan Thrombey, a wealthy mystery novelist, attends his 85th birthday party at his Massachusetts mansion. The next morning, Harlan's housekeeper, Fran, discovers him dead with a slit throat. Police detectives Lieutenant Elliot and Trooper Wagner believe Harlan committed suicide, but private detective Benoit Blanc is anonymously hired to investigate. Blanc learns that Harlan had strained relationships with his family members, giving several of them possible motives for murder.

Unknown to Blanc, Harlan's nurse, Marta Cabrera, believes she injected Harlan with a lethal dose of morphine after mixing up his medications the night after the party. Harlan instructed her to create a false alibi and then slit his own throat. Marta cannot lie without vomiting, so she gives accurate but incomplete answers when questioned. She agrees to assist Blanc's investigation and conceals evidence incriminating her. At the reading of Harlan's will, Marta is bequeathed his entire fortune; the Thrombeys are shocked by this. Harlan's grandson Ransom helps Marta escape the family, but coerces her into confessing to him. He offers help in exchange for a portion of Marta's inheritance. Meanwhile, the other Thrombeys try to persuade or threaten Marta into renouncing the inheritance, to no avail.

Marta receives a blackmail note containing a partial photocopy of Harlan's toxicology report. She and Ransom drive to the medical examiner's office to find it burned down. Marta receives an email proposing a rendezvous with the blackmailer. Blanc and the police spot them, and after a brief car chase, Ransom is arrested. At the rendezvous, Marta finds Fran drugged. She performs CPR and calls an ambulance. She confesses to Blanc but discovers that she has already been implicated by Ransom. Out of moral obligation, Marta believes she must confess to the Thrombeys, which would invalidate the bequest under the slayer rule.

Back at the mansion, Marta finds Fran's copy of the full toxicology report, which shows Harlan had only trace amounts of morphine in his blood. Blanc reveals his deductions to the police, Marta, and Ransom: that Harlan had told Ransom about his will, and that Ransom had then swapped Harlan's medicines to ensure that Marta would accidentally kill him and thus be ineligible to claim the inheritance. However, Marta actually gave Harlan the correct medication, recognizing it without reading the label due to her experience as a nurse; she only believed she had poisoned Harlan after reading the label. When the death was reported as a suicide, Ransom anonymously hired Blanc to expose Marta. Fran saw Ransom tampering with the crime scene and sent him the blackmail note. After Ransom realized Marta was not responsible for Harlan's death, but Marta still thought she was, he forwarded the blackmail letter to Marta and burned down the medical examiner's office to destroy evidence of her innocence. He then overdosed Fran with morphine, intending for Marta to get caught with Fran's corpse.

The hospital calls; Marta relays that Fran survived and will implicate Ransom. He scoffs that since his attempt to kill Fran failed, his lawyers will help him escape arson and attempted murder charges. Marta then vomits on him, revealing that she lied: Fran is dead. Realizing he has confessed to the murder, and that the police officers recorded his confession, Ransom attacks Marta with a knife from Harlan's collection, which turns out to be a retractable stage knife. The police promptly arrest him.

Blanc tells Marta he suspected early on that she played a part in Harlan's death, noting a drop of blood on her shoe. He tells her that her innocence prevailed because she made ethical choices all along that obstructed Ransom's attempts to incriminate her. As Ransom is taken into custody, Marta watches from the balcony of what is now her mansion, with the Thrombeys gathered outside.

Director Rian Johnson first conceived of Knives Out after the completion of his first feature film, the low budget thriller Brick (2005).[4] Johnson was eager to create a contemporary whodunit mystery influenced from film adaptations of books by detective fiction writer Agatha Christie, which he enjoyed as a child.[4][5] His earliest vision of Knives Out was shaped by Alfred Hitchcock's advice regarding plot development, which argued that conventional whodunits too often relied on formulaic suspense, especially a climactic twist, to culminate the story.[6] Once he had determined the story's goal, Johnson began conceiving ideas for the plot structure, the main one a framework of tonal shifts devised as a means of inciting tension in the story.[6][7] The greatest challenge for the director was modernizing a genre studios deemed too antiquated for release.[8]

Johnson hoped to commit to Knives Out after the release of his science fiction thriller Looper (2012), but suspended the project once Lucasfilm hired him to direct Star Wars: The Last Jedi (2017).[5][9] He embedded elements of the Knives Out story with his experience coping with the intense culture war backlash to his Star Wars work.[10] Johnson began the scriptwriting by January 2018, immediately after finishing his press tour for The Last Jedi, in a process lasting six or seven months.[8][11][12] When the director showed a finished draft to friends, he recalled the response was cynical because his motivations were not well understood.[12] Johnson took the film's name from a Radiohead song, saying it was a good title for a murder mystery.[13]

Daniel Craig came to Johnson's attention for his stage work and non-James Bond film roles. Johnson regarded him as a versatile actor yearning to challenge his abilities in a playful comedy role.[12][18] Craig declined due to his contractual obligations to the then-forthcoming No Time to Die (2021), which was preparing to shoot around the same time, but logistical and creative disputes postponed the film's production by three months, giving the actor enough time to accept the offer.[11][30] Once he read his mailed copy of the script, Craig agreed to join as the writing's tone and humor captivated him.[11][31] The treatment of Blanc was not a fruitful task for Johnson initially; his first conception had been a Hercule Poirot clone "that was just a bunch of crazy quirks". To distinguish the character, the director outlined Blanc as a slightly pompous man with a flamboyant Southern accent, turning to Craig's ongoing feedback for more unique characterization.[6] Craig undertook speech training with a dialect coach for two to three hours per day, studying playwright Tennessee Williams and author Shelby Foote, via interview footage from C-SPAN and the Ken Burns-helmed docuseries The Civil War (1990), to model Blanc's voice.[32]

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